| | | | | | | | | | | | | |
|
Individual Production, Project, and
Performance Files
(continued) |
|
Endings (Fosse)
(continued) |
|
Screenplay, 2nd draft
revisions (continued) |
|
Marked "9/4/75, 9/11/75;" 129 pp.; some
annotation, cuts, additions, etc.; Endings
|
|
Screenplay |
|
Marked "9/4/75, 9/11/75;" 129 pp.; Endings; partial script carbon, not annotated,
plus miscellaneous heavily annotated revised pages; Bob Fosse/Aurthur (?)
notes on script; letter to Ostrow and Bob Fosse from Aurthur (?), 1975,
on script; documentary shot list with revisions; Aurthur's (?) outline
and notes for meeting with Bob Fosse, 12/18/74; other noted dated 12/75;
this file contains extensive material |
|
Screenplay, 2nd draft |
|
Marked "94/75, 9/11/75," Endings; 136 pp.; photocopy with few markings |
|
BOX 13C |
Screenplay revisions 100 pp.; extensive
revisions |
|
BOX 13D |
Screenplay, 11/11/75 |
|
Marked Ending;
103 pp.; few changes, several loose pages; photocopy |
|
BOX 14A |
Screenplay, 12/1/75 |
|
Marked #20; 105 pp.; few markings |
|
Screenplay, 12/1/75 |
|
Marked #6; 105 pp.; unmarked |
|
Screenplay, 12/1/75 |
|
Marked #2; 105 pp.; unmarked |
|
Screenplay, 12/1/75, purple
cover |
|
Marked #21; 105 pp.; unmarked except for Bob
Fosse notes on title page |
|
Screenplay, 2nd draft, pink
folder |
|
Seems to be 2 separate scripts; 1 = 132 pp.; 2
= marked "2nd draft," is only 44 pp.; few annotations on both |
|
|
Funny Girl (Fosse)
|
|
BOX 44A |
Script, 9/6/63, yellow paper cover; 36 pp.;
unmarked |
|
Script, 9/6/63, yellow paper cover; 36 pp.;
unmarked |
|
Script, revised |
|
Incomplete, mainly Act II; revised pages;
unmarked; undated; 36 pp. |
|
Script, Act II, blue and white paper cover;
38 pp; unmarked |
|
Script, red paper cover |
|
Acts I and II; 84 pp.; undated; some
annotation, Act II |
|
Script, 6/19/63, black cover |
|
Act I only; 52 pp.; extensive annotations
in Bob Fosse's hand |
|
Script, Act I |
|
Act I only; 22 pp.; revised pages dated
9/6/63; unmarked |
|
"Script pages, old 2nd Act" |
|
Annotated |
|
"Script pages, Act II revisions |
|
Annotated |
|
Music |
|
Music/song plot, that is, breakdown of
songs by Act and breakdown of numbers by characters; song outline Act II;
lyrics with notes |
|
"Ideas - old scenes - untyped lyrics, and
some correspondence" |
|
From folder marked same; also includes old
plot synopsis |
|
"Extra lyrics" |
|
From folder marked same; also, breakdown
of numbers by characters |
|
Set Designs |
|
Casting |
|
One page audition schedule and notes; 2
photo/resumes |
|
Correspondence |
|
Bob Fosse handwritten 3 pp. letter draft,
re: his withdrawal from show; telegram 9/17/63 Ray Stark to Bob Fosse re:
same |
|
Legal |
|
8/63 draft of Bob Fosse
director/choreographer agreement, with pages of notes; material on Bob
Fosse withdrawal, 9/63, from show, including agreement, associated
correspondence, and newspaper clipping |
|
Program |
|
Souvenir program; telegram re: premiere
party cancellation |
|
|
The Garry Moore Show (CBS TV) (Fosse and Verdon)
|
|
BOX 44A |
Legal |
|
Fosse contract for dancing |
|
Verdon's appearance contract, CBS TV,
1965; 1963 correspondence, including draft agreement on Jimmy Dean Show
(she turned this show down) |
|
BOX 57C |
Music |
|
|
The Girl I Left Home For (Verdon)
|
|
BOX 57C |
Music, Miscellaneous |
|
|
How To Succeed In Business Without Really Trying
(Fosse)
|
|
BOX 44E |
Programs |
|
46th Street Theatre Playbill, 11/5/62;
souvenir program |
|
BOX 44C |
Newspaper Clippings, New York |
|
Newpsaper Clippings, Philadelphia |
|
Newspaper Clippings, general |
|
Script, blue vinyl cover |
|
Undated; 131 pp; Bob Fosse notes on
staging, songs, etc. |
|
Script |
|
Marked "Bob Fosse #33 revised;" undated;
151 pp.; with property list, costume plot; prop plot; light and music
cues; not annotated |
|
Financial, 1 of 2 |
|
Correspondence 1964-75, extensive; this is
material related to financial matters, primarily negotiations and
payments to Bob Fosse for US and international productions of How To Succeed; also including some box office
statements, NYC 1964 and London Company; some Feuer/Martin correspondence
re: royalties and disagreements |
|
Financial, 2 of 2 |
|
Continuation of above |
|
Press Reviews |
|
Including press book, 1961 |
|
Miscellaneous |
|
Several rehearsal schedules for national
company |
|
BOX 93A |
Poster |
|
Framed poster, 15x23, color, 46th St.
Theatre |
|
|
Kiss Me Kate (Fosse)
|
|
BOX 44C |
Newspaper Clippings |
|
Financial |
|
One royalty statement, 2/18/65 |
|
|
Legs (Verdon)
|
|
Newspaper Clippings |
|
BOX 85F |
Miscellaneous |
|
11x14 poster board thank you card from
Legs cast to Gwen Verdon |
|
|
Lenny (Fosse) - Paper
|
|
BOX 20A |
Casting |
|
Various male roles
photo/resumes |
|
"Honey" |
|
- Bob Fosse notes and memos discussing various actresses; casting
suggestions from Juliet Taylor Casting; interview/auditions schedules
and notes; polaroids, photo/resumes; correspondence - 1973; extensive
file
- Photo/resumes; polaroids
- Photo/resumes; polaroids; memos and letters
|
|
"Lenny" |
|
Photo/resumes; polaroids; memos and
letters |
|
General files |
|
Call back lists, 12/73; cast breakdown lists
11/20/73; memo, 12/3/73 on "dates and suggested cast deals;" casting
lists, McDermont Talent Agency; audition notes, including Florida
casting; correspondence, Michael Shurtleff; resumes: crew and cast; many
casting suggestions and Bob Fosse notes |
|
Crew Lists |
|
Music |
|
Correspondence re: musical director/composer;
Herbie Hancock package; music: "Yesterday" (Beatles) |
|
BOX 20B |
Schedules: pre-production,
shooting |
|
Interiors list/by scene; shooting schedule
1/18/74; preproduction: Dustin Hoffman and Valerie Perrine; memo re:
Geoffrey Unsworth; travel schedule; memo re: Miami location
survey |
|
BOX 20A |
Crew Resumes |
|
Resumes for positions of costume designer,
art director, production designer, production manager, production
assistants, film editor; agency personnel lists; Bob Fosse
notes |
|
BOX 20B |
Locations |
|
Location lists: interiors/exteriors,
clubs; memos; Bob Fosse lists |
|
BOX 22A |
Research (A) |
|
Note: these may be part of Lawrence
Schiller research. The Schiller list is filed in "Research - Schiller (1
of 6)" |
|
Photocopies of newspaper and magazine
articles on Lenny Bruce, including Albert Goldman's writing; photocopies
of book excerpts (including Paul Krasner's autobiography, How A Satirical Editor...) with notes; Saturday
Review le, 1972; New Yorker, 1969; Playboy, 1960's, etc. |
|
Research (B) |
|
Note: these may be part of Lawrence
Schiller research. The Schiller list is filed in "Research - Schiller (1
of 6)" |
|
Additional photocopied clippings,
1959-72 |
|
Research (C) |
|
Note: these may be part of Lawrence
Schiller research. The Schiller list is filed in "Research - Schiller (1
of 6)" |
|
8x10 photo of Lenny Bruce billboard;
Albert Goldman articles, 1963-64 on Lenny Bruce; annotated article,"Lenny
and a Mother's Love," by Arthur Bell; miscellaneous, including someone's
notes on Bruce and on the Schiller interviews; list of Lenny Bruce tapes
(2 copies) |
|
Research: court proceedings |
|
Court proceedings, obscenity trials:
summaries, transcripts, and associated papers from 1956- |
|
Research: Lawrence Schiller (1 of
6) |
|
The following 6 files are transcripts of
interviews done by Schiller, and documentation collected for the book
Lenny Bruce (by Albert Goldman, "based on
the journalism of Lawrence Schiller). File # 1 of 6 contains a list
explaining the interviewees' relationship to Bruce, as well as the
additional documentation |
|
Research: Lawrence Schiller (2 of
6) |
|
Research: Lawrence Schiller (3 of
6) |
|
Research: Lawrence Schiller (4 of
6) |
|
Research: Lawrence Schiller (5 of
6) |
|
Research: Lawrence Schiller (6 of
6) |
|
BOX 20B |
Financial |
|
Correspondence re: accounting, Movielab,
1974; correspondence between David Licht and United Artists re: United
Artists' methods of billing and payment on Lenny; Lenny financial
statements, 5/29/76 |
|
Legal contracts |
|
1973-78; 1974: film credit negotiations,
title layouts, correspondence re: profit distribution; 1973: Bob Fosse
director's contract; Bob Fosse/United Artists "financing and sale
agreements" re: Lenny, 1978 |
|
Lenny (play) Reviews |
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