Container | Contents | ||||||||||||
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Production Elements (continued) | |||||||||||||
BOX-FOLDER 204/4 | Architects drawings for Space Theater for Dance and Noguchi sets (architects: Isamu Noguchi/Fuller & Sadao, Inc.), 1975 | ||||||||||||
BOX-FOLDER 204/5 | Touring light and hanging plots, 1974 | ||||||||||||
Lighting by Jean Rosenthal and William H. Batchelder. | |||||||||||||
BOX-FOLDER 204/6 | Light and hanging plots, 1970 Fall tour | ||||||||||||
Lighting by Jean Rosenthal, William H. Batchelder, and H.P. Poindexter. | |||||||||||||
BOX-FOLDER 204/7 | Elevation, Adelphi Theatre, New York City, 1958-1961 | ||||||||||||
BOX-FOLDER 204/8 | From One More Gaudy Night: ground plan and elevation, design by Jean Rosenthal; stool and moon set plans; elevations and boat | ||||||||||||
BOX-FOLDER 204/9 | From Phaedra, Broadway 1962/Connecticut College 1962, cue sheet with scenery, set pieces, props | ||||||||||||
BOX-FOLDER 204/10 | From Night Journey, 54th Street Theatre, New York City 1960, cue sheet | ||||||||||||
BOX-FOLDER 204/11 | Call sheet (cast and crew), 1961 April 10 | ||||||||||||
BOX-FOLDER 204/12 | Basic touring light and hanging plots, 1970 (revised 1973) | ||||||||||||
Lighting designs by Jean Rosenthal and William H. Batchelder. | |||||||||||||
BOX-FOLDER 204/13 | Visionary recital for Martha Graham, 1961 March 8; Ground plan, design by Rouben Ter-Arutunian | ||||||||||||
BOX-FOLDER 204/14 | Louis Horst memorial, American Dance Festival, light plots, 1964 | ||||||||||||
BOX-FOLDER 204/15 | House fronts and Cyc Border; Graham draperies and torms, Israel and Europe, 1962 | ||||||||||||
Jean Rosenthal, designer. | |||||||||||||
BOX-FOLDER 204/16 | Empire Theater, Edinburgh, electric layout, 1963 | ||||||||||||
BOX-FOLDER 204/17 | Martha Graham 1962 European tour, equipment layout | ||||||||||||
BOX-FOLDER 204/18 | 1966 U.S. tour, light plot, lighting by Jean Rosenthal; ground plan | ||||||||||||
BOX-FOLDER 204/19 | Hartwell Theatre, lighting and rigging | ||||||||||||
BOX-FOLDER 204/20 | Crate list and shipping lists | ||||||||||||
BOX-FOLDER 204/21 | Unidentified production items | ||||||||||||
BOX-FOLDER 204/22 | List of Noguchi sets and props | ||||||||||||
BOX 307 | Special Projects | ||||||||||||
The Special Projects series consists of materials that relate to activities of the Martha Graham Center of Contemporary Dance between 1973 and 1992. It contains letters, memoranda, faxes, telegrams, and other items (notes, budgets, itineraries) for a number of ventures, including the 1973 summer Lake Placid, New York residency; the 1993 patrons tour to Spain; the Marymount Choreographers Project, 1988 and 1992; and special projects with sculptor Isamu Noguchi from 1982 to 1985. | |||||||||||||
Arranged by project. | |||||||||||||
BOX-FOLDER 307/1 | MGCCD summer 1973 Lake Placid, New York residency | ||||||||||||
BOX-FOLDER 307/2 | MGCCD patrons tour to Spain, 1993 | ||||||||||||
BOX-FOLDER 307/3 | MGCCD patrons tour to Spain, 1993 | ||||||||||||
BOX-FOLDER 307/4 | MGCCD art planning, Rimini, Italy, 1988-1990 | ||||||||||||
BOX-FOLDER 307/5 | MGCCD 1990 Spain ’92 Foundation | ||||||||||||
BOX-FOLDER 307/6 | MGCCD Marymount Choreographers Project, 1988 | ||||||||||||
BOX-FOLDER 307/7 | MGCCD Marymount Choreographers Project, 1992 | ||||||||||||
BOX-FOLDER 307/8 | MGCCD Noguchi projects, 1982-1985 | ||||||||||||
BOX-FOLDER 307/9 | MGCCD Noguchi projects, 1982-1985 | ||||||||||||
BOX-FOLDER 307/10 | MGCCD Noguchi collaboration, 1985 | ||||||||||||
BOX 224-228; 306 | Writings by and about Martha Graham | ||||||||||||
The series Writings by and about Martha Graham consists of literary notes by Martha Graham or others for various choreographic works; articles and speeches by Martha Graham; interviews; articles about Martha Graham; poems and miscellaneous writings sent to Graham or contained in her papers, and fragments of literary works by and for Graham. | |||||||||||||
Organized by major heading (“Literary Notes,” for example) and arranged alphabetically by author or by choreographic work therein. In some cases, folders are organized chronologically. | |||||||||||||
BOX 224 | Literary Notes | ||||||||||||
Literary notes by Martha Graham for choreographic works (some fragments); literary notes by others for choreographic works. | |||||||||||||
BOX-FOLDER 224/1 | Alcestis | ||||||||||||
BOX-FOLDER 224/2 | American Document | ||||||||||||
BOX-FOLDER 224/3 | Appalachian Spring | ||||||||||||
BOX-FOLDER 224/4 | Canticle for Innocent Comedians | ||||||||||||
BOX-FOLDER 224/5 | Clytemnestra | ||||||||||||
BOX-FOLDER 224/6 | Every Soul is a Circus | ||||||||||||
BOX-FOLDER 224/7 | Heloise and Abelard | ||||||||||||
BOX-FOLDER 224/8 | Holy Jungle | ||||||||||||
BOX-FOLDER 224/9 | I Salute My Love | ||||||||||||
BOX-FOLDER 224/10 | Lucifer | ||||||||||||
BOX-FOLDER 224/11 | Punch and the Judy | ||||||||||||
BOX-FOLDER 224/12 | Salem Shore (choreographic notes by Terese Capucilli and Carol Fried) | ||||||||||||
BOX-FOLDER 224/13 | Scarlet Letter | ||||||||||||
BOX-FOLDER 224/14 | Stone of Destiny | ||||||||||||
BOX-FOLDER 224/15 | Witch of Endor | ||||||||||||
BOX-FOLDER 224/16 | “Valley of Vision,” “Nautilus,” “The Lady of the Labyrinth” (notes by Robert Starer); Diversion of Angels (notes by B.B.) | ||||||||||||
BOX-FOLDER 224/17 | Unidentified fragments of literary notes for choreographic works; miscellaneous writings | ||||||||||||
(15 items) | |||||||||||||
BOX 224 | Articles and Speeches by Martha Graham | ||||||||||||
BOX-FOLDER 224/18 |
“John Martin Remembered,” in Ballet Review, Spring 1988
“Relates to After Tudor,” n.d. “Introduction,” draft, 1963 February 15 “A Tribute to Margot Fonteyn,” 1990 |
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BOX 225-226 | Writings about Martha Graham | ||||||||||||
Poems, writings, and scripts sent to Graham or contained in her papers (authors identified). | |||||||||||||
BOX-FOLDER 225/1 |
Angelou, Maya. Still I Rise.
Apostolos-Cappadona, Diane. “The Ritual of Sculpture: Isamu Noguchi’s ‘From Behind Inner Seeking: Síva’s Dance,” 1984. Armitage, Merle. “Modern Dance,” (section) 1935. Armitage, Merle. “Modern Dance,” (section in French), n.d. Armitage, Merle, et al. “Big Chief of the Southwest.” (shooting script), n.d. |
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BOX-FOLDER 225/2 |
Ballard, Adele, M. “Midnight at June Second,” n.d.
Barnhardt, Harry. Script for unnamed ballet, n.d. Berg, Paul. “Martha Graham’s Dancers” in St. Louis Post-Dispatch, Sunday, 1970 October 18. Berlitt, Ben. “Soundstage,” 1945. Blofeld, John. [lacks title and date] Buckwalter, John. “Byzantine Eyes,” n.d. Buckwalter, John. “A Psalm of Joy,” 1963. |
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BOX-FOLDER 225/3 |
Cahn, Sammy. “His Way.”
Candee, Helen Churchill. “Ankor, the Magnificant,” n.d. Caras, Roger. Quotes from “The Private Lives of Animals,” n.d. Code, Grant. “Prologue,” n.d. Cook, Helen Fetter. “Enchanted Land,” 1944. |
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BOX-FOLDER 225/4 |
De LaRosa, L. “Production by Martha Graham,” 1987.
De Mille, Agnes. No title, n.d. Devi, Rukmini. Chapter for a book, Where Theosophy and Science Meet, by Prof. D.D. Kanga, n.d. |
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BOX-FOLDER 225/5 |
Eisner, Igor. “Evocation de Martha Graham,” 1991.
Engle, Paul. “Door,” n.d. Engle, Paul. “Variations,” n.d. |
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BOX-FOLDER 225/6 |
Fowlie, Wallace. “Martha Graham as Hérodiade,” n.d.
Fowlie, Wallace. “Martha Graham comme Hérodiade,” n.d. |
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BOX-FOLDER 225/7 |
Gable, Maureen Clark. “Gone With Noelle,” n.d.
Gale, Joseph. “The First Lady of Modern American Dance,” in Newark Sunday News, 1970 September 27. Gold, Ronald. “From Pungent Image to Vivid Life,” in Dance Magazine, 1969 May. Goodman, Saul. “Takako Asakawa,” in Dance Magazine, 1971 January. Goodman, Saul. “Rahamin Ron,” in Dance Magazine, 1971 February. Grendysa, Peter. “The Case of the Disappearing Composer,” n.d. |
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BOX-FOLDER 225/8 |
Hawwend (?), Richard. “Scenario for Abstract Ballet on the Story of Solomon – for Martha Graham,” 1931.
Hodes, Stuart. “Review of Blood Memory,” in Ballet Review, 1991. Horosko, Marian. “Frontier of the Mind: Martha Graham at 95,” in Dance Magazine, 1989 May. Howard, Robin. Obituary in Ballet Review, 1989. Hull, William D. “On Martha Graham’s visit to Ceylon,” n.d. |
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BOX-FOLDER 225/9 | Ignatin, Irving. “New Theatre,” 1935 December. | ||||||||||||
BOX-FOLDER 225/10 |
Jacobsohn, Helmuth. “The World-Weary Man and his Soul,” 1952.
Jellinghaus, Fritz. [no title,] 1981. |
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BOX-FOLDER 225/11 |
Kaplan, Howard. “Simple Gifts,” 1987.
Kostopoulos, Carmela. “For Martha Graham on her 90th Birthday,” n.d. Kulick, Jonathan, et al. “A True Story for Martha Graham,” n.d. |
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BOX-FOLDER 225/12 |
Larsson, Raymond E.F. “Good Friday Music,” n.d.
Leatherman, LeRoy. [“A Note on Martha Graham’s Symbolism”], n.d. Leatherman, LeRoy. “Homage to the Secret-Bearer,” in The Sewanee Review, vol. LXXII, No. 2, April-June 1964. Legisos, Gloria M. “Danza Contemporanea Iniciacion al Aprendizaje de la Tecnica Graham,” Santiago, Chile, 1977 |
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BOX-FOLDER 225/13 |
March, William. “The Bad Seed,” n.d.
Marchal, Sappho. “Danses Cambodgiennes,” Saigon, MCMXXVI. Martin, John. [quotation in French], n.d. Martin, John. “A Classic,” n.d. Mason, Francis. “Martha Graham Dance Company,” n.d. McDonagh, Don. “Modern Dance Chronicle,” in The Hudson Review, vol XXII, no. 2, Summer 1969. Meursinge, B. “The Tree of Great Sorrow,” n.d. Mishima, Yukio. “The Damask Drum,” in Five Modern Nō Plays, 1957. Moe, Henry Allen. Remarks for Martha Graham convocation, Aspen Institute for Humanistic Studies, 1965. Acceptance speech for Aspen Award by Martha Graham. Myers, L.H. “The/Root and the/Flower,” n.d. |
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BOX-FOLDER 225/14 |
Nauman, Hilda. “Around Eastern Connecticut,” n.d.
Neal, Josie. “Modern Dance: The American Experience,” 1989. |
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BOX-FOLDER 226/1 |
Patterson, Daniel W. “Early Shaker Spirituals,” 1976.
Pena, Jose Z de la. “The Four Apparitions of the Blessed Virgin of Guadalupe,” n.d. Perse, Saint-John. “Anabasis, “ n.d. Phelps, Mary. “Advertisement,” 1938. |
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BOX-FOLDER 226/2 | Rudhyar, D. “Martha Graham’s Utterances Reveal a New Dance Rhythm,” n.d. | ||||||||||||
BOX-FOLDER 226/3 |
Sabin, Robert. “The Evolution of Martha Graham’s Dance Technique,” n.d.
Saint Victor, Hugh de. “Conversation Concerning the Wedding Gift of the Soul (summary)”Barbara Hanna, translator. Sark. “A Creative Companion,” n.d. Sherman, Jane and Norton Owen. “Martha Graham and Ted Shawn,” in Dance Magazine, 1995. Shirley, Wayne. A Ballet for Martha. Library of Congress. [Soars, Janet]. “Interview with [Christena Schlundt] on Ruth St. Denis,” in Dance Chronicle, n.d. Smith, Arthur Galusha. “Indian,” n.d. Smith, Cecil. “The Maze of the Heart,” in Theatre Arts, May 1947. Stav, Arie. “The Dance in Israel,” in Hadassah Magazine, Hartford, Connecticut, February 1971. Stodelle, Ernestine. “The View from Vermont,” chapter 7 from Deep Song: The Dance Story of Martha Graham, 1983. Sweeney, James Johnson. “Martha Graham,” n.d. [Synge, John Millinton]. Riders to the Sea, 1904. |
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BOX-FOLDER 226/4 |
Richman, Robert. “Erick Hawkins,” n.d.
Rothschild, Bethsabee de. Extract from La Danse Artistique aux USA, 1949. |
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BOX-FOLDER 226/5 | Taylor, Harold. Remarks by president of Sarah Lawrence College at Dance Magazine Awards ceremony, 1958. Terry, Walter. “Martha Graham’s Repertory,” n.d. Tracy, Robert. “Noguchi: Collaborating with Graham,” in Ballet Review, 9, Winter 1986 Tracy, Robert. “Artist’s Dialogue: Isamu Noguchi,” n.d. |
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BOX-FOLDER 226/6 | Ulrich, Celeste. “Martha Graham,” n.d. | ||||||||||||
BOX-FOLDER 226/7 |
Weigle, Marta. “The Penitentes of the Southwest,” n.d.
Weinberg, Nathan. “Horses, Machines and Dancers,” n.d. Williams, Peter and Clive Barnes. “Two Looks at Lighting: Martha Graham in Edinburgh and London,” in Dance and Dancers, 1963. Winters, Pamela. “An Introduction to Sacred Dance,” 1988. Wolfe, Katharine A. “Martha Graham,” n.d. |
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BOX 226 | Interviews | ||||||||||||
BOX-FOLDER 226/8 | Madoff Enterprises interview with Martha Graham Interview fragments Interview, undated Interview, 15 December 1989 and 17 December 1989 Interview, 10 January 1989 Interview Nathan Kroll and Martha Graham, 6-7 December 1971 Interview with Bianca Jagger, 15 March 1990 Interview with Ron Protas (fragment, undated) Interview with Ron Protas (?) (fragments, undated) Interview with "Ruth," November 1951 |
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BOX 227 | Writings about Martha Graham (Authors Unidentified) | ||||||||||||
Poems, writings, and scripts sent to Graham or contained in her papers (authors unidentified). | |||||||||||||
BOX-FOLDER 227/1 | “A Note on Martha Graham’s Symbolism,” no author, n.d. “The Aesthetic of Martha Graham,” no author, n.d. “Martha Graham ‘In the American Grain,’” no author, n.d. “About Martha Graham,” no author, n.d. “For Martha Graham,” no author, n.d. “Scenario for Martha Graham,” no author, n.d. “Martha Graham est un novatrice...” no author, n.d. “Martha Graham fait figure de preue sur...” no author, n.d. “She is Priestess of Intellectual Ballet,” 1947 (fragment) R ́esume for Martha Graham |
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BOX-FOLDER 227/2 | “Decor for Hysteria,” no author, n.d. “Luke Tanner’s Daughter,” no author, n.d. “Poem: A Cambodian Dancer,” no author, n.d. “Phenomenal Woman,” no author, n.d. “The Mills of the Gods Grind Slow,” no author, n.d. “Marie Wigman, Danseuse Faustienne,” chapter 2 of unknown book manuscript, 1972. |
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BOX-FOLDER 227/3 | “When the Pale Unraveling Brain Falls from Ariadne’s Anxious Hand,” no author, n.d. Lear, Edward. “The Owl and the Pussy Cat Went to Sea,” n.d. “An Alpha of Insight,” no author, n.d. “Reflections on Dance,” no author, n.d. “Prelude and Exhortation, 1936,” no author, n.d. “Directions and Suggestions concerning the Canto Hondo and its Percussion,” no author, n.d. “Speaking of Pictures...Dancers,” Life, 1938. “European Martha Graham Workshop of Contemporary Dance,” in Danzare, 1988 Collection of Poems by Jean’s Fourth Grade, n.d. |
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BOX 227-228, 306 | Miscellaneous | ||||||||||||
BOX-FOLDER 227/4 | Fragments, quotes, unidentified manuscripts | ||||||||||||
BOX-FOLDER 227/5 | Notes/drafts for Blood Memory | ||||||||||||
BOX-FOLDER 227/6 | Notes/drafts for Blood Memory | ||||||||||||
BOX-FOLDER 227/7 | Notes/drafts for Blood Memory | ||||||||||||
BOX-FOLDER 227/8 | Notes/drafts for Blood Memory | ||||||||||||
BOX-FOLDER 227/9 | Notes, Martha, the Musical | ||||||||||||
BOX-FOLDER 228/1 | “Beauty and the Buckskins” and “Mahanttan Corner” by D.C. Glover, Jr., 1952 | ||||||||||||
Sheet music sent to Graham. | |||||||||||||
BOX-FOLDER 228/2 | Barnes, Clive. “The Cold War in Modern-Dance,” in The New York Times Magazine, July 28, 1968. | ||||||||||||
BOX-FOLDER 228/3 | Dreyer, Martin, “Foot Loose and Fancy,” in Houston Chronicle, Texas Magazine, Sunday, January 24, 1971. | ||||||||||||
BOX-FOLDER 306/1 | Fragments of writings in the hand of Martha Graham (Restricted) | ||||||||||||
BOX 201-202 | Programs | ||||||||||||
The Programs series contains a selection of programs that span the 1930s to 2003. A significant number of programs are also contained in the Scrapbooks series. | |||||||||||||
Arranged chronologically. | |||||||||||||
BOX-FOLDER 201/1 | 1930s (xerox copies) | ||||||||||||
BOX-FOLDER 201/2 | 1940; 1941; 1947; 1940s undated | ||||||||||||
BOX-FOLDER 201/3 | 1949 | ||||||||||||
BOX-FOLDER 201/4 | 1950s | ||||||||||||
BOX-FOLDER 201/5 | 1960s | ||||||||||||
BOX-FOLDER 201/6 | 1971; 1973; 1974 | ||||||||||||
BOX-FOLDER 201/7 | 1975 | ||||||||||||
BOX-FOLDER 201/8 | 1976 | ||||||||||||
BOX-FOLDER 201/9 | 1978; 1979 | ||||||||||||
BOX-FOLDER 202/1 | 1984; 1985 | ||||||||||||
BOX-FOLDER 202/2 | 1986 | ||||||||||||
BOX-FOLDER 202/3 | 1987 | ||||||||||||
BOX-FOLDER 202/4 | 1988 | ||||||||||||
BOX-FOLDER 202/5 | 1990s; 2003 | ||||||||||||
BOX-FOLDER 202/6 | Programs, undated | ||||||||||||
BOX-FOLDER 202/7 | Drafts of programs; notes for programs; corrections for programs | ||||||||||||
BOX-FOLDER 202/8 | Drafts of programs; notes for programs; corrections for programs | ||||||||||||
BOX-FOLDER 202/9 | Drafts of programs; notes for programs; corrections for programs | ||||||||||||
BOX-FOLDER 202/10 | Programs and flyers, non-Graham | ||||||||||||
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