| | | | | | | | | | | | | |
|
Individual Production, Project, and
Performance Files
(continued) |
|
Lenny (Fosse) - Paper
(continued) |
|
Interiors list/by scene; shooting schedule
1/18/74; preproduction: Dustin Hoffman and Valerie Perrine; memo re:
Geoffrey Unsworth; travel schedule; memo re: Miami location
survey |
|
BOX 20A |
Crew Resumes |
|
Resumes for positions of costume designer,
art director, production designer, production manager, production
assistants, film editor; agency personnel lists; Bob Fosse
notes |
|
BOX 20B |
Locations |
|
Location lists: interiors/exteriors,
clubs; memos; Bob Fosse lists |
|
BOX 22A |
Research (A) |
|
Note: these may be part of Lawrence
Schiller research. The Schiller list is filed in "Research - Schiller (1
of 6)" |
|
Photocopies of newspaper and magazine
articles on Lenny Bruce, including Albert Goldman's writing; photocopies
of book excerpts (including Paul Krasner's autobiography, How A Satirical Editor...) with notes; Saturday
Review le, 1972; New Yorker, 1969; Playboy, 1960's, etc. |
|
Research (B) |
|
Note: these may be part of Lawrence
Schiller research. The Schiller list is filed in "Research - Schiller (1
of 6)" |
|
Additional photocopied clippings,
1959-72 |
|
Research (C) |
|
Note: these may be part of Lawrence
Schiller research. The Schiller list is filed in "Research - Schiller (1
of 6)" |
|
8x10 photo of Lenny Bruce billboard;
Albert Goldman articles, 1963-64 on Lenny Bruce; annotated article,"Lenny
and a Mother's Love," by Arthur Bell; miscellaneous, including someone's
notes on Bruce and on the Schiller interviews; list of Lenny Bruce tapes
(2 copies) |
|
Research: court proceedings |
|
Court proceedings, obscenity trials:
summaries, transcripts, and associated papers from 1956- |
|
Research: Lawrence Schiller (1 of
6) |
|
The following 6 files are transcripts of
interviews done by Schiller, and documentation collected for the book
Lenny Bruce (by Albert Goldman, "based on
the journalism of Lawrence Schiller). File # 1 of 6 contains a list
explaining the interviewees' relationship to Bruce, as well as the
additional documentation |
|
Research: Lawrence Schiller (2 of
6) |
|
Research: Lawrence Schiller (3 of
6) |
|
Research: Lawrence Schiller (4 of
6) |
|
Research: Lawrence Schiller (5 of
6) |
|
Research: Lawrence Schiller (6 of
6) |
|
BOX 20B |
Financial |
|
Correspondence re: accounting, Movielab,
1974; correspondence between David Licht and United Artists re: United
Artists' methods of billing and payment on Lenny; Lenny financial
statements, 5/29/76 |
|
Legal contracts |
|
1973-78; 1974: film credit negotiations,
title layouts, correspondence re: profit distribution; 1973: Bob Fosse
director's contract; Bob Fosse/United Artists "financing and sale
agreements" re: Lenny, 1978 |
|
Lenny (play) Reviews |
|
Reviews of the O'Horgan-directed
production of the play Lenny
|
|
Correspondence |
|
Letters from and promotional piece on
Sally Marr (Bruce's mother); 12/21/73 letter to Hoffman from "Gloria,"
with information on Lenny Bruce; correspondence re: appropriate research
sources for Bob Fosse and Dustin Hoffman; several long letters, 1973,
from Marvin Worth, 20th Century Fox re: Marvin Worth's reaction to Lenny script (these have Bob Fosse's marginal
notes), and personal note from Marvin Worth to Bob Fosse; note, from
Julian Barry to Bob Fosse; 1974: Worth at 20th Century-Fox re: marketing
exploitation of film (and photocopy of same, with Bob Fosse's marginal
notes |
|
Production Miscellaneous |
|
Several personal letters re: casting;
Miami street map; several phone call lists and memos from Bob Fosse's
secretary; script record; screening guest list with screening notes;
cast/crew hiring miscellany; list of office expenses, including small
billings; extras list, LA party; Bob Fosse itinerary for
6/4/74 |
|
BOX 22C |
Newspaper Clippings |
|
Contains newspaper clippings
only |
|
Press Reviews |
|
This category includes transcripts of
radio and television coverage, as well as print reviews |
|
BOX 22A |
Magazines |
|
"Stamp Help Out! And Other Short Stories"
by Lenny Bruce: paperback publication |
|
BOX 22C |
New York, 12/16/74: "Bob Fosse Off His
Toes," by Paul Gardner (2 copies) |
|
New York, 1973: "The Real Lenny Bruce is
Alive and Well in Brooklyn," by Albert Goldman |
|
Time, 12/16/74: "People" section note on
Valerie Perrine |
|
People, 12/23/74: "After Talking Dirty in
Lenny, Dustin Hoffman Tries Directing," by Richard |
|
Meryman |
|
People, 12/2/74: "Valerie Perrine of
Lenny, the Sex Goddess of the '70's," by Jim Watters |
|
New Times, 12/13/74: "The Irresistible
Rise of Lenny Bruce," by Frank Rich |
|
Filmmakers Newsletter, Feb/75: "The Making
of Lenny: An Interview with Bob Fosse," (3 copies) |
|
BOX 20B |
Village Voice, 11/21/74: "Will the Real
Lenny Bruce Please Stand Up," by Andrew Sarris |
|
New York, 9/6/71: "Tonight at the Blue
Angel: Lenny Bruce," by Albert Goldman |
|
BOX 22C |
Miscellaneous Clippings (for
research) |
|
Newspaper and magazine
clippings |
|
BOX 23D |
Research Slides |
|
2 boxes of research slides for porno
districts, Boston |
|
BOX 86D |
Press, Oversized |
|
New York News Magazine, 1/26/75, (Lenny) "Valerie Perrine: I'm No Grace Kelly,"
by Bob Lardine |
|
BOX 85F |
Posters |
|
Lenny, black and white poster, 27x41, (2
copies) |
|
BOX 93A |
Ads, Framed |
|
Framed black and white Variety page,
16x20, "Bob Fosse, Best Director for LENNY" |
|
BOX 87A |
Framed 23x18 double page spread United
Artists magazine advertisement, listing Oscar nominations for Lenny, black and white |
|
BOX 23E |
Miscellaneous |
|
5 1/2 x 7 1/2 framed drawing of Lenny
Bruce |
|
Scripts
|
|
[Note: Identifications such as "Director's
final draft," or "rehearsal draft," are taken directly from the scripts
themselves, as are dates. Scripts may be duplicates. The terms
"annotated," "notations," "markings" refer not only to commentary written
on the scripts, but also any cuts, revisions, dialogue changes, etc.,
that have been marked on a particular script.] |
|
BOX 21A |
Screenplay, 1st draft, 72 pp.; final
pages: "some obligatory scenes" |
|
Screenplay, 1st draft, 72 pp.; contains a
small amount of handwritten annotation (Bob Fosse and Julian
Barry?) |
|
Screenplay, 1st draft, maroon vinyl cover,
72 pp.; small amount of handwritten annotation |
|
Screenplay, July 26, 1973, black 3-ring
binder, 140 pp.; with heavy annotation, including cuts, revisions,
dialogue changes; Bob Fosse? |
|
Screenplay, 7/26/73 |
|
Marked "working script," 143 pp.; few
annotations (Bob Fosse) |
|
Screenplay, 7/26/73, red vinyl
cover |
|
Marked #7; 143 pp., few annotations |
|
Screenplay, 7/26/73 |
|
Marked # 13; 143 pp.; no annotations; pages
missing |
|
Screenplay, 7/26/73 |
|
Marked # 31; 143 pp.; no annotations |
|
BOX 21B |
Screenplay, 7/26/73, 143 pp.; no
annotations |
|
Screenplay, 7/26/73, 143 pp.; no
annotations |
|
Screenplay, 7/26/73, red vinyl cover, 143
pp.; no annotations |
|
Screenplay, 7/26/73, red vinyl cover, 143
pp.; no annotations |
|
Screenplay, 7/26/73, red vinyl cover, 143
pp.; no annotations |
|
BOX 21C |
Screenplay, 7/26/73, black spring binder,
143 pp.; with revised pages; includes Bob Fosse annotations, e.g.
dialogue additions |
|
Screenplay, rehearsal draft, 12/8/73,
black vinyl cover, 28 pp.; no annotations |
|
Screenplay, Director's final draft,
1/5/74, black spring binder |
|
Cover marked "Fosse," inside page marked
"Fosse #1," annotated by Bob Fosse, including dialogue changes, revised
pages; 135 pp., with alternate endings |
|
BOX 20C |
Screenplay, "old pages" |
|
copy of first draft, 250 pp. with revised
pages, cuts, etc. from various script versions; both originals and
photocopies; many annotations, including Bob Fosse and Julian
Barry |
|
Screenplay, "old pages" |
|
copy of first draft, 150-200 pp. with revised
pages, cuts, etc. from various script versions; both originals and
photocopies; many annotations, including Bob Fosse and Julian
Barry |
|
Screenplay, "old pages" |
|
copy of first draft, 150-200 pp. with revised
pages, cuts, etc. from various script versions; both originals and
photocopies; many annotations, including Bob Fosse and Julian
Barry |
|
Screenplay, miscellaneous pages, 100 pp.;
annotated, including Bob Fosse and Julian Barry notes |
|
BOX 20D |
Screenplay, miscellaneous pages, 100-150
pp.; few annotations |
|
BOX 20C |
Screenplay materials |
|
Very miscellaneous; 35-50 pp., including
script corrections and changes, a few editing notes, 1974; script memos,
1973, David Picker to Bob Fosse; script #4 revisions, etc. |
|
BOX 21C |
Fosse notebook |
|
Composition notebook, with Bob Fosse
handwritten notes |
|
BOX 20D |
"Old script pages" (1) |
|
Assorted; some annotations |
|
"Old script pages" (2) |
|
Assorted; some annotations |
|
"Old script pages" (3) |
|
Assorted; some annotations |
|
"Old script pages" (4) |
|
Assorted; no annotations |
|
BOX 23A |
"Master script - Nick Sgarro",
binder |
|
Dated 1/5/74; marked "master script - Nick
Sgarro" on front page; 128 pp., including timing, notes, with few
annotations. Sgarro was script supervisor. |
|
Screenplay, 7/26/73, maroon vinyl cover,
143 pp.; no annotations |
|
Screenplay, 7/26/73, maroon vinyl cover,
143 pp.; no annotations |
|
Screenplay, rehearsal draft, 12/8/73,
black vinyl cover, 128 pp.; no annotations |
|
Screenplay, rehearsal draft, 12/8/73,
black vinyl cover, 128 pp.; no annotations |
|
BOX 23B |
Screenplay, rehearsal draft, 12/8/73,
black vinyl cover, 128 pp.; no annotations |
|
Screenplay, revised rehearsal draft,
12/8/73 |
|
Marked "revisions up to date 1/2/74;" label on
black vinyl cover was "revised rehearsal draft, 1/2/74;" 128 pp. with
revisions |
|
BOX 21C |
Fosse notebook |
|
BOX 23B |
Screenplay, first draft, maroon vinyl
cover, 72 pp.; very few notations |
|
Screenplay, revised draft, 11/13/70, 120
pp.; grey paper cover marked: "No. 1;" unmarked |
|
Screenplay, first draft, 3/30/70, green
paper cover, 142 pp.; unmarked |
|
Screenplay |
|
Marked both "#1" and "No. 3"on title page; 105
pp.; unmarked |
|
BOX 23C |
Screenplay |
|
Marked "Script No. 4" on title page, with
Julian Barry notes (photocopied) on title page; 105 pp. with notation
(photocopy) |
|
Screenplay, work in progress |
|
Marked "work in progress" on title page, with
handwritten note to Bob Fosse signed "Julian;" 52 pp.; unmarked |
|
Screenplay |
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