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ContainerContents
Individual Production, Project, and Performance Files (continued)
All That Jazz (Fosse) (continued)
Miscellaneous
Also contains audition schedules, contact lists
Fosse notes
Grey clip folder marked "Casting - All That Jazz - Fosse;" audition schedules, notes, few photo/resumes, suggestions from agents, character lists with possible actors, extensive handwritten notes by Bob Fosse
BOX 5C Fosse folder
White clip folder, including cast list, photo/resumes,audition schedules and notes, calendar pages, cast deal memos, film storage inventory, set dressing inventory, casting notes, publicity for South America, contact sheets for cast and crew,shooting schedules, etc.
BOX 5B Selected cast
Resumes and photos, tagged with names, of those actors and actresses selected for film
General Files
BOX 5C Deal memos
Cast deal memos, 1978; shooting schedule, #4
Contact Sheets
For All That Jazz and Dancin', staff, crew, locations
Titles
Including photos of graphics for "directed by BF"
Publicity
Cannes Film Festival statement; Columbia Pictures preliminary production information, including bios of Bob Fosse, motion picture stars, and crew; miscellaneous, e.g. air dates for Ann Reinking appearances
BOX 6A Tech Crew Resumes
BOX 5C Production Miscellaneous
Memos, miscellaneous invoices re: Fosse personal expenses; snapshot on set; 1976 Syosset Musical Workshop Tribute to Fosse; "Tommy McCarthy post-production schedule;" miscellaneous correspondence, Fosse and Michael Shurtleff, 1976; 2 interesting letters on casting leads between Shurtleff and Fosse, 1978; 3/11/77 2 pp. letter (notable), from Shurtleff to Bob Fosse, explaining the story of Joe Gideon from his perspective; Columbia Pictures correspondence re: marketing/publicity staff introductions; inventories pricing cameras, electrical supplies, Art Dept., wardrobe, etc.; Giuseppe Rotunno letter 1978 to Fosse
BOX 5D Press Book: Cannes
Large press clippings book, French, re: Palm d'Or, Cannes
BOX 5C Brazil/Argentina Publicity Tour
Very miscellaneous notes
BOX 6A Budget
Budget, undated, with ICM memo: "This is the one we're using"; preliminary budgets, 5/6/77 and 5/9/77; delay cost estimates, 7/5/78 to 7/17/78
BOX 5C Film Storage Inventory
BOX 6A Foreign
Updates on foreign film results
Music
Music rights and costs, revised, 1979 by scene; Bob Fosse handwritten notes on music needed for film
Possible Crew
Resumes for costume designers, PAs, asst. directors, etc.; staff and crew contact list
Preliminary Notes, Fosse
Fosse file, including scene list, locations/sets, script pages, quotes, possible dialogue, audition schedules and notes; 1976 miscellaneous notes, from friends and colleagues; extensive random notes, e.g.: "Notes on latter part of All That Jazz, 6/19/76; list of "possible events" in film; 1 script page, listing dances and timings
Legal/Financial
Letters re: credits on paid ads, 1978; correspondence re: Richard Dreyfuss' breach of contract; question of Paramount payment, 1977; correspondence between DGA and Columbia Pictures on credits billing
BOX 6B Magazine Articles
  • Cue, 2/1/80: "The Importance of Being Roy," by Cynthia Heimel
  • Screen, 5/17/80: "The Million Dollar Backlot," by Sue Emmett and "The Tireless Perfectionist," by David Aldredge, and "Cannes Festival" report
  • People, 3/3/90: "After three coronaries and ical surgery, Bob Fosse puts his heart and soul into All That Jazz," by Barbara Rowes
  • After Dark, 2/80: "Fosse Reflects On Fosse," by Kenneth L. Geist (2 copies)
  • Playboy, 9/80: "Interview: Roy Scheider"
  • Playboy, 3/80: "Movies"
  • American Film, 11/79: "Life as a Long Rehearsal," by Bernard Drew (3 copies)
  • Le Nouveau Film Francaise, 5/17/80: Cannes - All That Jazz report
  • Life, 11/79: "Fosse's Ego Trip," by Chris Chase
  • The Observer, 6/29/89: "Work, Women - and All That Jazz," by Goodman/Bygrave
  • Sunday Times (London), "I Wanna Be a Dancin' Man" (2 copies)
  • Newsweek, 12/24/79: "Dance of Death," by Jack Kroll (2 copies); MD: "Films" review
Press Reviews
This category includes transcripts of radio and television coverage, as well as print reviews
Brazil/Argentina Press
BOX 6C Newspaper Clippings
Fosse: Dance/Music Notes, Miscellaneous
Few pages of notes (not Fosse) on All That Jazz dance; couple song sheets, Bob Fosse lyrics and notes
BOX 7C - D Music
"Emile Charlap" envelope marked: "Allan Heim, production parts, music" consisting of ozalid arrangements of music for the film by Ralph Burns. Some loose music material
BOX 85G Miscellaneous Music
BOX 6B Publicity Materials
Large format brochure: "For your consideration... Academy Awards". One in color, one black and white; inserts for trade magazines
BOX Item 97A All That Jazz Poster
33x48 black and white German poster
Photos
BOX 7A Josh Weiner's All That Jazz contact sheet
BOX 86A 12x19 color photo, Ann Reinking alone; 16x19 color photo, Ann Reinking dancing (male dancer in background)
BOX 85B Several miscellaneous large format casting photos
Scripts
[Note: Identifications such as "Director's final draft," or "rehearsal draft," are taken directly from the scripts themselves, as are dates. Scripts may be duplicates. The terms "annotated," "notations," "markings" refer not only to commentary written on the scripts, but also any cuts, revisions, dialogue changes, etc., that have been marked on a particular script. Covers have been removed for preservation concerns.]
BOX 1A Screenplay, 8/3/76, green cover, blue dot 133 pp.; with revisions; unmarked
Screenplay, 8/3/76, blue cover, blue dot
Marked "1st draft, Bob Fosse's script;" 133 pp.; annotated
BOX 1C Screenplay, 8/3/76, gold cover, blue dot
Marked "uncorrected 1st draft;" 133 pp. with revisions; unmarked
Screenplay, 8/3/76, brown cover
Marked # 15, 133 pp. with revised pages; very few annotations
BOX 1A Screenplay, revised, 10/1/76 126 pp.; unmarked
Screenplay, revised, 10/1/76
Marked #5; 126 pp., unmarked; 1 page of notes
BOX 1B Screenplay, revised, 10/1/76, black vinyl cover 126 pp.; few markings
Screenplay, revised, 10/1/76, black vinyl cover 126 pp; unmarked
15 Duplicates of above, all in black vinyl covers
Duplicates marked # 9 - 14
BOX 1C Duplicates marked #16 - 21
BOX 2A Duplicates marked #22 - 24
Screenplay, revised, 10/1/76
Marked # 13; 126 pp; no annotations
Screenplay, revised, 10/1/76
Marked # 13; 126 pp; several deletions
Screenplay, revised, 10/1/76, black vinyl cover 126 pp.; few markings
Screenplay, revised, 4/14/77
Marked # 11; 103 pp.; no annotation
Screenplay, revised, 4/14/77 103 pp.; unmarked
BOX 2B Screenplay, revised, 4/14/77, green vinyl cover 103 pp.; unmarked
Screenplay, revised, 4/14/77, green vinyl cover 103 pp.; unmarked
Screenplay, revised, 4/14/77, green vinyl cover 103 pp.; unmarked
Screenplay, revised, 5/26/78
Marked # 32; 130 pp. with revisions; no annotation
Screenplay, 6/26/78
Marked "Vicki, extra copy;" revised pages, 131 pp.; some annotation
Screenplay, 6/26/78, black vinyl cover revised pages, few annotations
BOX 2D Director's script, 3/9/79, black 3 ring binder
Marked "All That Jazz, 3/9/79, final lined script, Bob Fosse;" continuity script
BOX 2C Fosse script, 6/26/78
Original folder marked "Fosse's script;" 128 pp. with revisions; heavily annotated; numerous loose pages and other paper: revised crew and staff lists, billing, "multiple camera days," script notes, dancer list, revised staff and crew, Joe Gideon character analysis by Paddy Chayevsky, hospital scenes, music list, scene's list, cast list. See box list for specific items.
BOX 3A Script, undated 104 pp.; some annotation; staff and crew list 4/28/78; revised pages up to 5/16/78
Script, undated 124 pp.; unmarked
Script, undated 124 pp,; annotated
BOX 3B Script, 2nd draft
From file marked "2nd draft, Fosse;" Bob Fosse and other handwritten annotation: very extensive changes; 150 pp.
Fosse notebooks
  • Green composition notebook marked "Firebird -Rock, All That Jazz 1;" music and dance notes
  • Black composition notebook, unmarked, only 1 page of notes and a couple clippings
"1st script meeting, Fosse - Aurthur (sic), 7/1/76"
Typed notes from meeting; notes from Paddy Chayevsky, 6/1/76
Revised screenplay pages 150 pp.; very miscellaneous annotated drafts and revisions
"Script pages that have been retyped"
Old script pages, heavily annotated, some handwritten notes
BOX 3C Script draft
Handwritten
Script draft
Mainly handwritten
Script draft
Mainly handwritten; note: 46-48 seems to be written by someone other than Bob Fosse
"Script pages that have been retyped"
Annotated
"Script, old pages, first draft"
Few annotations
"Script, Bob Aurthur's old pages"
Annotated
Revised script, 4/14/77
Marked #4; 103 pp.; no annotation
Bells Are Ringing (Fosse)
BOX 43A Program
Shubert Theatre, July 1957
Legal Contracts
8/2/56 Fosse agreement with Comden, Green, Styne (original and photocopy); Bob Fosse and Theatre Guild, choreography agreement; 10/27/56 Jerome Robbins and Bob Fosse, for choreographic collaboration; Tams-Witmark Music Library, 8/23/57; 7/15/57 British rights and royalties; 2/16/59, LA Civic Light Opera, play rights and interests; several letters regarding percentages and miscellaneous
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