| | | | | | | | | | | | | |
|
Individual Production, Project, and
Performance Files
(continued) |
|
The Dinah Shore Show
(continued) |
|
1959 contract, Bob Fosse choreography for
"Erbie Fitch's Twitch", from Redhead
|
|
|
Endings (Fosse)
|
|
[Note: Title of the film is referred to both
as Ending and Endings.] |
|
BOX 14C - D |
Casting |
|
photo/resumes |
|
BOX 14C |
Casting |
|
"Possible people to see in NY"
photo/resumes |
|
"People seen in CA"
photo/resumes |
|
"People who have been seen"
photo/resumes |
|
BOX 14B |
Casting |
|
Fosse audition notes, blue cover
notebook |
|
Bob Fosse's notebook; has audition
schedules, notes on characters and actors; extensive |
|
BOX 14C |
Casting |
|
"CA" Interview schedules and
notes |
|
"NY" Interview schedules and
notes |
|
BOX 14B |
Fosse Notebook |
|
Composition book marked "Ending;" contains
notes by Bob Fosse (handwritten) and others; plus clipping on the book
"Ending", loose news clippings on hospices; Pete Hamill and Herb Gardner
notes on Ending script; transcript of notes
for film called Dying; documentary shot
list; Stuart Ostrow notes on script; Robert Alan Aurthur's article,
"Thoughts on the Death of My Father" |
|
Research |
|
Magazine clippings on book "Ending" by
Hilma Wolitzer, on death, disease, dying; notes on the movie Dying; brochures on hospitals and medical
centers; medical reports on myeloma disease; questionnaires for
physicians, including that of 8/26/76 meeting with physician in E.
Hampton on dying and ethics; outline/synopsis of Ending by script reader; notes on stages of death; clippings
on cancer treatments |
|
Legal, 1974-76 |
|
Correspondence re: agreement with Hilda
Wolitzer; R. A. Aurthur's agreement, 10/74 and revisions (including memos
to Ostrow on this); draft and memos on Ostrow/Fosse agreement, 1975; CPA
letter to Ostrow on taxes |
|
BOX 14D |
Production Schedule and budget |
|
2/5/76 shooting schedule and preliminary
production budget; cover memo, Steve Kesten |
|
BOX 14B |
Production Miscellany |
|
Script record; photo/resumes; letters;
notes on crew applicants |
|
Scripts
|
|
[Note: Identifications such as "Director's
final draft," or "rehearsal draft," are taken directly from the scripts
themselves, as are dates. Scripts may be duplicates. The terms
"annotated," "notations," "markings" refer not only to commentary written
on the scripts, but also any cuts, revisions, dialogue changes, etc.,
that have been marked on a particular script. Initial scripts were titled
Ending; the revisions and final are
titled Endings.] |
|
BOX 13D |
Screenplay, 2nd draft
revisions |
|
Marked "9/4/75, 9/11/75;" 129 pp.; some
annotation, cuts, additions, etc.; Endings
|
|
Screenplay |
|
Marked "9/4/75, 9/11/75;" 129 pp.; Endings; partial script carbon, not annotated,
plus miscellaneous heavily annotated revised pages; Bob Fosse/Aurthur (?)
notes on script; letter to Ostrow and Bob Fosse from Aurthur (?), 1975,
on script; documentary shot list with revisions; Aurthur's (?) outline
and notes for meeting with Bob Fosse, 12/18/74; other noted dated 12/75;
this file contains extensive material |
|
Screenplay, 2nd draft |
|
Marked "94/75, 9/11/75," Endings; 136 pp.; photocopy with few markings |
|
BOX 13C |
Screenplay revisions 100 pp.; extensive
revisions |
|
BOX 13D |
Screenplay, 11/11/75 |
|
Marked Ending;
103 pp.; few changes, several loose pages; photocopy |
|
BOX 14A |
Screenplay, 12/1/75 |
|
Marked #20; 105 pp.; few markings |
|
Screenplay, 12/1/75 |
|
Marked #6; 105 pp.; unmarked |
|
Screenplay, 12/1/75 |
|
Marked #2; 105 pp.; unmarked |
|
Screenplay, 12/1/75, purple
cover |
|
Marked #21; 105 pp.; unmarked except for Bob
Fosse notes on title page |
|
Screenplay, 2nd draft, pink
folder |
|
Seems to be 2 separate scripts; 1 = 132 pp.; 2
= marked "2nd draft," is only 44 pp.; few annotations on both |
|
|
Funny Girl (Fosse)
|
|
BOX 44A |
Script, 9/6/63, yellow paper cover; 36 pp.;
unmarked |
|
Script, 9/6/63, yellow paper cover; 36 pp.;
unmarked |
|
Script, revised |
|
Incomplete, mainly Act II; revised pages;
unmarked; undated; 36 pp. |
|
Script, Act II, blue and white paper cover;
38 pp; unmarked |
|
Script, red paper cover |
|
Acts I and II; 84 pp.; undated; some
annotation, Act II |
|
Script, 6/19/63, black cover |
|
Act I only; 52 pp.; extensive annotations
in Bob Fosse's hand |
|
Script, Act I |
|
Act I only; 22 pp.; revised pages dated
9/6/63; unmarked |
|
"Script pages, old 2nd Act" |
|
Annotated |
|
"Script pages, Act II revisions |
|
Annotated |
|
Music |
|
Music/song plot, that is, breakdown of
songs by Act and breakdown of numbers by characters; song outline Act II;
lyrics with notes |
|
"Ideas - old scenes - untyped lyrics, and
some correspondence" |
|
From folder marked same; also includes old
plot synopsis |
|
"Extra lyrics" |
|
From folder marked same; also, breakdown
of numbers by characters |
|
Set Designs |
|
Casting |
|
One page audition schedule and notes; 2
photo/resumes |
|
Correspondence |
|
Bob Fosse handwritten 3 pp. letter draft,
re: his withdrawal from show; telegram 9/17/63 Ray Stark to Bob Fosse re:
same |
|
Legal |
|
8/63 draft of Bob Fosse
director/choreographer agreement, with pages of notes; material on Bob
Fosse withdrawal, 9/63, from show, including agreement, associated
correspondence, and newspaper clipping |
|
Program |
|
Souvenir program; telegram re: premiere
party cancellation |
|
|
The Garry Moore Show (CBS TV) (Fosse and Verdon)
|
|
BOX 44A |
Legal |
|
Fosse contract for dancing |
|
Verdon's appearance contract, CBS TV,
1965; 1963 correspondence, including draft agreement on Jimmy Dean Show
(she turned this show down) |
|
BOX 57C |
Music |
|
|
The Girl I Left Home For (Verdon)
|
|
BOX 57C |
Music, Miscellaneous |
|
|
How To Succeed In Business Without Really Trying
(Fosse)
|
|
BOX 44E |
Programs |
|
46th Street Theatre Playbill, 11/5/62;
souvenir program |
|
BOX 44C |
Newspaper Clippings, New York |
|
Newpsaper Clippings, Philadelphia |
|
Newspaper Clippings, general |
|
Script, blue vinyl cover |
|
Undated; 131 pp; Bob Fosse notes on
staging, songs, etc. |
|
Script |
|
Marked "Bob Fosse #33 revised;" undated;
151 pp.; with property list, costume plot; prop plot; light and music
cues; not annotated |
|
Financial, 1 of 2 |
|
Correspondence 1964-75, extensive; this is
material related to financial matters, primarily negotiations and
payments to Bob Fosse for US and international productions of How To Succeed; also including some box office
statements, NYC 1964 and London Company; some Feuer/Martin correspondence
re: royalties and disagreements |
|
Financial, 2 of 2 |
|
Continuation of above |
|
Press Reviews |
|
Including press book, 1961 |
|
Miscellaneous |
|
Several rehearsal schedules for national
company |
|
BOX 93A |
Poster |
|
Framed poster, 15x23, color, 46th St.
Theatre |
|
|
Kiss Me Kate (Fosse)
|
|
BOX 44C |
Newspaper Clippings |
|
Financial |
|
One royalty statement, 2/18/65 |
|
|
Legs (Verdon)
|
|
Newspaper Clippings |
|
BOX 85F |
Miscellaneous |
|
11x14 poster board thank you card from
Legs cast to Gwen Verdon |
|
|
Lenny (Fosse) - Paper
|
|
BOX 20A |
Casting |
|
Various male roles
photo/resumes |
|
"Honey" |
|
- Bob Fosse notes and memos discussing various actresses; casting
suggestions from Juliet Taylor Casting; interview/auditions schedules
and notes; polaroids, photo/resumes; correspondence - 1973; extensive
file
- Photo/resumes; polaroids
- Photo/resumes; polaroids; memos and letters
|
|
"Lenny" |
|
Photo/resumes; polaroids; memos and
letters |
|
General files |
|
Call back lists, 12/73; cast breakdown lists
11/20/73; memo, 12/3/73 on "dates and suggested cast deals;" casting
lists, McDermont Talent Agency; audition notes, including Florida
casting; correspondence, Michael Shurtleff; resumes: crew and cast; many
casting suggestions and Bob Fosse notes |
|
Crew Lists |
|
Music |
|
Correspondence re: musical director/composer;
Herbie Hancock package; music: "Yesterday" (Beatles) |
|
BOX 20B |
Schedules: pre-production,
shooting |
| Next Page » |
