Container | Contents | ||||||||||||
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Music Inventory (continued) | |||||||||||||
Choreographed Works (continued) | |||||||||||||
Penitente, El
(1940)
Composer: Louis Horst |
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BOX-FOLDER 61/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 61/2 | Ozalid full score | ||||||||||||
BOX-FOLDER 61/3 | Ozalid full score | ||||||||||||
BOX-FOLDER 61/4 | Photocopy full score | ||||||||||||
BOX-FOLDER 60/1 | Ink piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 60/2 | Ozalid piano part | ||||||||||||
BOX-FOLDER 60/3 | Ozalid piano part | ||||||||||||
BOX-FOLDER 60/4 | Ozalid piano part | ||||||||||||
BOX-FOLDER 60/5 | Photocopy set of parts | ||||||||||||
BOX-FOLDER 60/6-7 | Photocopy extra parts | ||||||||||||
Persichetti, Vincent see Eye of Anguish, The | |||||||||||||
Perspectives: Frontier and Marching Song see Frontier | |||||||||||||
Phaedra
(1962)
Composer: Robert Starer |
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BOX-FOLDER 140/1 | Full score | ||||||||||||
BOX-FOLDER 140/2 | Full score (arrarnge for seven instruments) | ||||||||||||
BOX-FOLDER 140/3 | Ink full score | ||||||||||||
BOX-FOLDER 141/1 | Piano-rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 141/2 | Piano-rehearsal score, without choreographic notes | ||||||||||||
BOX-FOLDER 141/3 | Piano-rehearsal score, incomplete | ||||||||||||
BOX-FOLDER 142/1 | Parts (flute, clarinet, English horn, bassoon, horn, percussion [4], piano, oboe, trumpet, trombone) | ||||||||||||
BOX-FOLDER 143/1 | String parts (violin I, violin II, viola, cello, bass) | ||||||||||||
BOX-FOLDER 144/1 | Full set of parts | ||||||||||||
BOX-FOLDER 146/1 | “Tiento de Peña,” violin (ink) part | ||||||||||||
BOX-FOLDER 146/2 | “Phaedra” Ozalid, violin I part | ||||||||||||
BOX-FOLDER 146/3-7 | Deschens string parts | ||||||||||||
Phaedra’s Dream
(1983)
Composer: George Crumb |
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Crumb’s title: Lux Aterna for 5 Masked Musicians. | |||||||||||||
BOX-FOLDER 145/1 | Published full score | ||||||||||||
BOX-FOLDER 145/2 | Parts | ||||||||||||
Piano Concerto no. 2, op. 21 see Tangled Night | |||||||||||||
Piano Variations see Dithyrambic | |||||||||||||
Plain of Prayer, The
(1968)
Composer: Eugene Lester |
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BOX-FOLDER 148/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 148/2 | Ozalid full score | ||||||||||||
BOX-FOLDER 148/3 | Photocopy full score | ||||||||||||
BOX-FOLDER 148/4 | Ozalid piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 148/5 | Ozalid piano rehearsal score, no choreographic notes | ||||||||||||
BOX-FOLDER 147/1-3 | Ozalid parts | ||||||||||||
BOX-FOLDER 149/1-3 | Extra parts | ||||||||||||
BOX-FOLDER 150/1-4 | Extra parts | ||||||||||||
Poems of 1917
(1928)
Composer: Leo Ornstein |
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BOX-FOLDER 194/7 | Published piano score | ||||||||||||
Point of Crossing
(1975)
Composer: Mordecai Seter |
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BOX-FOLDER 151/1-5 | Published extra parts | ||||||||||||
BOX-FOLDER 152/1 | Photocopy full score | ||||||||||||
BOX-FOLDER 152/2 | Published full score | ||||||||||||
BOX-FOLDER 152/3-6 | Published parts | ||||||||||||
BOX-FOLDER 152/7-8 | Published extra parts | ||||||||||||
Poulanc, Françoise see Momenta Rustica | |||||||||||||
Praeludium no. 2 see A Formal Dance | |||||||||||||
Prelude to Action(from Chronicle) (1936)
Composer: Wallingford Riegger |
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Arrangement, orchestration, and additional music by Stanley Sussman. | |||||||||||||
BOX-FOLDER 153/1 | Photocopy full score | ||||||||||||
BOX-FOLDER 153/2-5 | Photocopied parts | ||||||||||||
BOX-FOLDER 154/1-5 | Photocopied extra parts | ||||||||||||
Primitive Mysteries
(1931)
Composer: Louis Horst |
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BOX-FOLDER 155/1 | Photocopy full score | ||||||||||||
BOX-FOLDER 155/2 | Oboe part | ||||||||||||
BOX-FOLDER 155/3 | Flute part | ||||||||||||
BOX-FOLDER 155/4 | Ozalid piano part | ||||||||||||
BOX-FOLDER 155/5 | Ink piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 155/6 | Ozalid piano score | ||||||||||||
BOX-FOLDER 155/7 | Ozalid piano score | ||||||||||||
BOX-FOLDER 155/8 | Photocopy full score | ||||||||||||
Punch and the Judy
(1941)
Composer: Robert McBride |
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BOX-FOLDER 156/1 | Ink piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 156/2 | Photocopy piano score, no choreographic notes | ||||||||||||
BOX-FOLDER 156/3 | Ozalid full score | ||||||||||||
BOX-FOLDER 157/1 | Ozalid 2-piano version | ||||||||||||
BOX-FOLDER 157/2 | Ozalid 2-piano version | ||||||||||||
BOX-FOLDER 157/3 | Copyist’s parts, woodwinds | ||||||||||||
BOX-FOLDER 158/1 | Copyist’s parts in ink, bassoon, horn, piano | ||||||||||||
BOX-FOLDER 158/2 | Copyist’s parts in ink, violin I and violin II | ||||||||||||
BOX-FOLDER 158/3 | Copyist’s parts in ink, viola, violoncello, double bass | ||||||||||||
BOX-FOLDER 158/4-6 | Ozalid parts, alternate version | ||||||||||||
Riegger, Wallingford see Baccanale; Prelude to Action; Steps in the Street | |||||||||||||
Ribbink, Thomas see Canticle for Innocent Comedians | |||||||||||||
Rite of Spring
(1984)
Composer: Igor Stravinsky |
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BOX-FOLDER 159/1 | Published score, revised version with reduced orchestra by Robert Rudolf | ||||||||||||
BOX-FOLDER 159/2 | Published score, revised version with reduced orchestra by Robert Rudolf | ||||||||||||
BOX-FOLDER 159/3 | Photocopy published score, revised version with reduced orchestra by Robert Rudolf | ||||||||||||
BOX-FOLDER 160/1-4 | Ozalid parts | ||||||||||||
BOX-FOLDER 161/1-5 | Ozalid parts | ||||||||||||
BOX-FOLDER 162/104 | Extra parts | ||||||||||||
BOX-FOLDER 163/1-4 | Extra parts | ||||||||||||
Salem Shore
(1943)
Composer: Paul Nordoff |
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BOX-FOLDER 164/1 | Ozalid rehearsal piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 164/2 | Ink full score reduction, with choreographic notes | ||||||||||||
BOX-FOLDER 164/3 | Photocopy of full score reduction, with choreographic notes | ||||||||||||
BOX-FOLDER 164/4 | Set of parts for 4 instruments | ||||||||||||
BOX-FOLDER 164/5 | Ozalid full score for 7 instruments | ||||||||||||
BOX-FOLDER 165/1 | Photocopy full score, with pencil emendations | ||||||||||||
BOX-FOLDER 166/2 | Copyist’s deschens parts | ||||||||||||
BOX-FOLDER 166/3-6 | Extra parts | ||||||||||||
Satyric Festival Song
(1932)
Composer: Arma, Paul [Imre Weisshaus] |
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BOX-FOLDER 194/9 | Ink piccolo part, Satyric Festival Song | ||||||||||||
Scarlet Letter, The
(1975)
Composer: Hunter Johnson |
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BOX-FOLDER 166/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 166/2 | Ozalid full score | ||||||||||||
BOX-FOLDER 167/1 | Ozalid piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 167/2-4 | Ozalid parts | ||||||||||||
BOX-FOLDER 168/1 | Ozalid parts | ||||||||||||
BOX-FOLDER 168/2-3 | Extra parts | ||||||||||||
BOX-FOLDER 169/1-3 | Extra parts | ||||||||||||
BOX-FOLDER 170/1-3 | Extra parts | ||||||||||||
Satie, Erik see Trois Gnossiennes | |||||||||||||
Schuman, William see Judith; Night Journey; Voyage; Witch of Endor | |||||||||||||
Secular Games
(1962)
Composer: Robert Starer |
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Starer’s title: Concerto a tre. | |||||||||||||
BOX-FOLDER 194/11 | Published score and parts | ||||||||||||
Seraphic Dialogue see Triumph of St. Joan | |||||||||||||
Serenata, op. 13 see Serenata Morisca | |||||||||||||
Serenata Morisca
(1916)
Composer: Enrico Tarenghi |
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Enrico Tarenghi’s title: Serenata, op. 13. | |||||||||||||
Choreographed by Ted Shawn and performed by Martha Graham on Denishawn tours (1921-1923) and in the Greenwich Village Follies (1923-1925). | |||||||||||||
BOX-FOLDER 176/1 | Photocopy full score, orchestrated by J. McPhee | ||||||||||||
BOX-FOLDER 176/2 | Copyist transparency parts | ||||||||||||
BOX-FOLDER 176/3 | Set of parts | ||||||||||||
BOX-FOLDER 176/4 | Photocopy extra parts | ||||||||||||
Serpent Heart see Cave of the Heart | |||||||||||||
Seter, Mordecai see Legend of Judith; Part Real-Part Dream; Point of Crossing | |||||||||||||
Six Pieces, op. 6 see Episodes: Part I | |||||||||||||
Starer, Robert see Holy Jungle; Lady of the House of Sleep; Phaedra; Visionary Recital; Secular Games | |||||||||||||
Steps in the Street
(1989)
Composer: Wallingford Reigger |
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