| | | | | | | | | | | | | |
|
Individual Production, Project, and
Performance Files
(continued) |
|
Burnt Offerings (Fosse)
(continued) |
|
Script revisions, 5/12/70
duplicate |
|
Script revisions, 5/12/70
duplicate |
|
"Script rewrites, 9-10/70" 20 pp.; few
markings; letter from Robert Marasco, 11/20/70 re: script
changes |
|
BOX 14D |
Fosse script notes |
|
20 pp. handwritten; 1 p. typed Paddy Chayevsky
notes; 20th Century-Fox outline notes, 1969 |
|
|
Cabaret (Fosse)
|
|
BOX 16E |
Magazine Reviews |
|
New York, Feb. 21, 1972: "Best of Both
Worlds," by Judith Crist |
|
L'uomo Vogue, June/July 1973: "Dal Teatro
al Cabaret," "Il Volo Di Michael York," and "Bob Fosse" |
|
After Dark, Feb. 1972: "Maybe This Time -
a photo preview of Cabaret," by Neil Applebaum Chaplin 116, No.5 1972:
"Cabaret," by Torsten Manns |
|
Time, Feb. 28, 1972: "Liza - Fire, Air and
a Touch of Anguish," by Gerald Clarke (4 copies) |
|
Newsweek, Feb. 28, 1972: "Liza Minnelli: A
Star Is Born," by S. K. Oberbeck (2 copies) |
|
Time, April 9, 1973: " Hollywood's
Revenge" (on Cabaret Oscars) |
|
Life, Feb. 4, 1972: "Liza" (2
copies) |
|
BOX 16F |
Press Reviews |
|
Including radio and television
transcripts, magazine clips and photocopies of newspaper clippings,
etc. |
|
Newspaper Clippings |
|
BOX 16A |
Unit Lists |
|
Location Memos, 1971 |
|
Location and set research |
|
BOX 16B |
Cy Feuer |
|
Correspondence from envelope marked "Cy
Feuer," containing Bob Fosse's insurance application, Bob Fosse
hand-written notes and letter to Martin re: production problems
(pertaining to overheard Feuer phone call); Cy Feuer correspondence,
1970-71, re: script and score |
|
Casting: Dancers, Germany |
|
Audition schedules, memos, notes, lists of
dancers |
|
BOX 16A |
Costumes |
|
Costume/character/production number lists,
1971; wardrobe memos |
|
BOX 16D |
Lyrics |
|
Shooting and editing notes, and timing for
these lyrics, extensively annotated; "Cabaret," "Mein Herr" |
|
Lyrics |
|
Editing and shooting notes, "Maybe This
Time," and "Two Ladies" |
|
Lyrics |
|
Lyric sheets, music notes, "Wilkommen,"
and "Wilkommen Finale" |
|
Lyrics |
|
Music notes, editing notes, "Tomorrow
Belongs to Me" |
|
Lyrics |
|
Music notes, choreography notes, "If You
Could See Her Now," and "Money" |
|
BOX 16B |
Set Designs |
|
Set plot and memos, plus blueprint designs
for various sets |
|
Preview Cards |
|
For 1972 Los Angeles and Anaheim
previews |
|
BOX 16A |
Research, Germany |
|
Postcards and photos for location, set and
costume research: Munich, Berlin, Hamburg |
|
BOX 16B |
Contracts |
|
Bob Fosse contract, 1970, and
correspondence; handwritten notes by Bob Fosse |
|
Budgets |
|
German budgets, including formal 1970
complete budget; Cabaret costume count; ABC
interdepartmental memos, 1971 re: production representatives and budget,
associate producer assignments; employment letter, unit publicist, budget
and shooting schedule for period vehicles; memos on added costs, sets,
mechanicals |
|
BOX 16A |
Memoranda, German Office |
|
1971, miscellaneous informational office
memos, re: rehearsal rooms, expenses, staff/crew hiring; preproduction
research on photos and films; information on dancers; cast and crew
flight schedules, etc. |
|
BOX 16B |
Shooting Schedules |
|
Breakdown sheets, based on 10/22/70
script |
|
BOX 16C |
Casting |
|
Memos, resumes, letters,
photos |
|
BOX 16D |
Songs And Notes |
|
From file marked "Songs," annotated,
revised lyric sheets; extensive Bob Fosse drafts of lyrics |
|
BOX 16B |
Fosse Notes |
|
"Cabaret Ideas" notebook, with handwritten
notes, including cinematography and editing |
|
Premiere Program |
|
Includes ad cut, and Spanish
ad |
|
Foreign Stage Productions |
|
Programs: Theater An Der Wien, 1970-71;
Det Danske Teater, 1969-70 |
|
Financial, Fosse personal
expenses |
|
London, Germany bills and receipts for
hotels, travel, meals, etc.; memos to Cy Feuer re: living expenses,
etc. |
|
Correspondence, re: film crew and
staff |
|
1970 memos, correspondence and resumes,
re: cameramen, costume designers, director of photography, editors, and
so on; includes Bob Fosse handwritten interview notes and Robert Surtees
correspondence |
|
Correspondence, Fosse personal |
|
Miscellaneous memos, Bob Fosse notes;
correspondence with Surtees, John Kobal on books, hiring, etc.; pamphlet
of Cabaret sketches "It had been a big
pleasure to work for you... Ladies group sextette;" miscellaneous
banking, etc. |
|
Legal/Financial |
|
1973-83: legal correspondence and
statements, including ABC's financial statements on Cabaret; 1971 Writers Guild correspondence re: credit
arbitration; contractual payment schedules, residuals, etc. |
|
BOX 16A - B |
Production Miscellaneous |
|
German vocabulary list; fact sheet on
Munich, flight schedules, Germany; hotel lists, contact sheets; ABC
letter, 1971 on editing schedule; G. Unsworth, cameraman memo on filming
concerns; period vehicle/location lists; cast start/finish schedule;
London schedule; Germany brochure; Bob Fosse "To Do" handwritten memo for
Europe; Bob Fosse handwritten note on Surtees; other miscellaneous
information and notes |
|
BOX 16A |
Editing Miscellaneous |
|
Sequence breakdown/synopsis 7/11/90;
musical numbers and spots, with timing, 6/25/70 |
|
BOX 16B |
Script Notes (from friends) |
|
From file marked "Friends' notes after
reading script," including comments from Neil Simon, Bob Aurthur,Gwen
Verdon; 10/6/70 letter from Cy Feuer to W.E. Dodd (Allied Artists'
president) on changes in first draft screenplay suggested by Dodd; Bob
Fosse's script notes, typed and handwritten |
|
Dialogue Revisions |
|
Notes on various script pages, much in Bob
Fosse's hand |
|
Script Miscellaneous |
|
Sequence breakdowns, musical numbers,
locations, and appropriate script pages |
|
BOX 16C |
Casting |
|
Letters, photo/resumes, correspondence,
audition schedules, memos |
|
BOX 85B |
Press Clippings Book |
|
Post-Academy Awards; large format, 12x16,
including quotes, photos, other press |
|
Cabaret Press |
|
Extensive press reviews, all photocopies;
1972 |
|
BOX 85F |
Cabaret Posters |
|
Color, Italian, 40x55, (1); Color, 27x41,
(3 copies) |
|
Scripts
|
|
[Note: Identifications such as "Director's
final draft," or "rehearsal draft," are taken directly from the scripts
themselves, as are dates. Scripts may be duplicates. The terms
"annotated," "notations," "markings" refer not only to commentary written
on the scripts, but also any cuts, revisions, dialogue changes, etc.,
that have been marked on a particular script.] |
|
BOX 15A |
Script, 1st draft, blue vinyl
cover |
|
Marked # 30; 129 pp.; no annotations |
|
Script, 1st draft revised, blue vinyl
cover |
|
Marked # 81; 129 pp.; no annotations |
|
Script, 1st draft revised |
|
Marked # 82; 129 pp.; few
annotations |
|
Script, 1st draft revised, "Rewrite as of
12/1" |
|
Marked " # 20; "Rewrite as of 12/1;" 129 pp.
with sequence breakdown and footage count; photocopied and original
deletions, dialogue additions, etc. |
|
Script (partial), revised pages 100 pp.,
with Bob Fosse annotations |
|
Script, 1st draft (partial),
revisions |
|
Photocopied and original Bob Fosse
annotations; revisions; 57 pp. |
|
"Old pages from Fosse script" |
|
Marked "Old stuff from Fosse script; 100 pp.;
some annotation by Bob Fosse |
|
BOX 15B |
Script draft, 3/6/70 102 pp., some
annotation |
|
Script (partial), with
revisions |
|
Revised pages; 100 pp., with Bob Fosse
annotations |
|
BOX 15C |
Final draft, 2/15/71, black spring
binder |
|
Marked "Bob Fosse," # 7; this is a shooting
script, with camera directions and setups, dialogue additions and
changes, handwritten annotations |
|
Bob Fosse Editing Notes, grey 3 ring
binder |
|
Marked "final draft, 15 Feb., 1971," and
"script notes, Trudy von Trotha;" with shooting and editing information:
soundtrack, camera, footage, etc. |
|
|
Call Me Mister (Fosse)
|
|
BOX 43A |
Legal |
|
1946 Actors Equity contract, Bob
Fosse |
|
|
Can-Can (Verdon)
|
|
Programs |
|
4 different undated souvenir
programs |
|
Magazine Reviews |
|
Vogue, 10/15/53: "See the Pretty
Petticoat" |
|
Tops, 4/54: "Tops in Theatre" |
|
Metropolitan Host Theatre review,
5/16/53 |
|
Saturday Review, 5/23/53: "Who Threw the
Overalls in Mr. Porter's Bouilla- baisse," by Henry Hewes |
|
Newspaper Clippings |
|
BOX 86D |
Press, Fragile |
|
Fragile magazines (complete), magazine
pages, and newspaper clippings, bound to matte board, from: |
|
- A) Can-Can, 1953-54
- B) Can-Can, 1953-54
- C) Can-Can, pages from single fragile
scrapbook
- D) Can-Can
|
|
BOX 86A |
Can-Can Illustration |
|
Milton Marx caricature on illustration
board, 13x18; black and white |
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