Container | Contents | ||||||||||||
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Music Inventory (continued) | |||||||||||||
Choreographed Works (continued) | |||||||||||||
Prelude to Action(from Chronicle) (1936)
Composer: Wallingford Riegger |
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Arrangement, orchestration, and additional music by Stanley Sussman. | |||||||||||||
BOX-FOLDER 153/1 | Photocopy full score | ||||||||||||
BOX-FOLDER 153/2-5 | Photocopied parts | ||||||||||||
BOX-FOLDER 154/1-5 | Photocopied extra parts | ||||||||||||
Primitive Mysteries
(1931)
Composer: Louis Horst |
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BOX-FOLDER 155/1 | Photocopy full score | ||||||||||||
BOX-FOLDER 155/2 | Oboe part | ||||||||||||
BOX-FOLDER 155/3 | Flute part | ||||||||||||
BOX-FOLDER 155/4 | Ozalid piano part | ||||||||||||
BOX-FOLDER 155/5 | Ink piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 155/6 | Ozalid piano score | ||||||||||||
BOX-FOLDER 155/7 | Ozalid piano score | ||||||||||||
BOX-FOLDER 155/8 | Photocopy full score | ||||||||||||
Punch and the Judy
(1941)
Composer: Robert McBride |
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BOX-FOLDER 156/1 | Ink piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 156/2 | Photocopy piano score, no choreographic notes | ||||||||||||
BOX-FOLDER 156/3 | Ozalid full score | ||||||||||||
BOX-FOLDER 157/1 | Ozalid 2-piano version | ||||||||||||
BOX-FOLDER 157/2 | Ozalid 2-piano version | ||||||||||||
BOX-FOLDER 157/3 | Copyist’s parts, woodwinds | ||||||||||||
BOX-FOLDER 158/1 | Copyist’s parts in ink, bassoon, horn, piano | ||||||||||||
BOX-FOLDER 158/2 | Copyist’s parts in ink, violin I and violin II | ||||||||||||
BOX-FOLDER 158/3 | Copyist’s parts in ink, viola, violoncello, double bass | ||||||||||||
BOX-FOLDER 158/4-6 | Ozalid parts, alternate version | ||||||||||||
Riegger, Wallingford see Baccanale; Prelude to Action; Steps in the Street | |||||||||||||
Ribbink, Thomas see Canticle for Innocent Comedians | |||||||||||||
Rite of Spring
(1984)
Composer: Igor Stravinsky |
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BOX-FOLDER 159/1 | Published score, revised version with reduced orchestra by Robert Rudolf | ||||||||||||
BOX-FOLDER 159/2 | Published score, revised version with reduced orchestra by Robert Rudolf | ||||||||||||
BOX-FOLDER 159/3 | Photocopy published score, revised version with reduced orchestra by Robert Rudolf | ||||||||||||
BOX-FOLDER 160/1-4 | Ozalid parts | ||||||||||||
BOX-FOLDER 161/1-5 | Ozalid parts | ||||||||||||
BOX-FOLDER 162/104 | Extra parts | ||||||||||||
BOX-FOLDER 163/1-4 | Extra parts | ||||||||||||
Salem Shore
(1943)
Composer: Paul Nordoff |
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BOX-FOLDER 164/1 | Ozalid rehearsal piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 164/2 | Ink full score reduction, with choreographic notes | ||||||||||||
BOX-FOLDER 164/3 | Photocopy of full score reduction, with choreographic notes | ||||||||||||
BOX-FOLDER 164/4 | Set of parts for 4 instruments | ||||||||||||
BOX-FOLDER 164/5 | Ozalid full score for 7 instruments | ||||||||||||
BOX-FOLDER 165/1 | Photocopy full score, with pencil emendations | ||||||||||||
BOX-FOLDER 166/2 | Copyist’s deschens parts | ||||||||||||
BOX-FOLDER 166/3-6 | Extra parts | ||||||||||||
Satyric Festival Song
(1932)
Composer: Arma, Paul [Imre Weisshaus] |
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BOX-FOLDER 194/9 | Ink piccolo part, Satyric Festival Song | ||||||||||||
Scarlet Letter, The
(1975)
Composer: Hunter Johnson |
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BOX-FOLDER 166/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 166/2 | Ozalid full score | ||||||||||||
BOX-FOLDER 167/1 | Ozalid piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 167/2-4 | Ozalid parts | ||||||||||||
BOX-FOLDER 168/1 | Ozalid parts | ||||||||||||
BOX-FOLDER 168/2-3 | Extra parts | ||||||||||||
BOX-FOLDER 169/1-3 | Extra parts | ||||||||||||
BOX-FOLDER 170/1-3 | Extra parts | ||||||||||||
Satie, Erik see Trois Gnossiennes | |||||||||||||
Schuman, William see Judith; Night Journey; Voyage; Witch of Endor | |||||||||||||
Secular Games
(1962)
Composer: Robert Starer |
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Starer’s title: Concerto a tre. | |||||||||||||
BOX-FOLDER 194/11 | Published score and parts | ||||||||||||
Seraphic Dialogue see Triumph of St. Joan | |||||||||||||
Serenata, op. 13 see Serenata Morisca | |||||||||||||
Serenata Morisca
(1916)
Composer: Enrico Tarenghi |
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Enrico Tarenghi’s title: Serenata, op. 13. | |||||||||||||
Choreographed by Ted Shawn and performed by Martha Graham on Denishawn tours (1921-1923) and in the Greenwich Village Follies (1923-1925). | |||||||||||||
BOX-FOLDER 176/1 | Photocopy full score, orchestrated by J. McPhee | ||||||||||||
BOX-FOLDER 176/2 | Copyist transparency parts | ||||||||||||
BOX-FOLDER 176/3 | Set of parts | ||||||||||||
BOX-FOLDER 176/4 | Photocopy extra parts | ||||||||||||
Serpent Heart see Cave of the Heart | |||||||||||||
Seter, Mordecai see Legend of Judith; Part Real-Part Dream; Point of Crossing | |||||||||||||
Six Pieces, op. 6 see Episodes: Part I | |||||||||||||
Starer, Robert see Holy Jungle; Lady of the House of Sleep; Phaedra; Visionary Recital; Secular Games | |||||||||||||
Steps in the Street
(1989)
Composer: Wallingford Reigger |
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Reigger’s title: New Dance. | |||||||||||||
Reconstructed in 1989; originally part of Chronicle (1936). | |||||||||||||
BOX-FOLDER 177/1 | Photocopy full score | ||||||||||||
BOX-FOLDER 177/2-5 | Ozalid parts | ||||||||||||
BOX-FOLDER 177/6-10 | Extra parts | ||||||||||||
BOX-FOLDER 178/1 | Steps in the Street, orchestrated by Justin Dello Joio (reduced) | ||||||||||||
BOX-FOLDER 178/2-4 | Parts | ||||||||||||
BOX-FOLDER 178/5-7 | Extra parts | ||||||||||||
BOX-FOLDER 178/8 | Transparency master | ||||||||||||
Stravinsky, Igor see Rite of Spring | |||||||||||||
Stroman, Susan see But Not for Me | |||||||||||||
Surinach, Carlos see Acrobats of God; Embattled Garden; Owl and the Pussycat | |||||||||||||
Táncszviť[Dance Suite] see Temptations of the Moon | |||||||||||||
Tangled Night
(1986)
Composer: Klaus Egge |
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Egge’s title: Piano Concerto no. 2, op. 21. | |||||||||||||
BOX-FOLDER 179/1 | Published full scores (2) | ||||||||||||
BOX-FOLDER 179/2 | Published parts | ||||||||||||
BOX-FOLDER 179/3 | Extra parts | ||||||||||||
Temptations of the Moon
(1986)
Composer: Béla Bartók |
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Bartók’s title: Táncszviť [Dance Suite]. | |||||||||||||
BOX-FOLDER 180/1 | Published full score | ||||||||||||
BOX-FOLDER 180/2 | Photocopy published full score | ||||||||||||
BOX-FOLDER 180/3-5 | Ozalid parts | ||||||||||||
BOX-FOLDER 181/1 | Ozalid published parts | ||||||||||||
BOX-FOLDER 181/2-4 | Extra parts | ||||||||||||
BOX-FOLDER 182/1-6 | Extra parts | ||||||||||||
Time of Snow, A
(1968)
Composer: Norman Dello Joio |
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Dello Joio’s title: Heloïse and Abelard. | |||||||||||||
BOX-FOLDER 183/1 | Photocopy full score | ||||||||||||
BOX-FOLDER 183/2 | Photocopy full score | ||||||||||||
BOX-FOLDER 183/3 | Photocopy full score | ||||||||||||
BOX-FOLDER 183/4 | Photocopy piano/vocal score, with choreographic notes | ||||||||||||
BOX-FOLDER 183/5 | Photocopy piano/vocal score, with choreographic notes | ||||||||||||
BOX-FOLDER 183/6 | Photocopy piano/vocal score, with choreographic notes | ||||||||||||
BOX-FOLDER 184/1-2 | Ozalid parts | ||||||||||||
BOX-FOLDER 184/3 | Extra parts | ||||||||||||
Toch, Ernst see Harlequinade | |||||||||||||
Transitions
(1934)
Composer: Lehman Engle |
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BOX-FOLDER 194/12 | Trumpet part in ink | ||||||||||||
Triumph of St. Joan Symphony, The see Triumph of St. Joan | |||||||||||||
Triumph of St. Joan, The
(1951)
Composer: Norman Dello Joio |
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Rechoreographed as Seraphic Dialogue (1955). | |||||||||||||
Dello Joio’s title: The Triumph of St. Joan Symphony (version of opera, The Triumph of St. Joan). | |||||||||||||
BOX-FOLDER 171/1 | Ozalid full score, arranged for chamber orchestra by Abraham Skulsky | ||||||||||||
BOX-FOLDER 171/2 | Ozalid full score, arranged for chamber orchestra by Abraham Skulsky | ||||||||||||
BOX-FOLDER 171/3 | Ink piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 171/4-6 | Ozalid parts (old set) | ||||||||||||
BOX-FOLDER 173/1-4 | Extra parts | ||||||||||||
BOX-FOLDER 174/1 | Copyist’s transparencies, parts | ||||||||||||
BOX-FOLDER 174/2 | Ozalid string parts (new set) | ||||||||||||
BOX-FOLDER 174/3-5 | Ozalid parts, extra parts | ||||||||||||
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