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Individual Production, Project, and Performance Files
(continued) |
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Dancin' (Fosse)
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BOX 85F |
Handbills |
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2 handbills, 14x22, full color, Broadhurst Theatre (1 on cardboard) |
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BOX 97D |
Posters And Ad Cuts |
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Foreign Dancin' posters: 15x22, color, Palais de Congres, Paris; 16x23, color, Theatre Mogador, Paris; 13 x 27 1/2 (not illustrated, handbill), Teatro Comunale Bologna; 27x39, color, Teatro Petruzzelli, 1983 |
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BOX 85A |
2 sheets of ad cuts (mildewed) |
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The Danny Kaye Show (Verdon)
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[Note: Verdon appeared on 7 episodes of The Danny Kaye Show between 1963 and 1965.] |
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BOX 43C |
Newspaper Clippings, 1965 |
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BOX 43B |
Magazine Reviews |
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Dance Magazine, 11/64: "Turn on TV" |
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Legal |
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Notes and 1 p. correspondence on contract draft |
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The Dinah Shore Show
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Legal |
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1959 contract, Bob Fosse choreography for "Erbie Fitch's Twitch", from Redhead
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Endings (Fosse)
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[Note: Title of the film is referred to both as Ending and Endings.] |
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BOX 14C - D |
Casting |
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photo/resumes |
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BOX 14C |
Casting |
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"Possible people to see in NY" photo/resumes |
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"People seen in CA" photo/resumes |
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"People who have been seen" photo/resumes |
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BOX 14B |
Casting |
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Fosse audition notes, blue cover notebook |
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Bob Fosse's notebook; has audition schedules, notes on characters and actors; extensive |
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BOX 14C |
Casting |
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"CA" Interview schedules and notes |
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"NY" Interview schedules and notes |
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BOX 14B |
Fosse Notebook |
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Composition book marked "Ending;" contains notes by Bob Fosse (handwritten) and others; plus clipping on the book "Ending", loose news clippings on hospices; Pete Hamill and Herb Gardner notes on Ending script; transcript of notes for film called Dying; documentary shot list; Stuart Ostrow notes on script; Robert Alan Aurthur's article, "Thoughts on the Death of My Father" |
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Research |
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Magazine clippings on book "Ending" by Hilma Wolitzer, on death, disease, dying; notes on the movie Dying; brochures on hospitals and medical centers; medical reports on myeloma disease; questionnaires for physicians, including that of 8/26/76 meeting with physician in E. Hampton on dying and ethics; outline/synopsis of Ending by script reader; notes on stages of death; clippings on cancer treatments |
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Legal, 1974-76 |
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Correspondence re: agreement with Hilda Wolitzer; R. A. Aurthur's agreement, 10/74 and revisions (including memos to Ostrow on this); draft and memos on Ostrow/Fosse agreement, 1975; CPA letter to Ostrow on taxes |
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BOX 14D |
Production Schedule and budget |
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2/5/76 shooting schedule and preliminary production budget; cover memo, Steve Kesten |
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BOX 14B |
Production Miscellany |
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Script record; photo/resumes; letters; notes on crew applicants |
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Scripts
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[Note: Identifications such as "Director's final draft," or "rehearsal draft," are taken directly from the scripts themselves, as are dates. Scripts may be duplicates. The terms "annotated," "notations," "markings" refer not only to commentary written on the scripts, but also any cuts, revisions, dialogue changes, etc., that have been marked on a particular script. Initial scripts were titled Ending; the revisions and final are titled Endings.] |
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BOX 13D |
Screenplay, 2nd draft revisions |
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Marked "9/4/75, 9/11/75;" 129 pp.; some annotation, cuts, additions, etc.; Endings
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Screenplay |
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Marked "9/4/75, 9/11/75;" 129 pp.; Endings; partial script carbon, not annotated, plus miscellaneous heavily annotated revised pages; Bob Fosse/Aurthur (?) notes on script; letter to Ostrow and Bob Fosse from Aurthur (?), 1975, on script; documentary shot list with revisions; Aurthur's (?) outline and notes for meeting with Bob Fosse, 12/18/74; other noted dated 12/75; this file contains extensive material |
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Screenplay, 2nd draft |
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Marked "94/75, 9/11/75," Endings; 136 pp.; photocopy with few markings |
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BOX 13C |
Screenplay revisions 100 pp.; extensive revisions |
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BOX 13D |
Screenplay, 11/11/75 |
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Marked Ending; 103 pp.; few changes, several loose pages; photocopy |
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BOX 14A |
Screenplay, 12/1/75 |
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Marked #20; 105 pp.; few markings |
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Screenplay, 12/1/75 |
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Marked #6; 105 pp.; unmarked |
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Screenplay, 12/1/75 |
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Marked #2; 105 pp.; unmarked |
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Screenplay, 12/1/75, purple cover |
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Marked #21; 105 pp.; unmarked except for Bob Fosse notes on title page |
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Screenplay, 2nd draft, pink folder |
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Seems to be 2 separate scripts; 1 = 132 pp.; 2 = marked "2nd draft," is only 44 pp.; few annotations on both |
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Funny Girl (Fosse)
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BOX 44A |
Script, 9/6/63, yellow paper cover; 36 pp.; unmarked |
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Script, 9/6/63, yellow paper cover; 36 pp.; unmarked |
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Script, revised |
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Incomplete, mainly Act II; revised pages; unmarked; undated; 36 pp. |
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Script, Act II, blue and white paper cover; 38 pp; unmarked |
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Script, red paper cover |
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Acts I and II; 84 pp.; undated; some annotation, Act II |
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Script, 6/19/63, black cover |
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Act I only; 52 pp.; extensive annotations in Bob Fosse's hand |
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Script, Act I |
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Act I only; 22 pp.; revised pages dated 9/6/63; unmarked |
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"Script pages, old 2nd Act" |
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Annotated |
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"Script pages, Act II revisions |
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Annotated |
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Music |
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Music/song plot, that is, breakdown of songs by Act and breakdown of numbers by characters; song outline Act II; lyrics with notes |
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"Ideas - old scenes - untyped lyrics, and some correspondence" |
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From folder marked same; also includes old plot synopsis |
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"Extra lyrics" |
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From folder marked same; also, breakdown of numbers by characters |
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Set Designs |
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Casting |
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One page audition schedule and notes; 2 photo/resumes |
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Correspondence |
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Bob Fosse handwritten 3 pp. letter draft, re: his withdrawal from show; telegram 9/17/63 Ray Stark to Bob Fosse re: same |
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Legal |
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8/63 draft of Bob Fosse director/choreographer agreement, with pages of notes; material on Bob Fosse withdrawal, 9/63, from show, including agreement, associated correspondence, and newspaper clipping |
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Program |
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Souvenir program; telegram re: premiere party cancellation |
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The Garry Moore Show (CBS TV) (Fosse and Verdon)
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BOX 44A |
Legal |
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Fosse contract for dancing |
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Verdon's appearance contract, CBS TV, 1965; 1963 correspondence, including draft agreement on Jimmy Dean Show (she turned this show down) |
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BOX 57C |
Music |
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The Girl I Left Home For (Verdon)
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BOX 57C |
Music, Miscellaneous |
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How To Succeed In Business Without Really Trying (Fosse)
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BOX 44E |
Programs |
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46th Street Theatre Playbill, 11/5/62; souvenir program |
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BOX 44C |
Newspaper Clippings, New York |
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Newpsaper Clippings, Philadelphia |
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Newspaper Clippings, general |
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Script, blue vinyl cover |
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Undated; 131 pp; Bob Fosse notes on staging, songs, etc. |
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Script |
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Marked "Bob Fosse #33 revised;" undated; 151 pp.; with property list, costume plot; prop plot; light and music cues; not annotated |
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Financial, 1 of 2 |
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Correspondence 1964-75, extensive; this is material related to financial matters, primarily negotiations and payments to Bob Fosse for US and international productions of How To Succeed; also including some box office statements, NYC 1964 and London Company; some Feuer/Martin correspondence re: royalties and disagreements |
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Financial, 2 of 2 |
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Continuation of above |
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Press Reviews |
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Including press book, 1961 |
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Miscellaneous |
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Several rehearsal schedules for national company |
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BOX 93A |
Poster |
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Framed poster, 15x23, color, 46th St. Theatre |
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Kiss Me Kate (Fosse)
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BOX 44C |
Newspaper Clippings |
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Financial |
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One royalty statement, 2/18/65 |
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Legs (Verdon)
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Newspaper Clippings |
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