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Music
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Music by R. Di Domenica
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BOX-FOLDER 32/8 |
Sonata for violin and piano, original ms. and misc. material
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[(1966) original manuscript (incomplete rows- inv. & ret. inv. only]
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BOX-FOLDER 32/9 |
Sonata for violin and piano, violin part
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[violin part (movement I copied by Stewart, rest by me): 15 pages]
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BOX-FOLDER 32/10 |
Sonatina for piano (1954-1955), score
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[Original ink on music paper manuscript (probably 1954 or 1955) Student work, one of the last assignments done for Josef Schmid. This proceeded studies in sonata allegro form. 8 pages plus title page]
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BOX-FOLDER 32/11 |
Sonatina for piano (1958), final ms.
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[(1958) final original manuscript (ink on transparency) 17 pages]
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BOX-FOLDER 32/12 |
Sonatina for piano (1958), original ms.
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[(1958) original manuscript (no row chart)]
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BOX-FOLDER 32/13 |
Sonatina for piano (1958), published score (2 copies)
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[actual publication- Edition Musicus]
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BOX-FOLDER 32/14 |
Songs from Twelfth night, final ms.
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[(1976) for tenor, flute, viola da gamba and harpsichord. 21 pages (including two different formats of Measure 65 to end. The single page solution is probably the intended one. Final original manuscript (transparency)]
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BOX-FOLDER 32/15 |
Songs from Twelfth night, original ms. and additional material
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[(1976) original manuscript (1 book) (rows in loose sheets)]
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BOX-FOLDER 32/16 |
String quartet (1948), photocopied score
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[Photocopy of work written before my 6 years of study with Josef Schmid]
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BOX-FOLDER 32/17 |
String quartet (1956), final score
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[(1956) another study in sonata allegro form. Score and parts. This is the last assignment in my 6 years of study with Josef Schmid. All studies were done in a tonal language. The first work done after my study was Symphony (1956). This was still in tonal language, although extended in some movements approaching 12 tone. The Sonata for Flute and Piano (1957) is the first piece to be “actually” 12 tones and my works remained in this language from then on. Score: 18 pages. Parts: 6 pages each (2-3 facing if reproduced).]
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BOX-FOLDER 32/18 |
String quartet (1956), parts (4)
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[see 32/17]
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BOX-FOLDER 33/1 |
String quartet (1958), final ms.
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[(1958) final original manuscript (ink on transparency) 85 pages]
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BOX-FOLDER 33/2 |
String quartet (1960), original ms.
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[(1960) original manuscript (including revised notations for rondo)(no row chart)]
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BOX-FOLDER 33/3 |
String quartet (1960), revisions for rondo
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[see 33/2]
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BOX-FOLDER 33/4 |
Symphony (1956), final ms.
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[(1956) final original manuscript (ink on transparency). 66 pages plus title page, plus instrumentation page. First work written after my 6 years of study with Josef Schmid. Never performed. I have always considered the next work (Sonata for Flute and Piano) to be my “opus 1" because of the musical language]
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BOX-FOLDER 33/5 |
Symphony (1956), second draft of original ms.
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[(1956) first work written after completing studies with Josef Schmid (student of Alban Berg) work dedicated to Schmid, never performed. Incomplete 1st draft and complete 2nd draft.]
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BOX-FOLDER 33/6 |
Symphony (1956), first draft of original ms. and misc. material
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[see 33/5]
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BOX-FOLDER 34/1 |
Symphony (1961), final ms.
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[(1961) final original manuscript (ink on transparency) (12 x 17) Score: 48 pages : 48 pages (12x17) plus title page (11x14)]
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BOX-FOLDER 34/2 |
Symphony (1961), original ms.
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[(1961) original manuscript]
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BOX-FOLDER 34/3 |
Symphony (1961), photocopied parts (28)
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[(1961) All parts should have been printed with even numbered pages on left and odd on right. The following parts printed incorrectly (publisher error): piccolo, flute II, clarinet I, clarinet II, bassoon I, oboe I has pages 3 and 6 upside down]
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BOX-FOLDER 34/4 |
Symphony (1961), misc. material
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[(1961) original manuscript (also rows, a page of sketches)]
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BOX-FOLDER 34/5 |
Symphony (1961), Mozart's Symphony No. 40--printed score
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[a pocket score to Mozart’s G minor symphony- which my work is based on]
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BOX-FOLDER 35/1 |
Thema enigma, final ms.
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[(1985) (for flute) final original manuscript (transparency) 1 page. Written (along with other composers) for Gunther Schuller’s 60th birthday concert. It is solo tuba to his piece for tuba and chamber orchestra (Capriccio for Tuba and Chamber Orchestra--1960), which I used in my Variations in a Theme by Gunther Schuller (1983). The ‘requirement” was that they be 1 minute long (hence my♪=431⁄2)]
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BOX-FOLDER 35/2 |
Theme and variations for piano, score
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[Original pencil (on music paper) manuscript (1953) Student work. One of the “assignments” done for my teacher Josef Schmid. I believe this proceeded studies in the rondo, sonatina, and sonata form. 29 pages]
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BOX-FOLDER 35/3 |
Trio for flute, bassoon, and piano, original ms.
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[(1966) original manuscript (and rows)]
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BOX-FOLDER 35/4 |
Trio for flute, bassoon, and piano, photocopied original ms.
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[(1966) photocopy of “original pencil manuscript” sent with first shipment. No “final” score was ever made. Score: 50 parts]
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BOX-FOLDER 35/5 |
Trio for flute, bassoon, and piano, misc. material
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BOX-FOLDER 35/6 |
Trio for woodwinds, photocopied score
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[Photocopy of work written before my 6 years of study with Josef Schmid. I believe the Trio for Woodwinds was written while I was studying with Wallingford Riegger.]
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BOX-FOLDER 35/7 |
Variations on a theme by G. Schiller, final ms.
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[(1983) for solo tuba and chamber ensemble, final original manuscript (transparency) 42 pages plus title (instrumentation) page]
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BOX-FOLDER 35/8 |
Variations on a theme by G. Schiller, original ms. and misc. material
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[(1983) for solo tuba and chamber ensemble, original manuscript (1 notebook) Schuller’s theme on a loose photocopy (in notebook) (and row chart)]
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BOX-FOLDER 36/1 |
Variations and soliloquies for orchestra, final ms.
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[(1988) final original manuscript (transparency) 123 pages plus title page and instrumentation page]
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BOX-FOLDER 36/2 |
Variations and soliloquies for orchestra, original ms.: notebook 1 with laid in material
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[(1988) original manuscript (2 books and loose pages) (and row charts) also: program notes, Hamlet soliloquy, 9 page analysis (in book-1 loose)]
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BOX-FOLDER 36/3 |
Variations and soliloquies for orchestra, original ms.: notebook 2 with laid in material
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[see 36/2]
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BOX-FOLDER 36/4 |
Variations and soliloquies for orchestra, misc. material
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[see 36/2]
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BOX-FOLDER 36/5 |
Variations on a tonal theme, final ms.
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[(1961) final original manuscript (ink on transparency) 2 pages]
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BOX-FOLDER 36/6 |
Variations on a tonal theme, original ms.
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[(1961) original manuscript (no rows, but rows in score)]
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BOX-FOLDER 36/7 |
Variations on a tonal theme, published score
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[(1961) actual publication- Edition Musicus]
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BOX-FOLDER 36/8 |
Violin sonata no. 1, photocopied score
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[Photocopy of work written before my 6 years of study with Josef Schmid. I believe the Violin Sonata was written while I was studying with Wallingford Riegger.]
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BOX-FOLDER 36/9 |
Woodwind quintet, final ms.
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[(1963) final original manuscript (ink on transparency) 71 pages (alternate vocal ending added at the time of composition)]
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BOX 37 |
Music by Ellen Bender and Robert Di Domenica
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BOX-FOLDER 37/1 |
Rappaccini's daughter, photocopied score
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[Ellen Bender’s opera Rappaccini’s Daughter, based on Hawthorne’s story. Her first opera (in one act). Her score to her opera.] |
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BOX-FOLDER 37/2 |
Rappaccini's daughter, libretto; photocopies of first and final drafts
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[The libretto written by me. 1) my draft, 2) her final form]
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BOX-FOLDER 37/3 |
Misc. material
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BOX 37/4 |
Printed Music
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[Leona Di Domenica believes these are pieces studied with her first piano teacher]
- Emerson, De Witt G. The masters and their melodies
- Gossec, François Joseph. Gavotte in D
- Gurlitt, Cornelius. Album leaves for the young
- Haydn, Joseph. Sonata no. 2
- Haydn, Joseph. Sonata no. 10
- Mendelssohn, F. Praeludium
- Reinhold, Hugo. Miniaturbilder
- Scott, Cyril. Dansè negre
- Schytté, Ludvig. Witches' revels
- Swift, Newton E. Twelve children's pieces for piano
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BOX 38 |
Biographical Material
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The biographical folders contain some autobiographical material by Mr. Di Domenica. There are also various materials on his wife, Leona; his parents, Angelo and Philomena Di Domenica; and his in-laws, Henry and Beatrice Knopf.
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BOX-FOLDER 38/1 |
Robert Di Domenica
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BOX-FOLDER 38/2 |
Leona Knopf Di Domenica (1)
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BOX-FOLDER 38/3 |
Leona Knopf Di Domenica (2)
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BOX-FOLDER 38/4 |
Angelo and Philomena Di Domenica
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BOX-FOLDER 38/5 |
Henry and Beatrice Knopf
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BOX 38-39 |
Correspondence
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This is correspondence between Robert Di Domenica and his family, friends, and business associates, arranged alphabetically by the correspondent’s name. There is also a group of recommendations written for his students.
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BOX-FOLDER 38/6 |
Babbitt, Milton
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BOX-FOLDER 38/7 |
Caldwell, Sarah
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BOX-FOLDER 38/8 |
Di Domenica, Leona
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BOX-FOLDER 38/9 |
Di Domenica, Philomena
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BOX-FOLDER 38/10 |
Dyer, Richard
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BOX-FOLDER 38/11 |
Edward B. Marks Music Corporation
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BOX-FOLDER 38/12 |
Feig & Taubman
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BOX-FOLDER 38/13 |
John Simon Guggenheim Foundation
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BOX-FOLDER 38/14 |
Kalban, Bernard
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BOX-FOLDER 38/15 |
New England Conservatory of Music
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BOX-FOLDER 38/16 |
Pfeiffer, Ellen
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BOX-FOLDER 38/17 |
Plymouth Philharmonic Orchestra
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BOX-FOLDER 38/18 |
Podlaha, Karl
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BOX-FOLDER 38/19 |
Rorem, Ned
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BOX-FOLDER 38/20 |
Rosica Colin Ltd.
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BOX-FOLDER 39/1 |
Schmid, Josef (1952-1959)
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BOX-FOLDER 39/2 |
Schmid, Josef (1960-1969)
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BOX-FOLDER 39/3 |
Schmid, Josef (no date)
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BOX-FOLDER 39/4 |
Schuller, Gunther
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BOX-FOLDER 39/5 |
Smith, Fenwick
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BOX-FOLDER 39/6 |
Taubman, Joseph
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BOX-FOLDER 39/7 |
Misc.: A-L
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BOX-FOLDER 39/8 |
Misc.: M-Z
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BOX-FOLDER 39/9 |
Recommendations: 1975-1982
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BOX-FOLDER 39/10 |
Recommendations: 1983-1985
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BOX-FOLDER 39/11 |
Recommendations: 1986-1988
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BOX-FOLDER 39/12 |
Recommendations: 1989-1991
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BOX-FOLDER 39/13 |
Recommendations: 1992-1994
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BOX-FOLDER 39/14 |
Recommendations: 1995-1996
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BOX-FOLDER 39/15 |
Recommendations: 1997-1998
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BOX-FOLDER 39/16 |
Unidentified
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