| | | | | | | | | | | | | |
|
Individual Production, Project, and
Performance Files
(continued) |
|
|
All That Jazz (Fosse)
|
|
Fosse Editing Notes
|
|
[Note: All the following files marked
"Editing notes" contain handwritten notes by Bob Fosse (and possibly
assistants) on the editing of particular scenes.] |
|
BOX 3D |
"Katie/Joe Bedroom, Sc. 38+" |
|
"Dan demonstrates song, Sc.
33" |
|
"Take Off (after "number")" |
|
"Victoria: breakdown, Sc. 42" |
|
"Rehearsal III, Joe walks out; Sc.
44A" |
|
"Roy/Leland/Tony, Sc. 45" |
|
"Take off, part I, Sc. 52" |
|
"Take off, transition from parts 1-2, Sc.
52" |
|
"Bob's notes for scene 52" |
|
"1st rehearsal into menage" |
|
"Flashback, nightclub, Sc.
22+" |
|
"Any Seat rehearsal, Sc. 36AA" |
|
"Joe's apt. (Debbie), Sc.
13/15/17" |
|
"Will reading; Sc. 128" |
|
"Projection Room, Sc. 12" |
|
"Audition: lineup, producers, Murray,
Joe/Audrey/Michelle; Producers/Audrey, Joe/Audrey, Sc. 4/5/7/8/9/
(sic)" |
|
"First cutting room, Sc. 11" |
|
"Audition, Sc. 4" |
|
"Morning wakeup" |
|
"Limbo, Not Used" |
|
"Leslie Perry Review, Sc. 122" |
|
"Lead In: Everything Old is New
Again" |
|
"Everything Old is New Again, Sc.
59" |
|
"2nd O'Conner Flood, Sc. 129" |
|
"Corridor, surgery team &
Audrey/Katie, Sc. 130" |
|
"Insurance/surgery, Sc.
134-141B" |
|
"Hospital hallucination number, Sc. 143"
(including lyric sheet with light cues) |
|
"Fiorello's Restaurant, Sc.
145" |
|
"Heart attack after operation, Sc.
150/151/152" |
|
"Old lady dying, Sc. 168" |
|
"Bye Bye Life, Sc. 173" |
|
"Michelle scene (Joe in BA)" |
|
"Limbo - doctors, Sc. 127" |
|
"Corridor: Ann/Max/Rackmil, angiogram, Sc.
125/126" |
|
"Limbo: some people collect stamps, Sc.
82" |
|
"Lighting stage (Bill/John/Jules), Sc.
82" |
|
"Intercuts: Broadway Arts & hospital,
Sc. 64-81" |
|
"Examining room, Sc. 63" |
|
"Book reading - cabs, 1st
hospital" |
|
Casting Files
|
|
[Note: The casting files contain
photo/resumes, letters from applicants and agents, and occasional notes
on applicants.] |
|
BOX 4A |
General |
|
BOX 4B |
General |
|
BOX 4C |
"Women" |
|
BOX 4D |
General, "rejects" |
|
BOX 4E |
General |
|
BOX 5A |
"Strippers" |
|
"Young girls" |
|
"Old women" |
|
"Cafeteria people" |
|
"Dancers, Take Off with Us" |
|
"Character women, nurses,
25-35" |
|
"Jonathan" |
|
"Character women, nurses,
18-25" |
|
"Character women over 35" |
|
"Character men, 20-30" |
|
"Boys" |
|
BOX 5B |
"Men, 40-55" |
|
"People to see" |
|
"Men, 30-40" |
|
"Studs" |
|
Miscellaneous |
|
Also contains audition schedules, contact
lists |
|
Fosse notes |
|
Grey clip folder marked "Casting - All That Jazz - Fosse;" audition schedules,
notes, few photo/resumes, suggestions from agents, character lists with
possible actors, extensive handwritten notes by Bob Fosse |
|
BOX 5C |
Fosse folder |
|
White clip folder, including cast list,
photo/resumes,audition schedules and notes, calendar pages, cast deal
memos, film storage inventory, set dressing inventory, casting notes,
publicity for South America, contact sheets for cast and crew,shooting
schedules, etc. |
|
BOX 5B |
Selected cast |
|
Resumes and photos, tagged with names, of
those actors and actresses selected for film |
|
General Files
|
|
BOX 5C |
Deal memos |
|
Cast deal memos, 1978; shooting schedule,
#4 |
|
Contact Sheets |
|
For All That
Jazz and Dancin', staff, crew,
locations |
|
Titles |
|
Including photos of graphics for "directed
by BF" |
|
Publicity |
|
Cannes Film Festival statement; Columbia
Pictures preliminary production information, including bios of Bob Fosse,
motion picture stars, and crew; miscellaneous, e.g. air dates for Ann
Reinking appearances |
|
BOX 6A |
Tech Crew Resumes |
|
BOX 5C |
Production Miscellaneous |
|
Memos, miscellaneous invoices re: Fosse
personal expenses; snapshot on set; 1976 Syosset Musical Workshop Tribute
to Fosse; "Tommy McCarthy post-production schedule;" miscellaneous
correspondence, Fosse and Michael Shurtleff, 1976; 2 interesting letters
on casting leads between Shurtleff and Fosse, 1978; 3/11/77 2 pp. letter
(notable), from Shurtleff to Bob Fosse, explaining the story of Joe
Gideon from his perspective; Columbia Pictures correspondence re:
marketing/publicity staff introductions; inventories pricing cameras,
electrical supplies, Art Dept., wardrobe, etc.; Giuseppe Rotunno letter
1978 to Fosse |
|
BOX 5D |
Press Book: Cannes |
|
Large press clippings book, French, re: Palm
d'Or, Cannes |
|
BOX 5C |
Brazil/Argentina Publicity
Tour |
|
Very miscellaneous notes |
|
BOX 6A |
Budget |
|
Budget, undated, with ICM memo: "This is the
one we're using"; preliminary budgets, 5/6/77 and 5/9/77; delay cost
estimates, 7/5/78 to 7/17/78 |
|
BOX 5C |
Film Storage Inventory |
|
BOX 6A |
Foreign |
|
Updates on foreign film results |
|
Music |
|
Music rights and costs, revised, 1979 by
scene; Bob Fosse handwritten notes on music needed for film |
|
Possible Crew |
|
Resumes for costume designers, PAs, asst.
directors, etc.; staff and crew contact list |
|
Preliminary Notes, Fosse |
|
Fosse file, including scene list,
locations/sets, script pages, quotes, possible dialogue, audition
schedules and notes; 1976 miscellaneous notes, from friends and
colleagues; extensive random notes, e.g.: "Notes on latter part of All That Jazz, 6/19/76; list of "possible
events" in film; 1 script page, listing dances and timings |
|
Legal/Financial |
|
Letters re: credits on paid ads, 1978;
correspondence re: Richard Dreyfuss' breach of contract; question of
Paramount payment, 1977; correspondence between DGA and Columbia Pictures
on credits billing |
|
BOX 6B |
Magazine Articles |
|
- Cue, 2/1/80: "The Importance of Being Roy," by Cynthia
Heimel
- Screen, 5/17/80: "The Million Dollar Backlot," by Sue Emmett and
"The Tireless Perfectionist," by David Aldredge, and "Cannes Festival"
report
- People, 3/3/90: "After three coronaries and ical surgery, Bob Fosse
puts his heart and soul into All That Jazz," by Barbara Rowes
- After Dark, 2/80: "Fosse Reflects On Fosse," by Kenneth L. Geist (2
copies)
- Playboy, 9/80: "Interview: Roy Scheider"
- Playboy, 3/80: "Movies"
- American Film, 11/79: "Life as a Long Rehearsal," by Bernard Drew
(3 copies)
- Le Nouveau Film Francaise, 5/17/80: Cannes - All That Jazz report
- Life, 11/79: "Fosse's Ego Trip," by Chris Chase
- The Observer, 6/29/89: "Work, Women - and All That Jazz," by
Goodman/Bygrave
- Sunday Times (London), "I Wanna Be a Dancin' Man" (2 copies)
- Newsweek, 12/24/79: "Dance of Death," by Jack Kroll (2 copies); MD:
"Films" review
|
|
Press Reviews |
|
This category includes transcripts of radio
and television coverage, as well as print reviews |
|
Brazil/Argentina Press |
|
BOX 6C |
Newspaper Clippings |
|
Fosse: Dance/Music Notes,
Miscellaneous |
|
Few pages of notes (not Fosse) on All That Jazz dance; couple song sheets, Bob
Fosse lyrics and notes |
|
BOX 7C - D |
Music |
|
"Emile Charlap" envelope marked: "Allan Heim,
production parts, music" consisting of ozalid arrangements of music for
the film by Ralph Burns. Some loose music material |
|
BOX 85G |
Miscellaneous Music |
|
BOX 6B |
Publicity Materials |
|
Large format brochure: "For your
consideration... Academy Awards". One in color, one black and white;
inserts for trade magazines |
|
BOX Item 97A |
All That Jazz Poster |
|
33x48 black and white German poster |
|
Photos
|
|
BOX 7A |
Josh Weiner's All
That Jazz contact sheet |
|
BOX 86A |
12x19 color photo, Ann Reinking alone;
16x19 color photo, Ann Reinking dancing (male dancer in
background) |
|
BOX 85B |
Several miscellaneous large format casting
photos |
|
Scripts
|
|
[Note: Identifications such as "Director's
final draft," or "rehearsal draft," are taken directly from the scripts
themselves, as are dates. Scripts may be duplicates. The terms
"annotated," "notations," "markings" refer not only to commentary written
on the scripts, but also any cuts, revisions, dialogue changes, etc.,
that have been marked on a particular script. Covers have been removed
for preservation concerns.] |
|
BOX 1A |
Screenplay, 8/3/76, green cover, blue dot
133 pp.; with revisions; unmarked |
|
Screenplay, 8/3/76, blue cover, blue
dot |
|
Marked "1st draft, Bob Fosse's script;" 133
pp.; annotated |
| Next Page » |
