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Music
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Music by R. Di Domenica
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Scarlet letter, orchestral score, final ms.: Act II, scenes 1-2
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[see 26/5]
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BOX-FOLDER 26/8 |
Scarlet letter, orchestral score, final ms.: Act II, scene 2 (cont.)
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[see 26/5]
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BOX-FOLDER 26/9 |
Scarlet letter, orchestral score, final ms.: Act III
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[see 26/5]
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BOX-FOLDER 27/1 |
Scarlet letter, original ms: notebook 1
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BOX-FOLDER 27/2 |
Scarlet letter, original ms: notebook 2
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BOX-FOLDER 27/3 |
Scarlet letter, original ms: notebook 3
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BOX-FOLDER 27/4 |
Scarlet letter, original ms: notebook 4
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BOX-FOLDER 27/5 |
Scarlet letter, original ms: notebook 5
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BOX-FOLDER 27/6 |
Scarlet letter, original ms: notebook 6
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BOX-FOLDER 28/1 |
Scarlet letter, original ms: notebook 7
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BOX-FOLDER 28/2 |
Scarlet letter, original ms: notebook 8
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BOX-FOLDER 28/3 |
Scarlet letter, original ms: notebook 9 with laid in material
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BOX-FOLDER 28/4 |
Scarlet letter, original ms: notebook 10
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BOX-FOLDER 28/5 |
Scarlet letter, original ms: notebook 11
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BOX-FOLDER 29/1 |
Scarlet letter, piano/vocal score: front matter and act I
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[Final original manuscript (transparency) The Scarlet Letter, an opera in three acts based on Hawthorne's The Scarlet Letter. Libretto by E. H. Elgin and Robert Di Domenica (mostly done by me). (Piano)/vocal score (1987) by Robert and Leona Di Domenica. 260 pages plus title page, "character" page, "scene" page, tempo explanation page.]
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BOX-FOLDER 29/2 |
Scarlet letter, piano/vocal score: act II
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[see 29/1]
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BOX-FOLDER 29/3 |
Scarlet letter, piano/vocal score: act III
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[see 29/1]
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BOX-FOLDER 29/4 |
Scarlet letter, original ms.: notebook 1
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BOX-FOLDER 29/5 |
Scarlet letter, original ms.: notebook 2
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BOX-FOLDER 29/6 |
Scarlet letter, original ms.: notebook 3
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BOX-FOLDER 29/7 |
Scarlet letter, original ms.: notebook 4
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BOX-FOLDER 29/8 |
Scarlett letter, libretto
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[My second opera. Although my friend, the poet, Gene Elgin (E. H. Elgin) is given credit for the libretto it is really by myself. The fact that he gave me a draft and that it remained in my mind eventually causing me to start the opera and then fashioning my own libretto (much in the same manner as The Balcony), all this caused me to give him credit]
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BOX-FOLDER 30/1 |
Sextet for woodwind quintet and piano, final ms.
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[(1957) final original manuscript (transparency) score: 29 pages]
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BOX-FOLDER 30/2 |
Sextet for woodwind quintet and piano, original ms. and additional material
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[(1957) original manuscript (row sketches?)]
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BOX-FOLDER 30/3 |
Sextet for woodwind quintet and piano, parts
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[Parts: flute, oboe, clarinet, horn and bassoon parts. Piano plays from score.]
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BOX-FOLDER 30/4 |
16th century counterpoint, notebook 1
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BOX-FOLDER 30/5 |
16th century counterpoint, notebook 2
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BOX-FOLDER 30/6 |
16th century counterpoint, notebook 3
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BOX-FOLDER 30/7 |
16th century counterpoint, notebook 4
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BOX-FOLDER 30/8 |
16th century counterpoint, notebook 5
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BOX-FOLDER 31/1 |
Sonata after essays, final ms.
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[(1977) (with soprano and baritone voice, flute and alto flute, and tape) final original manuscript (transparency) Score: 40 pages plus title page]
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BOX-FOLDER 31/2 |
Sonata after essays, original ms. and misc. material
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[(1977) for piano, soprano, baritone, flute (and alto flute) and tape. Original manuscript (loose pages in envelope) (and 6 different rows used)]
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BOX-FOLDER 31/3 |
Sonata after essays, flute part
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[flute/alto flute part: 2 pages]
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BOX-FOLDER 31/4 |
Sonata after essays, examples for lecture (text in 40/11)
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[Analysis examples: 5 pages. Tanglewood seminar "lecture": 32 pages (photocopy); leture given at Tanglewood Seminar on the composing of Sonata After Essays (an analytical diary)]
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BOX-FOLDER 31/5 |
Sonata after essays, bird calls, etc. and sketches
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[Bird calls and sketches (in 2 notebooks)]
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BOX-FOLDER 31/6 |
Sonata after essays, sketches
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[see 31/5]
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BOX-FOLDER 31/7 |
Sonata for alto saxophone and piano, final ms.
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[(1968) final original manuscript (ink on transparency) Score: 25 pages]
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BOX-FOLDER 31/8 |
Sonata for alto saxophone and piano, original ms. and misc. material
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[(1968) original manuscript (row chart also on loose sheets)]
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BOX-FOLDER 31/9 |
Sonata for alto saxophone and piano, saxophone part
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[saxophone part: 10 pages]
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BOX-FOLDER 32/1 |
Sonata for flute and piano, original ms. and misc. material
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[(1957) original manuscript (and row chart)]
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BOX-FOLDER 32/2 |
Sonata for flute and piano, photocopy of final ms.
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[(1957) original transparency destroyed in preparing plates for publication (in my manuscript) by Edition Musicus. Enclosed is therefore a photocopy of my original transparency (score and flute part)]
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BOX-FOLDER 32/3 |
Sonata for flute and piano, photocopied flute part
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[(1957) original transparency destroyed in preparing plates for publication (in my manuscript) by Edition Musicus. Enclosed is therefore a photocopy of my original transparency (score and flute part)]
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BOX-FOLDER 32/4 |
Sonata for flute and piano, published score and flute part (2 copies)
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[published score and part (my mother's copy) (published in my manuscript)]
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BOX-FOLDER 32/5 |
Sonata for piano, final score
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[Final original manuscript (ink on transparency) (probably around 1955) The next to the last assignment done for Josef Schmid (followed by a sonata movement for string quartet). This work, unlike other student works was actually performed 2 or 3 times (by my wife Leonora Di Domenica). 16 pages]
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BOX-FOLDER 32/6 |
Sonata for piano, original ms.
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[One of the last exercises done with my Josef Schmid]
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BOX-FOLDER 32/7 |
Sonata for violin and piano, final ms.
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[(1966) final “original” manuscript (transparencies) (ink) Score copied by Donald Stewart: 35 pages] |
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BOX-FOLDER 32/8 |
Sonata for violin and piano, original ms. and misc. material
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[(1966) original manuscript (incomplete rows- inv. & ret. inv. only]
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BOX-FOLDER 32/9 |
Sonata for violin and piano, violin part
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[violin part (movement I copied by Stewart, rest by me): 15 pages]
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BOX-FOLDER 32/10 |
Sonatina for piano (1954-1955), score
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[Original ink on music paper manuscript (probably 1954 or 1955) Student work, one of the last assignments done for Josef Schmid. This proceeded studies in sonata allegro form. 8 pages plus title page]
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BOX-FOLDER 32/11 |
Sonatina for piano (1958), final ms.
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[(1958) final original manuscript (ink on transparency) 17 pages]
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BOX-FOLDER 32/12 |
Sonatina for piano (1958), original ms.
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[(1958) original manuscript (no row chart)]
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BOX-FOLDER 32/13 |
Sonatina for piano (1958), published score (2 copies)
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[actual publication- Edition Musicus]
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BOX-FOLDER 32/14 |
Songs from Twelfth night, final ms.
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[(1976) for tenor, flute, viola da gamba and harpsichord. 21 pages (including two different formats of Measure 65 to end. The single page solution is probably the intended one. Final original manuscript (transparency)]
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BOX-FOLDER 32/15 |
Songs from Twelfth night, original ms. and additional material
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[(1976) original manuscript (1 book) (rows in loose sheets)]
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BOX-FOLDER 32/16 |
String quartet (1948), photocopied score
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[Photocopy of work written before my 6 years of study with Josef Schmid]
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BOX-FOLDER 32/17 |
String quartet (1956), final score
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[(1956) another study in sonata allegro form. Score and parts. This is the last assignment in my 6 years of study with Josef Schmid. All studies were done in a tonal language. The first work done after my study was Symphony (1956). This was still in tonal language, although extended in some movements approaching 12 tone. The Sonata for Flute and Piano (1957) is the first piece to be “actually” 12 tones and my works remained in this language from then on. Score: 18 pages. Parts: 6 pages each (2-3 facing if reproduced).]
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BOX-FOLDER 32/18 |
String quartet (1956), parts (4)
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[see 32/17]
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BOX-FOLDER 33/1 |
String quartet (1958), final ms.
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[(1958) final original manuscript (ink on transparency) 85 pages]
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BOX-FOLDER 33/2 |
String quartet (1960), original ms.
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[(1960) original manuscript (including revised notations for rondo)(no row chart)]
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BOX-FOLDER 33/3 |
String quartet (1960), revisions for rondo
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[see 33/2]
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BOX-FOLDER 33/4 |
Symphony (1956), final ms.
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[(1956) final original manuscript (ink on transparency). 66 pages plus title page, plus instrumentation page. First work written after my 6 years of study with Josef Schmid. Never performed. I have always considered the next work (Sonata for Flute and Piano) to be my “opus 1" because of the musical language]
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BOX-FOLDER 33/5 |
Symphony (1956), second draft of original ms.
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[(1956) first work written after completing studies with Josef Schmid (student of Alban Berg) work dedicated to Schmid, never performed. Incomplete 1st draft and complete 2nd draft.]
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BOX-FOLDER 33/6 |
Symphony (1956), first draft of original ms. and misc. material
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[see 33/5]
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BOX-FOLDER 34/1 |
Symphony (1961), final ms.
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[(1961) final original manuscript (ink on transparency) (12 x 17) Score: 48 pages : 48 pages (12x17) plus title page (11x14)]
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BOX-FOLDER 34/2 |
Symphony (1961), original ms.
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[(1961) original manuscript]
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BOX-FOLDER 34/3 |
Symphony (1961), photocopied parts (28)
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[(1961) All parts should have been printed with even numbered pages on left and odd on right. The following parts printed incorrectly (publisher error): piccolo, flute II, clarinet I, clarinet II, bassoon I, oboe I has pages 3 and 6 upside down]
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BOX-FOLDER 34/4 |
Symphony (1961), misc. material
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[(1961) original manuscript (also rows, a page of sketches)]
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BOX-FOLDER 34/5 |
Symphony (1961), Mozart's Symphony No. 40--printed score
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[a pocket score to Mozart’s G minor symphony- which my work is based on]
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BOX-FOLDER 35/1 |
Thema enigma, final ms.
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[(1985) (for flute) final original manuscript (transparency) 1 page. Written (along with other composers) for Gunther Schuller’s 60th birthday concert. It is solo tuba to his piece for tuba and chamber orchestra (Capriccio for Tuba and Chamber Orchestra--1960), which I used in my Variations in a Theme by Gunther Schuller (1983). The ‘requirement” was that they be 1 minute long (hence my♪=431⁄2)]
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BOX-FOLDER 35/2 |
Theme and variations for piano, score
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[Original pencil (on music paper) manuscript (1953) Student work. One of the “assignments” done for my teacher Josef Schmid. I believe this proceeded studies in the rondo, sonatina, and sonata form. 29 pages]
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BOX-FOLDER 35/3 |
Trio for flute, bassoon, and piano, original ms.
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[(1966) original manuscript (and rows)]
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BOX-FOLDER 35/4 |
Trio for flute, bassoon, and piano, photocopied original ms.
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[(1966) photocopy of “original pencil manuscript” sent with first shipment. No “final” score was ever made. Score: 50 parts]
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BOX-FOLDER 35/5 |
Trio for flute, bassoon, and piano, misc. material
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BOX-FOLDER 35/6 |
Trio for woodwinds, photocopied score
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