Container | Contents | ||||||||||||
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Music Inventory (continued) | |||||||||||||
Choreographed Works (continued) | |||||||||||||
Witch of Endor
(1965)
Composer: William Schuman |
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BOX-FOLDER 189/1 | Ozalid piano rehearsal score, with choreographic notes (vol 1) | ||||||||||||
BOX-FOLDER 189/2 | Ozalid piano rehearsal score, with choreographic notes (vol 1) | ||||||||||||
BOX-FOLDER 189/3-4 | Ozalid parts | ||||||||||||
BOX-FOLDER 190/1-4 | Ozalid parts | ||||||||||||
BOX-FOLDER 191/1-3 | Extra parts | ||||||||||||
Zamfir, [Geheorghe] see Flute of Pan | |||||||||||||
BOX 192-193, 195-197 | Supplementary Music | ||||||||||||
BOX-FOLDER 192/1 | Music by Louis Horst, composed and/or arranged for the Martha Graham Dance technique classes, circa 1927-1929 | ||||||||||||
BOX-FOLDER 192/2 | Photocopy of above | ||||||||||||
BOX-FOLDER 192/4 | Twenty-three pieces by Clifford Bowens, with audiocassette | ||||||||||||
BOX-FOLDER 192/5 | Elite Sync by Adam Ben-David | ||||||||||||
(audiocassette) | |||||||||||||
BOX-FOLDER 195/1 | Sonata for Two Violins by Mordecai Seter | ||||||||||||
(2 scores) | |||||||||||||
BOX-FOLDER 195/2 | Ricercar by Mordecai Seter | ||||||||||||
(score) | |||||||||||||
BOX-FOLDER 195/3 | Chacone et Scherzo pour Piano by Mordecai Seter | ||||||||||||
(score) | |||||||||||||
BOX-FOLDER 195/4 | Yemenite Suite by Mordecai Seter | ||||||||||||
(score) | |||||||||||||
BOX-FOLDER 195/5 | Movement for Piano by Yeshiva Lakner | ||||||||||||
(score) | |||||||||||||
BOX-FOLDER 195/6 | Sextett by Yeshiva Lakner | ||||||||||||
(score and parts: Fl, Ob, Cl in C, Cor in C, Fag, Piano) | |||||||||||||
BOX-FOLDER 195/7 | String Quartet by Josef Tal | ||||||||||||
(Score and Parts: Violin I, Violin II, Viola, Cello) | |||||||||||||
BOX-FOLDER 195/8 | Dance (duet for two flutes) by Josef Tal | ||||||||||||
(score) | |||||||||||||
BOX-FOLDER 195/9 | Out of the Dust by Ben-Zion Orgad | ||||||||||||
(score) | |||||||||||||
BOX-FOLDER 195/10 | Morning Stars for alto, flute, violin, viola, and cello by Ben-Zion Orgad | ||||||||||||
(score) | |||||||||||||
BOX-FOLDER 195/11 | Celestial Spheres for alto, flute, violin, viola, and cello by Ben-Zion Orgad | ||||||||||||
(score) | |||||||||||||
BOX-FOLDER 195/12 | Songs of Rahel by Abraham Daus (two violas and flute) | ||||||||||||
BOX-FOLDER 193/9 | Chronique by Carlos Surinach | ||||||||||||
(Ozalid full score) | |||||||||||||
BOX-FOLDER 193/10 | Chronique by Carlos Surinach | ||||||||||||
(piano score) | |||||||||||||
BOX-FOLDER 193/16 | Two scenes from Anthony and Cleopatra by Samuel Barber | ||||||||||||
(published full score) | |||||||||||||
BOX-FOLDER 196/1 | Lord Hear my Longing by Johann Sebastian Bach; orchestrated by Walton | ||||||||||||
BOX-FOLDER 196/2 | Concerto for Derabucca and Strings by Halim El-Dabh | ||||||||||||
(ozalid full score) | |||||||||||||
BOX-FOLDER 196/3 | Music for Mouths, Marimba, Nbira, and Roto-toms by Malcolm Forsyth | ||||||||||||
(published full score) | |||||||||||||
BOX-FOLDER 196/4 | Tomorrow the Festivals, op. 130by Alan Hovaness | ||||||||||||
(ozalid full score) | |||||||||||||
BOX-FOLDER 196/5 | Sonata for Horn, Trumpet, and Trombone by François Poulanc | ||||||||||||
(published score and parts) | |||||||||||||
BOX-FOLDER 196/6 | Notturno (Jacob’s Dream), op. 44 by Karol Rathaus | ||||||||||||
(published full score) | |||||||||||||
BOX-FOLDER 196/7 | Night Music by George Rochberg | ||||||||||||
(published full score) | |||||||||||||
BOX-FOLDER 196/8 | String Quartet by George Rochberg | ||||||||||||
(published score and parts) | |||||||||||||
BOX-FOLDER 197/1 | Dance Sonata, op. 24 by Marion Bauer | ||||||||||||
(photocopy piano score) | |||||||||||||
BOX-FOLDER 197/2 | Prelude by Paul Creston | ||||||||||||
(pencil score/ink score) | |||||||||||||
BOX-FOLDER 197/3 | Myriologue, A by David Diamond | ||||||||||||
(holograph in ink piano score) | |||||||||||||
BOX-FOLDER 197/4 | Songs of an Ancient People, op. 10 by Lehman Engle | ||||||||||||
(piano sketch in ink; ozalid piano score) | |||||||||||||
BOX-FOLDER 197/5 | Dance by Herbert Haufreucht | ||||||||||||
(ozalid piano score) | |||||||||||||
BOX-FOLDER 197/6 | To Martha Graham by Charles Naginski | ||||||||||||
(ozalid piano score) | |||||||||||||
BOX-FOLDER 197/7 | Dance by Paul Nordoff | ||||||||||||
(ink piano score) | |||||||||||||
BOX-FOLDER 197/8 | Evocation by Wallingford Riegger | ||||||||||||
(ink piano score, four-hands) | |||||||||||||
BOX-FOLDER 197/9 | Eclogue by Dane Rudman | ||||||||||||
(photostat piano score) | |||||||||||||
BOX-FOLDER 197/10 | Dance by Elie Siegmeister | ||||||||||||
(ink piano score) | |||||||||||||
BOX-FOLDER 197/11 | Six pieces for solo voice by Imre Weisshause | ||||||||||||
(vocal score) | |||||||||||||
BOX-FOLDER 197/12 | Four Songs by Pelkam Whyte | ||||||||||||
(ozalid piano-vocal score) | |||||||||||||
BOX-FOLDER 197/13 | The Train to Johannisberg (composer unknown) | ||||||||||||
(ozalid piano-vocal score) | |||||||||||||
BOX-FOLDER 197/14 | G by Carlos Chávez | ||||||||||||
(piano score) | |||||||||||||
BOX-FOLDER 197/14 | Tarantella in E minor by W. Lomas | ||||||||||||
(piano score) | |||||||||||||
BOX-FOLDER 197/14 | Tarentella, op. 26 by Théodore Lack | ||||||||||||
(piano score) | |||||||||||||
BOX-FOLDER 197/14 | Toccata, op. 1 by Serge Prokofiev | ||||||||||||
(piano score) | |||||||||||||
BOX-FOLDER 197/14 | 3rd Gymnopédie by Erik Satie | ||||||||||||
(piano score) | |||||||||||||
BOX-FOLDER 197/14 | Dance by Gustave Ferrari | ||||||||||||
(piano score) | |||||||||||||
BOX-FOLDER 197/15 | Music from Louis Horst’s Dance classes | ||||||||||||
BOX-FOLDER 197/16 | “Star Spangled Banner” | ||||||||||||
(published orchestration) | |||||||||||||
BOX-FOLDER 197/17 | Dance Symphony by Aaron Copland | ||||||||||||
(photocopy 2nd flute part) | |||||||||||||
BOX-FOLDER 197/18 | Fragments | ||||||||||||
BOX 308-376 | Scrapbooks | ||||||||||||
The Martha Graham Collection contains an especially rich collection of Scrapbooks that span from 1926 to 1976. Documents contained within the scrapbooks include the official invitation from Germany to participate in the 1936 Olympics and Graham’s carbon copy of her refusal; transcripts of a German radio program from 1941; telegrams and notes of congratulations from luminaries such as Helen Hayes, Mary Wigman, Lincoln Kirstein, Sir Frederick Ashton, Svetlana Beriosova, and Michael Somes; and significant information on the Graham Company’s European tours during the Cold War. Other materials contained within the scrapbooks include invitations, speeches, fan mail, interviews, photographs, correspondence, reviews, and letters of tribute. For similar materials, the reader should see other parts of the collection, including Clippings; Programs; Writings By and About Martha Graham; and New York City Season and National and International Touring. | |||||||||||||
Arranged in chronological order. | |||||||||||||
BOX 308 | 1926-1929 | ||||||||||||
BOX 309 | 1929-1930 | ||||||||||||
BOX 310 | 1932-1933 | ||||||||||||
BOX 311 | 1935-1936 | ||||||||||||
BOX 312 | 1936 Tour | ||||||||||||
BOX 313 | 1936-1937 | ||||||||||||
BOX 314 | 1938-1939 | ||||||||||||
BOX 315 | 1939 Tour | ||||||||||||
BOX 316 | 1939-1940 | ||||||||||||
BOX 317 | 1940 Tour | ||||||||||||
BOX 318 | 1940-1941 | ||||||||||||
BOX 319 | 1941-1942 | ||||||||||||
BOX 320 A, B | 1941-1950 | ||||||||||||
BOX 321 | 1942-1944 | ||||||||||||
BOX 322 | 1944-1945 | ||||||||||||
BOX 323 | 1945-1946 | ||||||||||||
BOX 324 | 1946 Tour | ||||||||||||
BOX 325 | 1946-1947 | ||||||||||||
BOX 326 | 1949-1951 | ||||||||||||
BOX 327 | 1950 | ||||||||||||
BOX 328 | 1950 Tour | ||||||||||||
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