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Individual Production, Project, and
Performance Files
(continued) |
|
Cabaret (Fosse)
(continued) |
|
Script, 1st draft, blue vinyl
cover (continued) |
|
Marked # 30; 129 pp.; no annotations |
|
Script, 1st draft revised, blue vinyl
cover |
|
Marked # 81; 129 pp.; no annotations |
|
Script, 1st draft revised |
|
Marked # 82; 129 pp.; few
annotations |
|
Script, 1st draft revised, "Rewrite as of
12/1" |
|
Marked " # 20; "Rewrite as of 12/1;" 129 pp.
with sequence breakdown and footage count; photocopied and original
deletions, dialogue additions, etc. |
|
Script (partial), revised pages 100 pp.,
with Bob Fosse annotations |
|
Script, 1st draft (partial),
revisions |
|
Photocopied and original Bob Fosse
annotations; revisions; 57 pp. |
|
"Old pages from Fosse script" |
|
Marked "Old stuff from Fosse script; 100 pp.;
some annotation by Bob Fosse |
BOX 15B |
Script draft, 3/6/70 102 pp., some
annotation |
|
Script (partial), with
revisions |
|
Revised pages; 100 pp., with Bob Fosse
annotations |
BOX 15C |
Final draft, 2/15/71, black spring
binder |
|
Marked "Bob Fosse," # 7; this is a shooting
script, with camera directions and setups, dialogue additions and
changes, handwritten annotations |
|
Bob Fosse Editing Notes, grey 3 ring
binder |
|
Marked "final draft, 15 Feb., 1971," and
"script notes, Trudy von Trotha;" with shooting and editing information:
soundtrack, camera, footage, etc. |
|
Call Me Mister (Fosse)
|
BOX 43A |
Legal |
|
1946 Actors Equity contract, Bob
Fosse |
|
Can-Can (Verdon)
|
|
Programs |
|
4 different undated souvenir
programs |
|
Magazine Reviews |
|
Vogue, 10/15/53: "See the Pretty
Petticoat" |
|
Tops, 4/54: "Tops in Theatre" |
|
Metropolitan Host Theatre review,
5/16/53 |
|
Saturday Review, 5/23/53: "Who Threw the
Overalls in Mr. Porter's Bouilla- baisse," by Henry Hewes |
|
Newspaper Clippings |
BOX 86D |
Press, Fragile |
|
Fragile magazines (complete), magazine
pages, and newspaper clippings, bound to matte board, from: |
|
- A) Can-Can, 1953-54
- B) Can-Can, 1953-54
- C) Can-Can, pages from single fragile
scrapbook
- D) Can-Can
|
BOX 86A |
Can-Can Illustration |
|
Milton Marx caricature on illustration
board, 13x18; black and white |
|
Chicago (Fosse and Verdon)
|
BOX 18A |
Research: The Tribune and Chicago
journalism |
|
Book excerpts, photocopies, re: Chicago
Tribune in 1928, Chicago journalism, historical events in Chicago, e.g.
hangings, etc. |
|
Research: 1920-30 |
|
Photocopies of newspapers, 1922-23, on
journalism and crime |
|
Research: Beulah Annin |
|
Articles on Beulah Annin and a few other
characters: cover sheets (listing specific stage characters) and
clippings pertaining to the actual person who was the basis for the
character; also, notes on meetings with researchers |
|
Research: 1920's |
|
Police files, newspaper
clippings |
|
Research: Annin's police files and trial
transcript 50 pp., including a letter from Ian Shearn,
researcher |
|
Research: Annin reportage |
|
Cover letter from Alison Price,
researcher, and miscellaneous correspondence with researchers; excerpts
from news-clippings, trial transcripts and reportage, 80 pp., including
"Gene Siskel" research |
BOX 18G |
Magazine Reviews |
|
After Dark, 6/75: "Gwen Verdon and
Chicago: The Reincarnation of Roxie Hart," by Clarke |
|
Taylor (3 copies) |
|
People, 6/23/75: "On Stage: Separated but
still mated professionally, Gwen Verdon hoofs for her |
|
ex" |
|
Centre Stage, 9-10/77: "Bob Fosse: From
Dancer to Director," by Lawrence O'Toole |
|
Cue, 7/7-13/75 |
|
Cue, 6/16-22/75: "All About Evil," by
Marilyn Stasio |
|
Dance Magazine, 11/75: "Bob Fosse's
Chicago: Roxie's Razzle Dazzle and All That Jazz," by Richard
Philp |
|
Footlights, 6/78: "Ladies of the Evening:
Gwen Verdon, Portrait by Peter Michael Carlisle" (same, Chita Rivera,
Portrait) (3 copies) |
|
Vogue, 9/75: "People Are Talking About..,
Chicago, That Razzle Dazzle Musical," by Leo Lerman |
BOX 18F |
Programs |
|
Playbill, Forrest Theatre, 1975
(autographed to Bob Fosse from Paul Solen); playbill, 46th St. Theatre,
5/75; Stagebill (Chicago, IL) 4/78 (4 copies); Playbills, 46th St.
Theatre: 7/75, 6/77, 8/75, 3/77; Playbill, Colonial Theatre,
9/77 |
|
Programs, international
productions |
|
Program and handbill: Teatro El Nacional,
Buenos Aires, 1977; programs only for the following: Greece, 1982; Aarhus
Theatre, 1976; Theater in Freiburg, 1981; Abo Svenska Teater, Finland,
1976; Teater Arena, Ghent, Belgium, 1980-81; Operett Szinhaz, Hungary;
Stadsteatern, 3/11/76 (European premiere); Helsingin Kaupungin Teater
(and handbill); Det Danske Teater, 1976-77; Hamburger Thalia Theater,
1977; Riksteatern, Sweden, 1976; handbill: Arena Teater, Ghent, Belgium;
handbill and program: Ungdommens Teater, 1977 |
|
Programs |
|
The Hanna Theatre, Cleveland, 1978;
Harrah's Marina, Atlantic City, 1985; University of Akron, Ohio program,
autographed to Bob Fosse by Arlene Fontana |
|
Program, 1927 production |
|
From 2/21/27 play Chicago by Maurine Watkins, staged by George Abbott,
autographed by George Abbott |
BOX 18C |
Stage Managers' Reports, 1975-78 |
BOX 18D |
Music |
|
For "It," " Funny Honey," "Roxie," "
Razzle Dazzle," "We Both Reached for the Gun," "Loopin' on the Loop," "Me
& My Baby," "My Own Best Friend" |
BOX 19B |
Press Reviews, miscellaneous
productions |
|
Press Reviews, foreign
productions |
|
Press Reviews, 1973 |
|
Press Reviews, 1975 |
|
Newspaper Clippings, 1975 |
|
Press Reviews, 1977 |
|
Press Reviews, 1978 |
|
Newspaper Clippings, 1978 |
|
Press Reviews, 1979 |
|
Press Reviews, 1985 |
BOX 18C |
Tech Notes, undated |
BOX 18B |
Casting, 1974-75 |
|
Correspondence with Michael Shurtleff;
audition schedules; character lists; callback sheets; photo/resumes and
letters; audition lists with Bob Fosse notes |
|
Casting |
|
Photo/resumes; audition cards; Bob Fosse
notes |
|
Casting, 1976-77 |
|
See above |
|
Casting |
|
Photo/resumes; undated
correspondence |
BOX 18C |
Television Commercials |
|
1975 correspondence re: commercial spots,
plus television schedule |
|
Rehearsal and production
schedules |
|
1974 and undated; including contact
lists |
|
Correspondence and schedules,
1978 |
|
A few 1978 promotional schedules for
Verdon and Rivera |
|
Legal/Financial |
|
1974 correspondence re: Bob Fosse
production contacts; royalty agreements and correspondence about
reductions in royalties, 1974-76; 1974 prospectus for Chicago Company; Verdon's 9/74 agreement with
Chicago Co.; closing notice; file covers
1974-82, but material is sparse after 1976 |
|
Financial, 1974-79 |
|
Financial statements and budgets, 1974-79,
including estimated production costs, 1974, and weekly operating budgets;
assorted financial statements for 1975, 1977 |
|
Correspondence, miscellaneous |
|
Several theatre-goers'
complaints |
|
Correspondence, re: script |
|
Fred Ebb's notes on script reviews,
undated; 4/23/78 letter re: script reviews, with Bob Fosse marginal
notes |
BOX 18E |
Playscript |
|
French's musical library publication of
Chicago script (3 copies) |
BOX 19B |
Calendar, 1986 |
|
"Hirschfeld's Broadway," including Chicago caricature; Chicago publicity card |
BOX 17C |
Chicago (Watkins) |
|
Playscript of Maurine Watkins play;
photocopied press clippings from original (Watkins)
production |
BOX Items 97C, 97K |
Posters and Handbills |
|
Black and white, 17x24 photo of trade ad
for film (1); 16x27 1/2 color lobby poster from Det Danske Teater (1);
41x59 color poster, 46th Street Theatre |
BOX 93B |
Handbill, Framed |
|
14x21 color handbill, Abo Svenska Theatre,
in clear plastic modular frame |
BOX 86A |
Handbills and Illustrations |
|
Single matte folder: |
|
Handbill, color, 14x19, Alexander Theatre,
1977; Handbill, 16 1/2x23 1/2, color, Teater Arena; Poster, 20x27 1/2
color, Operett Szinhaz Drawing (reproduction), Verdon dancing, by Mark
Cote (2, same) |
|
Loose: |
|
Caricature, on illustration board, by Mark
Cote; this is an original; there are copies elsewhere |
BOX 85F |
Sketch |
|
12x15 pencil drawing by Graff, 1978, of
Ann Reinking and Liza Minnelli as Roxie Hart; mattted in |
|
20x23 frame |
BOX 86A |
Photos |
|
15x19, mounted black and white photos,
both by Murray Laden, one of Verdon, one of Verdon and Chita
Rivera |
BOX 87A |
Framed Poster |
|
16x20, color, 46th St. Theatre |
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