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Individual Production, Project, and Performance Files
(continued) |
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Sweet Charity (Film)
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BOX 30D |
Magazine Reviews |
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Look, 7/9/68: "Sweet Charity" by Jack Hamilton (2 copies) |
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Dance Magazine, 2/69: "Bob Fosse Translates Sweet Charity from Stage to Screen," by Viola Hegyi Swisher (2 copies) |
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Motion Picture Herald, 6/68: "On the Set of Sweet Charity," by Tom Gray |
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Dance Magazine, 7/69: "Sweet Charity," by Maria Harriton (cut out) |
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Today's Cinema 2/24/69: "How Fosse Went To Hollywood," by John Ware |
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Kine Weekly (UK), 2/22/69: Sweet Charity review, by Graham Clarke |
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BOX 30C |
Preview Program |
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BOX 30E |
Newspaper Clippings |
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BOX 30D |
Press Reviews |
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This category includes transcripts of radio and television coverage, as well as print reviews |
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BOX 30E |
Newspaper Clippings, France |
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BOX 30A |
Legal Correspondence, 1966-68 |
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Correspondence re: motion picture rights, Fellini (Nights Of Cabiria), and De Laurentiis; extensive correspondence on the Universal Pictures rights purchase; correspondence re: agreements with Fields, Simon, Bob Fosse; copy of procedure re: distribution of monies with respect to motion picture rights for Sweet Charity; correspondence re: associate producer (Bob Fosse) with Universal Pictures; correspondence re: music rights |
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Step Outline |
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I.A.L. Diamond, 7/28/67 (2 copies) |
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Locations Research, NYC |
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Postcards and brochures; extensive photo file stored elsewhere |
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Preview Cards |
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Phoenix, AZ 12/6/68; Chicago, IL 12/7/68 |
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Miscellaneous |
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Correspondence, personal congratulations; Schiller interview with Gwen Verdon and Bob Fosse; undated Bob Fosse biography; correspondence from the Association Francaise de la Critique protesting cut version of film from Universal, May 1969; staff and crew list, etc. |
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Recording |
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4/23/68 phonodisc recording of "I'm a Brass Band rehearsal (film?) |
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Location: MBRS |
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BOX 27E |
Clapboard |
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Universal City Studios, 6/15/68, autographed by crew |
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Scripts
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[Note: Identifications such as "Director's final draft," or "rehearsal draft," are taken directly from the scripts themselves, as are dates. Scripts may be duplicates. The terms "annotated," "notations," "markings" refer not only to commentary written on the scripts, but also any cuts, revisions, dialogue changes, etc., that have been marked on a particular script.] |
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BOX 30A |
Screenplay, 1st draft, 8/8/67, red cover |
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Marked "1st draft screenplay by I.A.L. Diamond (Scenes 1 through 87) 8/8/67;" 27 pp.; few annotations |
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Screenplay, 1st draft, 8/17/67, yellow cover |
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Marked "1st draft screenplay by I.A.L. Diamond, Scenes 1 through 75, revised 8/17/67;" 51 pp., annotations |
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Screenplay, 1st draft, 11/16/67, green cover |
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By Peter Stone; 84 pp.; some annotations |
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Screenplay, 1st draft, 11/28/67, "Director", green Universal Studios cover |
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Marked "Director" on cover; by Peter Stone; with Bob Fosse notes and markings; 146 pp. |
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Screenplay, 1st draft, 11/28/67, green Universal Studios cover |
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Unmarked copy; 146 pp. |
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BOX 27C |
Final screenplay, "Director's," 1/17/68, black 3 ring binder |
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Marked on cover: "Script, Mr. Fosse;" 140 pp., with revised pages; some annotation |
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BOX 30B |
Synopsis, Notes, Nights Of Cabiria
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4/67 synopsis of the film Nights Of Cabiria; synopsis of Sweet Charity, by Neil Simon; notes (typed) to Bob Fosse from Robert Arthur on film editing; script pages, dialogue, revisions, and extensive annotations, with extensive Bob Fosse handwritten versions and notes. Note: This file contains some material pertaining to the original stage production, but was kept intact as Fosse had filed it |
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Screenplay, 1st draft 9/28/67, blue spring binder: The Carol Burnett Show, Gwen Verdon) |
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By Peter Stone; 122 pp; some annotations; |
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Fosse's Notes, blue spring binder: Sweet Charity - Der Fuhrer |
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Bob Fosse's notebook, important, containing shooting notes, general notes (location lists, construction schedules, etc); lyrics, camera shots, estimated footage; interoffice memos; shooting schedules, score information, staff and crew lists; movement/dance notes; partial storyboard, and so on. |
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Notebooks
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[Note: These belong with the scripts.] |
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Director's Notebook |
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"Banner Line" composition notebook, with only a few pages of Bob Fosse's writing; includes some loose memo pad sheets |
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Music notes, green paper cover |
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Editing notes for music, dated 7/30/68 |
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Musical numbers, blue cover |
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Shooting script for musical numbers, with a few Bob Fosse notes |
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Casting, blue cover |
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Cast list with character/actor names and contact sheets |
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Sweet Charity - "Oscar", blue cover |
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Role outline, Bob Fosse dialogue ideas, etc. on Oscar section of film; note to reader from Bob Fosse at front. |
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Sweet Charity - "Oscar", blue cover |
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Original (# 5 is duplicate), with a few handwritten annotations |
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Sweet Charity - "Movie Star", blue cover |
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Outline, Bob Fosse idea for dialogue, etc. on particular character |
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Endings - miscellaneous versions, blue cover |
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Script pages, draft pages, revisions, some Bob Fosse annotations |
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Endings - revised versions |
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Script pages from final screenplay, dated 1/17/68; with revised endings and alternate endings dated 8/1/68 |
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Sweet Charity (Revivals)
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[Note: Check dates on these files for productions which are not properly revivals, but which belong with the original stage production (on tour.)] |
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BOX 29D |
Press Reviews |
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1985-86; this category includes transcripts of radio and television coverage, as well as print reviews |
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Newspaper Clippings |
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1985-86; Debbie Allen, Ann Reinking |
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Press Reviews |
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1987; Donna McKechnie, Philadelphia |
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Newspaper Clippings |
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1987; Donna McKechnie, Toronto |
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Press Reviews |
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1987; Donna McKechnie, Toronto |
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BOX 29C |
Casting, 5/7/87 - "Nikki-Ursala" |
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Audition schedules, photo/resumes |
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Casting, 5/13/87 - "Herman" |
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Herman audition script |
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Casting, 5/27/87 - Equity Female Dancers |
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Audition schedules, with notes |
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Casting, 4/23/87 - "Oscar, Nikki, Ursala, Herman" |
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Audition schedules, notes, photo/resumes |
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Casting, 4/30/87 - "Nikki, Ursala, Herman" |
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Audition schedules, notes, photo/resumes |
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Casting, 12/5/86 - "Ursala, Big Daddy" |
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Audition schedules, notes, photo/resumes |
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Casting, 2/19/87, 2/5/87 - "Oscar" |
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Audition schedules, notes, photo/resumes |
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Casting, 8/19/86 - 2nd swing call |
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Audition schedules, notes, photo/resumes |
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Casting, 7/29/86 - "Herman" |
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Audition schedules, photo/resumes, notes |
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BOX 29A |
Correspondence, 1985 - L.A. Opening |
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Telegrams, letters, notes, etc. |
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National Tour, Toronto, 1987 |
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Cast and crew contact sheets, June and July weekly schedules |
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National Tour, Toronto, 1987 - Tech notes |
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Technical notes and color photos, set design |
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National Tour, Toronto, 1987 - Miscellaneous |
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Fan and personal letters and notes; casting list and updates, staff lists, Bob Fosse rough itinerary; Stagebill and playbill corrections; dresser note forms, information on studio availability, etc. |
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National Tour, Philadelphia, 1987 |
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Philadelphia Inquirer ad, photocopy; tour policy memo; weekly September schedule; itinerary 9/1-9/3; 1 letter of resignation |
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Stage Manager's Reports, 1985-87 |
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BOX 29B |
Casting, 1984-87 |
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Audition schedules, notes, memos, photo/resumes |
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Casting |
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Audition schedules, notes, casting cards |
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Casting, National Company, 1987 |
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Male dancer alternates; audition notes, photo/resumes, casting cards |
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Casting, National Company - New dancers |
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Casting cards, notes, photo/resumes |
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Casting, National Company |
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Female dancer alternates, 3rd; photo/resumes, polaroids, notes |
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Casting, National Company |
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Female dancer alternates, 2nd; same as 25 |
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Casting, National Company |
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Female dancer alternates, 1st; photo/resumes, polaroids; notes, ranking list of alternates |
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BOX 29A |
Tech Notes |
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Undated, some April 1986 |
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