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BOX 1-118; 122; 124-197 | Music Inventory | ||||||||||||
One of the highlights of the collection is the Music Inventory that describes seventy-three of Graham’s works. It consists of original holograph or autograph scores by composers such as Aaron Copland, Samuel Barber, Alan Hovhaness, Louis Horst, Halim El-Dabh, Eugene Lester, Norman Dello Joio, Paul Hindemith, Gian-Carlo Menotti, Robert Starer, William Schuman, and Wallingford Riegger. The series also includes orchestral parts and piano rehearsal scores which often include choreographic notes. | |||||||||||||
Arranged by title of choreographic work, however, composers and alternate or original titles of compositions are cross-referenced in the finding aid. | |||||||||||||
BOX 1-191, 193-194 | Choreographed Works | ||||||||||||
Acrobats of God
(1960)
Composer: Carlos Surinach |
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BOX-FOLDER 193/1 | Violoncello part | ||||||||||||
Acts of Light
(1981)
Composer: Carl Nielson |
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Nielsen’s titles: Pan og Syrinx [Pan and Syrinx], op. 49; Ved en Ung kunstners baare [At the Bier of a Young Artist]; Helios, op. 17. | |||||||||||||
BOX-FOLDER 1/1 | Photocopy published full score | ||||||||||||
BOX-FOLDER 1/2 | Photocopy published full score | ||||||||||||
BOX-FOLDER 1/3-6 | Published extra parts | ||||||||||||
BOX-FOLDER 1/7-9 | Published extra parts | ||||||||||||
BOX-FOLDER 2/1 | Extra parts | ||||||||||||
BOX-FOLDER 2/2 | Photocopy full score, with choreographic notes | ||||||||||||
BOX-FOLDER 2/3 | Full score with choreographic notes, part II (Ved en ung Kunstners Baare) | ||||||||||||
(2 copies) | |||||||||||||
BOX-FOLDER 2/4 | Published parts, part II | ||||||||||||
BOX-FOLDER 2/5 | Extra parts, part II | ||||||||||||
BOX-FOLDER 2/6 | Photocopy full score, with choreographic notes, part III (Helios) | ||||||||||||
BOX-FOLDER 2/7 | Photocopy full score, with choreographic notes, part III (Helios) | ||||||||||||
BOX-FOLDER 2/8-10 | Published parts | ||||||||||||
BOX-FOLDER 3/1-4 | Extra parts, part III | ||||||||||||
Alcestis
(1960)
Composer: Vivian Fine |
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BOX-FOLDER 4/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 4/2 | Ozalid full score | ||||||||||||
BOX-FOLDER 5/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 5/2 | Ozalid full score | ||||||||||||
BOX-FOLDER 5/3 | Piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 5/4 | Piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 6/1-2 | Ozalid parts | ||||||||||||
BOX-FOLDER 6/3-4 | Extra parts | ||||||||||||
American Document
(1938)
Composer: Ray Green |
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Set to music by John Corigliano in 1989. | |||||||||||||
BOX-FOLDER 7/1 | Photocopy full score: Concerto for Oboe and Orchestra(1989 version) | ||||||||||||
BOX-FOLDER 8/1 | Ink piano rehearsal score, with choreographic notes; music by Ray Green and Louis Horst | ||||||||||||
BOX-FOLDER 8/2 | Ink piano rehearsal score | ||||||||||||
BOX-FOLDER 8/3 | Photocopy of piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 8/4 | Photocopy of piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 8/5 | Photocopy of piano score (incomplete) | ||||||||||||
BOX-FOLDER 8/6 | Negative Photostat of piano score | ||||||||||||
BOX-FOLDER 8/7 | Ink parts | ||||||||||||
Adromache’s Lament
(1982)
Composer: Samuel Barber |
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Barber’s title: Andromache’s Farewell. | |||||||||||||
BOX-FOLDER 9/1 | Piano/vocal score | ||||||||||||
BOX-FOLDER 9/2 | Wind parts | ||||||||||||
BOX-FOLDER 9/3 | Percussion-harp parts | ||||||||||||
BOX-FOLDER 9/4 | String parts | ||||||||||||
BOX-FOLDER 9/5 | Extra string parts | ||||||||||||
Appalachian Spring
(1944)
Composer: Aaron Copland |
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Copland’s title: Ballet for Martha. | |||||||||||||
BOX-FOLDER 10/1 | Copyist’s original parts, woodwinds-piano | ||||||||||||
BOX-FOLDER 10/2 | Copyist’s string parts Ozalid full score with pencil annotations Ozalid rehearsal piano score with choreographic notes (copy 1 missing) Ozalid piano score, with choreographic notes (copy 2) |
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BOX-FOLDER 11/1-3 | Ozalid copyist’s set of parts | ||||||||||||
BOX-FOLDER 12/1-3 | Ozalid extra parts | ||||||||||||
BOX-FOLDER 13/1-2 | New parts, string | ||||||||||||
BOX-FOLDER 14/1 | Extra string parts | ||||||||||||
BOX-FOLDER 14/2 | Parts (flute, clarinet, bassoon, piano) | ||||||||||||
Archaic Hours, The
(1969)
Composer: Eugene Lester |
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BOX-FOLDER 15/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 15/2 | Ozalid full score | ||||||||||||
BOX-FOLDER 15/3 | Ozalid piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 15/4 | Ozalid piano rehearsal score, no choreographic notes | ||||||||||||
BOX-FOLDER 15/5 | Ozalid piano rehearsal score, with choreographic notes, incomplete | ||||||||||||
BOX-FOLDER 16/1 | Copyist’s deschens parts | ||||||||||||
BOX-FOLDER 16/2 | Extra parts | ||||||||||||
BOX-FOLDER 17/1-3 | Extra parts | ||||||||||||
BOX-FOLDER 18/1-3 | Extra parts | ||||||||||||
Ardent Song
(1954)
Composer: Alan Hovhaness |
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Hovhaness’s title: Music for Martha Graham. | |||||||||||||
BOX-FOLDER 19/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 19/2 | Ozalid full score | ||||||||||||
BOX-FOLDER 19/3 | Ozalid full score | ||||||||||||
BOX-FOLDER 20/1-2 | Copyist’s parts | ||||||||||||
BOX-FOLDER 20/3 | Extra parts | ||||||||||||
Arma, Paul [Imre Weisshaus] see Satyric Festival Song | |||||||||||||
Baal Shem
(1926)
Composer: Ernst Bloch |
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BOX-FOLDER 193/2 | Piano/Violin part | ||||||||||||
Baccanale
(1931)
Composer: Wallingford Reigger |
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Baccanale no. 2 choreographed in 1932, also to music by Reigger. | |||||||||||||
BOX-FOLDER 193/3 | Piano four hands | ||||||||||||
BOX-FOLDER 193/4 | Photocopy, with notes | ||||||||||||
BOX-FOLDER 193/5 | Photocopy, piano four hands | ||||||||||||
BOX-FOLDER 193/6 | Ink copyists’ parts of oboe, piccolo, and piano | ||||||||||||
Ballet for Martha see Appalachian Spring | |||||||||||||
Barber, Samuel see Andromache’s Lament see Cave of the Heart |
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Bloch, Ernst see Baal Shem | |||||||||||||
But Not For Me
(1999)
Composer: George Gershwin |
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Choreography by Susan Stroman. | |||||||||||||
BOX-FOLDER 21 | Photocopy of full score | ||||||||||||
Canticle for Innocent Comedians
(1952)
Composer: Thomas Ribbink |
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BOX-FOLDER 22/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 22/2 | Photocopy full score | ||||||||||||
BOX-FOLDER 23/1 | Ink and pencil piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 24/1 | Photocopy piano score, with pencil notes | ||||||||||||
BOX-FOLDER 24/2 | Photocopy piano score | ||||||||||||
BOX-FOLDER 24/3 | Photocopy piano score (copy 3) | ||||||||||||
BOX-FOLDER 24/4 | Ink piano score, with corrections (incomplete) | ||||||||||||
BOX-FOLDER 24/5 | Deschen piano score | ||||||||||||
BOX-FOLDER 25/1 | Deschen parts | ||||||||||||
BOX-FOLDER 25/2 | Deschen parts (string) | ||||||||||||
BOX-FOLDER 25/3 | Obsolete parts | ||||||||||||
BOX-FOLDER 25/4 | Deschen parts; ink parts (flute, clarinet, oboe bassoon, horn, percussion) | ||||||||||||
BOX-FOLDER 25/5 | Photocopy percussion (2 copies) | ||||||||||||
BOX-FOLDER 26/1 | Ink vocal score | ||||||||||||
BOX-FOLDER 26/2 | Photocopy vocal score | ||||||||||||
BOX-FOLDER 26/3 | Photocopy vocal score | ||||||||||||
BOX-FOLDER 26/4 | Ink string parts | ||||||||||||
BOX-FOLDER 26/5 | Extra parts | ||||||||||||
BOX-FOLDER 193/7 | Deschen parts | ||||||||||||
BOX-FOLDER 193/8 | Photocopy vocal score | ||||||||||||
Cave of the Heart
(1946)
Composer: Samuel Barber |
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Barber’s title: Medea. | |||||||||||||
Graham’s title for first performance: Serpent Heart. | |||||||||||||
BOX-FOLDER 27/1 | Ink rehearsal piano score with choreographic notes | ||||||||||||
BOX-FOLDER 27/2 | Ozalid piano score | ||||||||||||
BOX-FOLDER 27/3 | Ozalid wind parts | ||||||||||||
BOX-FOLDER 27/4 | Ozalid piano part | ||||||||||||
BOX-FOLDER 27/5 | Ozalid string parts | ||||||||||||
BOX-FOLDER 27/6 | Ozalid extra parts | ||||||||||||
BOX-FOLDER 28/1-4 | Extra parts | ||||||||||||
Celebration
(1934)
Composer: Louis Horst |
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Reconstruction 1987. | |||||||||||||
BOX-FOLDER 29/1 | Rehearsal piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 29/2 | Photocopy rehearsal piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 29/3 | Photocopy rehearsal piano score, with choreographic notes | ||||||||||||
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