| Container | Contents | ||||||||||||
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| Music Inventory (continued) | |||||||||||||
| Choreographed Works (continued) | |||||||||||||
|
Diversion of Angels
(1948)
Composer: Norman Dello Joio |
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| Graham’s title for first performance: Wilderness Stair. | |||||||||||||
| BOX-FOLDER 58/1 | Ozalid full score | ||||||||||||
| BOX-FOLDER 58/2 | Ink rehearsal piano score, with choreographic notes | ||||||||||||
| BOX-FOLDER 58/3 | Photocopy rehearsal piano score, with choreographic notes | ||||||||||||
| BOX-FOLDER 58/4 | Ozalid wind-piano parts | ||||||||||||
| BOX-FOLDER 58/5 | Ozalid string parts | ||||||||||||
| BOX-FOLDER 58/6 | Extra parts | ||||||||||||
| BOX-FOLDER 59/1-6 | Ozalid extra parts | ||||||||||||
| Drei Klavierstücke, op. 32 see Harlequinade | |||||||||||||
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Ecuatorial
(1978)
Composer: Edgar Varèse |
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| BOX-FOLDER 193/12 | Published full score | ||||||||||||
| Egge, Klaus see Tangled Night | |||||||||||||
| El-Dabh, Halim see A Look at Lighting; Lucifer; One More Gaudy Night | |||||||||||||
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Elegiac
(1933)
Composer: Paul Hindemith |
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| BOX-FOLDER 193/13 | Copyists’ part for clarinet | ||||||||||||
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Embattled Garden
(1958)
Composer: Carlos Surinach |
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| BOX-FOLDER 62/1 | Ozalid full score | ||||||||||||
| BOX-FOLDER 62/2 | Photocopy full score | ||||||||||||
| BOX-FOLDER 62/3 | Piano rehearsal score, with choreographic notes | ||||||||||||
| BOX-FOLDER 62/4 | Piano rehearsal score, no choreographic notes | ||||||||||||
| BOX-FOLDER 62/5 | Piano rehearsal score, with choreographic notes | ||||||||||||
| BOX-FOLDER 63/1-3 | Ozalid parts | ||||||||||||
| BOX-FOLDER 63/4 | Extra parts | ||||||||||||
| BOX-FOLDER 64/1-3 | Extra parts | ||||||||||||
| BOX-FOLDER 65/1-3 | Extra parts | ||||||||||||
| BOX-FOLDER 66/1-4 | Extra parts | ||||||||||||
| BOX-FOLDER 66/5 | Copyist deschens for 3 parts | ||||||||||||
| BOX-FOLDER 66/6 | Extra copies of copyist deschens for 3 parts | ||||||||||||
| Engle, Lehman see Transitions | |||||||||||||
|
Episodes, Part I
(1959)
Composer: Anton Webern |
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| Webern’s titles: Passacaglia for orchestra, op. 1; Six pieces, op. 6 reconstructed and reworked in 1979. | |||||||||||||
| BOX-FOLDER 67/1 | Full score, with choreographic notes | ||||||||||||
| BOX-FOLDER 67/2 | Piano rehearsal score, with choreographic notes | ||||||||||||
| BOX-FOLDER 67/3 | Photocopy of piano rehearsal score, with choreographic notes | ||||||||||||
| BOX-FOLDER 67/4-7 | Published parts | ||||||||||||
| BOX-FOLDER 67/8-10 | Extra parts | ||||||||||||
| BOX-FOLDER 68/1 | Published full score, with choreographic notes (Six pieces, op. 6) | ||||||||||||
| BOX-FOLDER 68/2 | Ozalid piano rehearsal score, with choreographic notes (Six pieces, op. 6) | ||||||||||||
| BOX-FOLDER 68/3 | Photocopy piano rehearsal score, with choreographic notes (Six pieces, op. 6) | ||||||||||||
| BOX-FOLDER 68/4-7 | Published parts | ||||||||||||
| BOX-FOLDER 68/8-10 | Extra parts | ||||||||||||
| BOX-FOLDER 192/3 | Notated piano reduction score: Passacaglia for orchestra, op. 1, photocopy | ||||||||||||
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Errand into the Maze
(1947)
Composer: Gian-Carlo Menotti |
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| BOX-FOLDER 69/1 | Photocopy full score | ||||||||||||
| BOX-FOLDER 69/2 | Ink piano rehearsal score, with choreographic notes | ||||||||||||
| BOX-FOLDER 69/3 | Photocopy piano rehearsal score, with choreographic notes | ||||||||||||
| BOX-FOLDER 69/4 | Photocopy piano rehearsal score, with choreographic notes | ||||||||||||
| BOX-FOLDER 70/1-4 | Copyist parts, old set | ||||||||||||
| BOX-FOLDER 71/1-4 | Ozalid old parts | ||||||||||||
| BOX-FOLDER 72/1 | Ozalid old parts | ||||||||||||
| BOX-FOLDER 72/2 | Deschens, new set of complete parts | ||||||||||||
| BOX-FOLDER 72/3 | Ozalid woodwind parts, new set | ||||||||||||
| BOX-FOLDER 72/4 | Ozalid horn-2nd piano | ||||||||||||
| BOX-FOLDER 73/1-5 | Extra parts | ||||||||||||
|
Every Soul is a Circus
(1939)
Composer: Paul Nordoff |
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| BOX-FOLDER 75/1 | Ink conductor’s score (arranged for seven instruments) | ||||||||||||
| BOX-FOLDER 75/2 | Conductor’s full score (orchestration by Ted Dale) | ||||||||||||
| BOX-FOLDER 75/3 | Conductor’s full score (arranged for eleven instruments) | ||||||||||||
| BOX-FOLDER 74/1 | Ink parts (arranged for eleven instruments) | ||||||||||||
| BOX-FOLDER 74/2 | Piano rehearsal score, with choreographic notes | ||||||||||||
| BOX-FOLDER 74/3 | Ink parts (arranged for eleven instruments) | ||||||||||||
| BOX-FOLDER 76/1 | Ink parts (arranged for seven instruments) | ||||||||||||
| BOX-FOLDER 76/2 | Ink parts (arranged for twelve instruments) | ||||||||||||
| BOX-FOLDER 76/3 | Ink piano part (arranged for eleven instruments) | ||||||||||||
| BOX-FOLDER 77/1 | Parts (arranged by Ted Dale) | ||||||||||||
| BOX-FOLDER 77/2 | Extra parts, violins | ||||||||||||
| BOX-FOLDER 78/1 | Extra parts, cello bass, viola | ||||||||||||
| BOX-FOLDER 79/1 | Negative photostat piano rehearsal score | ||||||||||||
| BOX-FOLDER 79/2 | Deschens full score | ||||||||||||
| BOX-FOLDER 79/3 | Negative photostat parts | ||||||||||||
| BOX-FOLDER 79/4 | Negative photostat piano part | ||||||||||||
| BOX-FOLDER 79/5 | Negative photostat strings | ||||||||||||
| BOX-FOLDER 79/6 | Deschens parts | ||||||||||||
|
Eye of Anguish, The
(1950)
Composer: Vincent Persichetti |
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| Persichetti’s title: Lear. | |||||||||||||
| BOX-FOLDER 81/1 | Ozalid full score | ||||||||||||
| BOX-FOLDER 81/2 | Ozalid full score | ||||||||||||
| BOX-FOLDER 81/3 | Piano rehearsal score, with choreographic notes | ||||||||||||
| BOX-FOLDER 81/4 | Piano rehearsal score, without choreographic notes | ||||||||||||
| BOX-FOLDER 80/1-3 | Copyist parts (ink) | ||||||||||||
| Fantasy Sonata for Violin and Piano see O Thou Desire to Who Art about to Sing | |||||||||||||
| Fine, Vivian see Alcestis | |||||||||||||
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Flute of Pan
(1978)
Composer: [Geheorghe] Zamfir |
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| BOX-FOLDER 193/14 | Full score, pencil | ||||||||||||
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Formal Dance, A
(1935) [Later titled Praeludium no. 2] Composer: David Diamond |
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| BOX-FOLDER 193/15 | Holograph score and parts | ||||||||||||
| BOX-FOLDER 194/8 | Flute and clarinet parts | ||||||||||||
|
Frontier
(1935)
Composer: Louis Horst |
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| Original title of choreography: Perspectives: Frontier and Marching Song. | |||||||||||||
| BOX-FOLDER 82/1 | Full score in pencil | ||||||||||||
| BOX-FOLDER 82/2 | Photocopy full score | ||||||||||||
| BOX-FOLDER 82/3 | Photocopy full score | ||||||||||||
| BOX-FOLDER 82/4 | Deschens full score | ||||||||||||
| BOX-FOLDER 82/5 | Piano rehearsal score, with choreographic notes | ||||||||||||
| BOX-FOLDER 82/6 | Piano rehearsal score (negative photostat) | ||||||||||||
| BOX-FOLDER 82/7 | Photocopy piano rehearsal score | ||||||||||||
| BOX-FOLDER 82/8 | Ink parts | ||||||||||||
| BOX-FOLDER 82/9 | Ozalid piano part | ||||||||||||
| BOX-FOLDER 82/10-11 | Extra parts | ||||||||||||
| BOX-FOLDER 82/12 | Ink parts (old set) | ||||||||||||
| Gershwin, George see But Not For Me | |||||||||||||
|
Gospel of Eve
(1950)
Composer: Paul Nordoff |
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| BOX-FOLDER 83/1 | Ozalid full score | ||||||||||||
| BOX-FOLDER 83/2 | Ozalid full score | ||||||||||||
| BOX-FOLDER 83/3 | Ozalid piano rehearsal score, with choreographic notes | ||||||||||||
| BOX-FOLDER 83/4 | Ozalid piano rehearsal score, no choreographic notes | ||||||||||||
| BOX-FOLDER 84/1 | Copyist’s deschen piano rehearsal score | ||||||||||||
| BOX-FOLDER 84/2-3 | Copyist’s parts | ||||||||||||
| Green, Ray see American Document | |||||||||||||
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Harlequinade
(1930)
Composer: Ernst Toch |
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| Toch’s title: Drei Klavierstücke, op. 32. | |||||||||||||
| BOX-FOLDER 193/17 | Published piano score; photocopy laid in | ||||||||||||
| Hecabe see Cortege of Eagles | |||||||||||||
| Helios, op. 17 see Acts of Light | |||||||||||||
| Heloïse and Abelard see Time of Snow | |||||||||||||
|
Heretic
(1929)
Composer: Louis Horst |
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| Based on an old Bréton song. | |||||||||||||
| BOX-FOLDER 193/18 | Piano fragment in ink | ||||||||||||
| BOX-FOLDER 193/19 | Piano part | ||||||||||||
| BOX-FOLDER 193/20 | Photocopy fragment (as recalled by Paul Creston) | ||||||||||||
|
Hérodiade
(1944)
Composer: Paul Hindemith |
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| BOX-FOLDER 85/1 | Photocopy full score, with choreographic notes | ||||||||||||
| BOX-FOLDER 85/2 | Photocopy full score, with choreographic notes | ||||||||||||
| BOX-FOLDER 85/3 | Photocopy full score | ||||||||||||
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