| | | | | | | | | | | | | |
|
Individual Production, Project, and Performance Files
(continued) |
|
Funny Girl (Fosse)
(continued) |
|
"Extra lyrics" |
|
From folder marked same; also, breakdown of numbers by characters |
|
Set Designs |
|
Casting |
|
One page audition schedule and notes; 2 photo/resumes |
|
Correspondence |
|
Bob Fosse handwritten 3 pp. letter draft, re: his withdrawal from show; telegram 9/17/63 Ray Stark to Bob Fosse re: same |
|
Legal |
|
8/63 draft of Bob Fosse director/choreographer agreement, with pages of notes; material on Bob Fosse withdrawal, 9/63, from show, including agreement, associated correspondence, and newspaper clipping |
|
Program |
|
Souvenir program; telegram re: premiere party cancellation |
|
|
The Garry Moore Show (CBS TV) (Fosse and Verdon)
|
|
BOX 44A |
Legal |
|
Fosse contract for dancing |
|
Verdon's appearance contract, CBS TV, 1965; 1963 correspondence, including draft agreement on Jimmy Dean Show (she turned this show down) |
|
BOX 57C |
Music |
|
|
The Girl I Left Home For (Verdon)
|
|
BOX 57C |
Music, Miscellaneous |
|
|
How To Succeed In Business Without Really Trying (Fosse)
|
|
BOX 44E |
Programs |
|
46th Street Theatre Playbill, 11/5/62; souvenir program |
|
BOX 44C |
Newspaper Clippings, New York |
|
Newpsaper Clippings, Philadelphia |
|
Newspaper Clippings, general |
|
Script, blue vinyl cover |
|
Undated; 131 pp; Bob Fosse notes on staging, songs, etc. |
|
Script |
|
Marked "Bob Fosse #33 revised;" undated; 151 pp.; with property list, costume plot; prop plot; light and music cues; not annotated |
|
Financial, 1 of 2 |
|
Correspondence 1964-75, extensive; this is material related to financial matters, primarily negotiations and payments to Bob Fosse for US and international productions of How To Succeed; also including some box office statements, NYC 1964 and London Company; some Feuer/Martin correspondence re: royalties and disagreements |
|
Financial, 2 of 2 |
|
Continuation of above |
|
Press Reviews |
|
Including press book, 1961 |
|
Miscellaneous |
|
Several rehearsal schedules for national company |
|
BOX 93A |
Poster |
|
Framed poster, 15x23, color, 46th St. Theatre |
|
|
Kiss Me Kate (Fosse)
|
|
BOX 44C |
Newspaper Clippings |
|
Financial |
|
One royalty statement, 2/18/65 |
|
|
Legs (Verdon)
|
|
Newspaper Clippings |
|
BOX 85F |
Miscellaneous |
|
11x14 poster board thank you card from Legs cast to Gwen Verdon |
|
|
Lenny (Fosse) - Paper
|
|
BOX 20A |
Casting |
|
Various male roles photo/resumes |
|
"Honey" |
|
- Bob Fosse notes and memos discussing various actresses; casting suggestions from Juliet Taylor Casting; interview/auditions schedules and notes; polaroids, photo/resumes; correspondence - 1973; extensive file
- Photo/resumes; polaroids
- Photo/resumes; polaroids; memos and letters
|
|
"Lenny" |
|
Photo/resumes; polaroids; memos and letters |
|
General files |
|
Call back lists, 12/73; cast breakdown lists 11/20/73; memo, 12/3/73 on "dates and suggested cast deals;" casting lists, McDermont Talent Agency; audition notes, including Florida casting; correspondence, Michael Shurtleff; resumes: crew and cast; many casting suggestions and Bob Fosse notes |
|
Crew Lists |
|
Music |
|
Correspondence re: musical director/composer; Herbie Hancock package; music: "Yesterday" (Beatles) |
|
BOX 20B |
Schedules: pre-production, shooting |
|
Interiors list/by scene; shooting schedule 1/18/74; preproduction: Dustin Hoffman and Valerie Perrine; memo re: Geoffrey Unsworth; travel schedule; memo re: Miami location survey |
|
BOX 20A |
Crew Resumes |
|
Resumes for positions of costume designer, art director, production designer, production manager, production assistants, film editor; agency personnel lists; Bob Fosse notes |
|
BOX 20B |
Locations |
|
Location lists: interiors/exteriors, clubs; memos; Bob Fosse lists |
|
BOX 22A |
Research (A) |
|
Note: these may be part of Lawrence Schiller research. The Schiller list is filed in "Research - Schiller (1 of 6)" |
|
Photocopies of newspaper and magazine articles on Lenny Bruce, including Albert Goldman's writing; photocopies of book excerpts (including Paul Krasner's autobiography, How A Satirical Editor...) with notes; Saturday Review le, 1972; New Yorker, 1969; Playboy, 1960's, etc. |
|
Research (B) |
|
Note: these may be part of Lawrence Schiller research. The Schiller list is filed in "Research - Schiller (1 of 6)" |
|
Additional photocopied clippings, 1959-72 |
|
Research (C) |
|
Note: these may be part of Lawrence Schiller research. The Schiller list is filed in "Research - Schiller (1 of 6)" |
|
8x10 photo of Lenny Bruce billboard; Albert Goldman articles, 1963-64 on Lenny Bruce; annotated article,"Lenny and a Mother's Love," by Arthur Bell; miscellaneous, including someone's notes on Bruce and on the Schiller interviews; list of Lenny Bruce tapes (2 copies) |
|
Research: court proceedings |
|
Court proceedings, obscenity trials: summaries, transcripts, and associated papers from 1956- |
|
Research: Lawrence Schiller (1 of 6) |
|
The following 6 files are transcripts of interviews done by Schiller, and documentation collected for the book Lenny Bruce (by Albert Goldman, "based on the journalism of Lawrence Schiller). File # 1 of 6 contains a list explaining the interviewees' relationship to Bruce, as well as the additional documentation |
|
Research: Lawrence Schiller (2 of 6) |
|
Research: Lawrence Schiller (3 of 6) |
|
Research: Lawrence Schiller (4 of 6) |
|
Research: Lawrence Schiller (5 of 6) |
|
Research: Lawrence Schiller (6 of 6) |
|
BOX 20B |
Financial |
|
Correspondence re: accounting, Movielab, 1974; correspondence between David Licht and United Artists re: United Artists' methods of billing and payment on Lenny; Lenny financial statements, 5/29/76 |
|
Legal contracts |
|
1973-78; 1974: film credit negotiations, title layouts, correspondence re: profit distribution; 1973: Bob Fosse director's contract; Bob Fosse/United Artists "financing and sale agreements" re: Lenny, 1978 |
|
Lenny (play) Reviews |
|
Reviews of the O'Horgan-directed production of the play Lenny
|
|
Correspondence |
|
Letters from and promotional piece on Sally Marr (Bruce's mother); 12/21/73 letter to Hoffman from "Gloria," with information on Lenny Bruce; correspondence re: appropriate research sources for Bob Fosse and Dustin Hoffman; several long letters, 1973, from Marvin Worth, 20th Century Fox re: Marvin Worth's reaction to Lenny script (these have Bob Fosse's marginal notes), and personal note from Marvin Worth to Bob Fosse; note, from Julian Barry to Bob Fosse; 1974: Worth at 20th Century-Fox re: marketing exploitation of film (and photocopy of same, with Bob Fosse's marginal notes |
|
Production Miscellaneous |
|
Several personal letters re: casting; Miami street map; several phone call lists and memos from Bob Fosse's secretary; script record; screening guest list with screening notes; cast/crew hiring miscellany; list of office expenses, including small billings; extras list, LA party; Bob Fosse itinerary for 6/4/74 |
|
BOX 22C |
Newspaper Clippings |
|
Contains newspaper clippings only |
|
Press Reviews |
|
This category includes transcripts of radio and television coverage, as well as print reviews |
|
BOX 22A |
Magazines |
|
"Stamp Help Out! And Other Short Stories" by Lenny Bruce: paperback publication |
|
BOX 22C |
New York, 12/16/74: "Bob Fosse Off His Toes," by Paul Gardner (2 copies) |
|
New York, 1973: "The Real Lenny Bruce is Alive and Well in Brooklyn," by Albert Goldman |
|
Time, 12/16/74: "People" section note on Valerie Perrine |
|
People, 12/23/74: "After Talking Dirty in Lenny, Dustin Hoffman Tries Directing," by Richard |
|
Meryman |
|
People, 12/2/74: "Valerie Perrine of Lenny, the Sex Goddess of the '70's," by Jim Watters |
|
New Times, 12/13/74: "The Irresistible Rise of Lenny Bruce," by Frank Rich |
|
Filmmakers Newsletter, Feb/75: "The Making of Lenny: An Interview with Bob Fosse," (3 copies) |
|
BOX 20B |
Village Voice, 11/21/74: "Will the Real Lenny Bruce Please Stand Up," by Andrew Sarris |
|
New York, 9/6/71: "Tonight at the Blue Angel: Lenny Bruce," by Albert Goldman |
|
BOX 22C |
Miscellaneous Clippings (for research) |
|
Newspaper and magazine clippings |
|
BOX 23D |
Research Slides |
|
2 boxes of research slides for porno districts, Boston |
|
BOX 86D |
Press, Oversized |
|
New York News Magazine, 1/26/75, (Lenny) "Valerie Perrine: I'm No Grace Kelly," by Bob Lardine |
|
BOX 85F |
Posters |
|
Lenny, black and white poster, 27x41, (2 copies) |
|
BOX 93A |
Ads, Framed |
|
Framed black and white Variety page, 16x20, "Bob Fosse, Best Director for LENNY" |
|
BOX 87A |
Framed 23x18 double page spread United Artists magazine advertisement, listing Oscar nominations for Lenny, black and white |
|
BOX 23E |
Miscellaneous |
|
5 1/2 x 7 1/2 framed drawing of Lenny Bruce |
|
Scripts
|
|
[Note: Identifications such as "Director's final draft," or "rehearsal draft," are taken directly from the scripts themselves, as are dates. Scripts may be duplicates. The terms "annotated," "notations," "markings" refer not only to commentary written on the scripts, but also any cuts, revisions, dialogue changes, etc., that have been marked on a particular script.] |
|
BOX 21A |
Screenplay, 1st draft, 72 pp.; final pages: "some obligatory scenes" |
|
Screenplay, 1st draft, 72 pp.; contains a small amount of handwritten annotation (Bob Fosse and Julian Barry?) |
| Next Page » |
