Container | Contents | ||||||||||||
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Music Inventory (continued) | |||||||||||||
Choreographed Works (continued) | |||||||||||||
BOX-FOLDER 47/6 | Ozalid piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 45/1-3 | Ozalid parts | ||||||||||||
BOX-FOLDER 45/4 | Extra parts | ||||||||||||
BOX 46 | Unfoldered box of piano mutes | ||||||||||||
BOX-FOLDER 46/1-4 | Extra parts | ||||||||||||
BOX-FOLDER 46/5 | Misc. parts | ||||||||||||
Crumb, George see Phaedra’s Dream | |||||||||||||
Dance Songs see Satyric Festival Song | |||||||||||||
Dances of the Golden Hall
(1982)
Composer: Andrzej Panufnik |
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Panufnik’s title: Nocturne for Orchestra. | |||||||||||||
BOX-FOLDER 48/1 | Published full score, with choreographic notes | ||||||||||||
BOX-FOLDER 48/2 | Published full score, without choreographic notes | ||||||||||||
BOX-FOLDER 48/3-6 | Ozalid parts | ||||||||||||
BOX-FOLDER 48/7-9 | Ozalid extra parts | ||||||||||||
Dark Meadow
(1946)
Composer: Carlos Chávez |
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Chávez’s title: La hija de Cólquidea. | |||||||||||||
BOX-FOLDER 49/1 | Ink conductor’s score | ||||||||||||
BOX-FOLDER 49/2 | Ink piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 50/1-2 | Ozalid parts | ||||||||||||
BOX-FOLDER 50/3-6 | Extra parts | ||||||||||||
BOX-FOLDER 50/7 | Copyist’s deschens of bassoon part | ||||||||||||
Deaths and Entrances
(1943)
Composer: Hunter Johnson |
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BOX-FOLDER 52/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 52/2 | Ozalid full score | ||||||||||||
BOX-FOLDER 51/1 | Ozalid full score, chamber version | ||||||||||||
BOX-FOLDER 51/2 | Photocopy/ink piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 51/3 | Photocopy piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 51/4 | Photocopy piano rehearsal score, with choreographic notes, (fragment) | ||||||||||||
BOX-FOLDER 51/5 | Ozalid full score, reduced version, with choreographic notes | ||||||||||||
BOX-FOLDER 53/1-2 | Copyist’s parts (ink), chamber version | ||||||||||||
BOX-FOLDER 53/3-5 | Parts (old set) | ||||||||||||
BOX-FOLDER 54/1-4 | Parts (old set) | ||||||||||||
BOX-FOLDER 55/1-3 | Parts (new set) | ||||||||||||
BOX-FOLDER 56/1-2 | Extra parts (new set) | ||||||||||||
BOX-FOLDER 57/1-2 | Extra parts (new set) | ||||||||||||
Dello Joio, Norman see Diversion of Angels ; A Time of Snow ; Triumph of St. Joan [Seraphic Dialogue] | |||||||||||||
Diamond, David see A Formal Dance | |||||||||||||
Dithyrambic,
1931
Composer: Aaron Copland |
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Copland’s title: Piano Variations. | |||||||||||||
BOX-FOLDER 193/11 | Copyists’ score in ink (incomplete); photocopy laid in | ||||||||||||
Diversion of Angels
(1948)
Composer: Norman Dello Joio |
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Graham’s title for first performance: Wilderness Stair. | |||||||||||||
BOX-FOLDER 58/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 58/2 | Ink rehearsal piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 58/3 | Photocopy rehearsal piano score, with choreographic notes | ||||||||||||
BOX-FOLDER 58/4 | Ozalid wind-piano parts | ||||||||||||
BOX-FOLDER 58/5 | Ozalid string parts | ||||||||||||
BOX-FOLDER 58/6 | Extra parts | ||||||||||||
BOX-FOLDER 59/1-6 | Ozalid extra parts | ||||||||||||
Drei Klavierstücke, op. 32 see Harlequinade | |||||||||||||
Ecuatorial
(1978)
Composer: Edgar Varèse |
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BOX-FOLDER 193/12 | Published full score | ||||||||||||
Egge, Klaus see Tangled Night | |||||||||||||
El-Dabh, Halim see A Look at Lighting; Lucifer; One More Gaudy Night | |||||||||||||
Elegiac
(1933)
Composer: Paul Hindemith |
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BOX-FOLDER 193/13 | Copyists’ part for clarinet | ||||||||||||
Embattled Garden
(1958)
Composer: Carlos Surinach |
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BOX-FOLDER 62/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 62/2 | Photocopy full score | ||||||||||||
BOX-FOLDER 62/3 | Piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 62/4 | Piano rehearsal score, no choreographic notes | ||||||||||||
BOX-FOLDER 62/5 | Piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 63/1-3 | Ozalid parts | ||||||||||||
BOX-FOLDER 63/4 | Extra parts | ||||||||||||
BOX-FOLDER 64/1-3 | Extra parts | ||||||||||||
BOX-FOLDER 65/1-3 | Extra parts | ||||||||||||
BOX-FOLDER 66/1-4 | Extra parts | ||||||||||||
BOX-FOLDER 66/5 | Copyist deschens for 3 parts | ||||||||||||
BOX-FOLDER 66/6 | Extra copies of copyist deschens for 3 parts | ||||||||||||
Engle, Lehman see Transitions | |||||||||||||
Episodes, Part I
(1959)
Composer: Anton Webern |
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Webern’s titles: Passacaglia for orchestra, op. 1; Six pieces, op. 6 reconstructed and reworked in 1979. | |||||||||||||
BOX-FOLDER 67/1 | Full score, with choreographic notes | ||||||||||||
BOX-FOLDER 67/2 | Piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 67/3 | Photocopy of piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 67/4-7 | Published parts | ||||||||||||
BOX-FOLDER 67/8-10 | Extra parts | ||||||||||||
BOX-FOLDER 68/1 | Published full score, with choreographic notes (Six pieces, op. 6) | ||||||||||||
BOX-FOLDER 68/2 | Ozalid piano rehearsal score, with choreographic notes (Six pieces, op. 6) | ||||||||||||
BOX-FOLDER 68/3 | Photocopy piano rehearsal score, with choreographic notes (Six pieces, op. 6) | ||||||||||||
BOX-FOLDER 68/4-7 | Published parts | ||||||||||||
BOX-FOLDER 68/8-10 | Extra parts | ||||||||||||
BOX-FOLDER 192/3 | Notated piano reduction score: Passacaglia for orchestra, op. 1, photocopy | ||||||||||||
Errand into the Maze
(1947)
Composer: Gian-Carlo Menotti |
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BOX-FOLDER 69/1 | Photocopy full score | ||||||||||||
BOX-FOLDER 69/2 | Ink piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 69/3 | Photocopy piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 69/4 | Photocopy piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 70/1-4 | Copyist parts, old set | ||||||||||||
BOX-FOLDER 71/1-4 | Ozalid old parts | ||||||||||||
BOX-FOLDER 72/1 | Ozalid old parts | ||||||||||||
BOX-FOLDER 72/2 | Deschens, new set of complete parts | ||||||||||||
BOX-FOLDER 72/3 | Ozalid woodwind parts, new set | ||||||||||||
BOX-FOLDER 72/4 | Ozalid horn-2nd piano | ||||||||||||
BOX-FOLDER 73/1-5 | Extra parts | ||||||||||||
Every Soul is a Circus
(1939)
Composer: Paul Nordoff |
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BOX-FOLDER 75/1 | Ink conductor’s score (arranged for seven instruments) | ||||||||||||
BOX-FOLDER 75/2 | Conductor’s full score (orchestration by Ted Dale) | ||||||||||||
BOX-FOLDER 75/3 | Conductor’s full score (arranged for eleven instruments) | ||||||||||||
BOX-FOLDER 74/1 | Ink parts (arranged for eleven instruments) | ||||||||||||
BOX-FOLDER 74/2 | Piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 74/3 | Ink parts (arranged for eleven instruments) | ||||||||||||
BOX-FOLDER 76/1 | Ink parts (arranged for seven instruments) | ||||||||||||
BOX-FOLDER 76/2 | Ink parts (arranged for twelve instruments) | ||||||||||||
BOX-FOLDER 76/3 | Ink piano part (arranged for eleven instruments) | ||||||||||||
BOX-FOLDER 77/1 | Parts (arranged by Ted Dale) | ||||||||||||
BOX-FOLDER 77/2 | Extra parts, violins | ||||||||||||
BOX-FOLDER 78/1 | Extra parts, cello bass, viola | ||||||||||||
BOX-FOLDER 79/1 | Negative photostat piano rehearsal score | ||||||||||||
BOX-FOLDER 79/2 | Deschens full score | ||||||||||||
BOX-FOLDER 79/3 | Negative photostat parts | ||||||||||||
BOX-FOLDER 79/4 | Negative photostat piano part | ||||||||||||
BOX-FOLDER 79/5 | Negative photostat strings | ||||||||||||
BOX-FOLDER 79/6 | Deschens parts | ||||||||||||
Eye of Anguish, The
(1950)
Composer: Vincent Persichetti |
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Persichetti’s title: Lear. | |||||||||||||
BOX-FOLDER 81/1 | Ozalid full score | ||||||||||||
BOX-FOLDER 81/2 | Ozalid full score | ||||||||||||
BOX-FOLDER 81/3 | Piano rehearsal score, with choreographic notes | ||||||||||||
BOX-FOLDER 81/4 | Piano rehearsal score, without choreographic notes | ||||||||||||
BOX-FOLDER 80/1-3 | Copyist parts (ink) | ||||||||||||
Fantasy Sonata for Violin and Piano see O Thou Desire to Who Art about to Sing | |||||||||||||
Fine, Vivian see Alcestis | |||||||||||||
Flute of Pan
(1978)
Composer: [Geheorghe] Zamfir |
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BOX-FOLDER 193/14 | Full score, pencil | ||||||||||||
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