| | | | | | | | | | | | | |
|
Music Inventory
(continued) |
|
Supplementary Music
(continued) |
|
Chronique by Carlos Surinach (continued) |
|
(Ozalid full score) |
BOX-FOLDER 193/10 |
Chronique by Carlos Surinach |
|
(piano score) |
BOX-FOLDER 193/16 |
Two scenes from Anthony and Cleopatra by Samuel Barber |
|
(published full score) |
BOX-FOLDER 196/1 |
Lord Hear my Longing by Johann Sebastian Bach; orchestrated by
Walton |
BOX-FOLDER 196/2 |
Concerto for Derabucca and Strings by Halim El-Dabh |
|
(ozalid full score) |
BOX-FOLDER 196/3 |
Music for Mouths, Marimba, Nbira, and Roto-toms by Malcolm Forsyth
|
|
(published full score) |
BOX-FOLDER 196/4 |
Tomorrow the Festivals, op. 130by Alan Hovaness |
|
(ozalid full score) |
BOX-FOLDER 196/5 |
Sonata for Horn, Trumpet, and Trombone by François Poulanc |
|
(published
score and parts) |
BOX-FOLDER 196/6 |
Notturno (Jacob’s Dream), op. 44 by Karol Rathaus |
|
(published full score) |
BOX-FOLDER 196/7 |
Night Music by George Rochberg |
|
(published full score) |
BOX-FOLDER 196/8 |
String Quartet by George Rochberg |
|
(published score and parts) |
BOX-FOLDER 197/1 |
Dance Sonata, op. 24 by Marion Bauer |
|
(photocopy piano score) |
BOX-FOLDER 197/2 |
Prelude by Paul Creston |
|
(pencil score/ink score) |
BOX-FOLDER 197/3 |
Myriologue, A by David Diamond |
|
(holograph in ink piano score) |
BOX-FOLDER 197/4 |
Songs of an Ancient People, op. 10 by Lehman Engle |
|
(piano sketch in ink; ozalid piano score) |
BOX-FOLDER 197/5 |
Dance by Herbert Haufreucht |
|
(ozalid piano score) |
BOX-FOLDER 197/6 |
To Martha Graham by Charles Naginski |
|
(ozalid piano score) |
BOX-FOLDER 197/7 |
Dance by Paul Nordoff |
|
(ink piano score) |
BOX-FOLDER 197/8 |
Evocation by Wallingford Riegger |
|
(ink piano score, four-hands) |
BOX-FOLDER 197/9 |
Eclogue by Dane Rudman |
|
(photostat piano score) |
BOX-FOLDER 197/10 |
Dance by Elie Siegmeister |
|
(ink piano score) |
BOX-FOLDER 197/11 |
Six pieces for solo voice by Imre Weisshause |
|
(vocal score) |
BOX-FOLDER 197/12 |
Four Songs by Pelkam Whyte |
|
(ozalid piano-vocal score) |
BOX-FOLDER 197/13 |
The Train to Johannisberg (composer unknown) |
|
(ozalid piano-vocal score) |
BOX-FOLDER 197/14 |
G by Carlos Chávez |
|
(piano score) |
BOX-FOLDER 197/14 |
Tarantella in E minor by W. Lomas |
|
(piano score) |
BOX-FOLDER 197/14 |
Tarentella, op. 26 by Théodore Lack |
|
(piano score) |
BOX-FOLDER 197/14 |
Toccata, op. 1 by Serge Prokofiev |
|
(piano score) |
BOX-FOLDER 197/14 |
3rd Gymnopédie by Erik Satie |
|
(piano score) |
BOX-FOLDER 197/14 |
Dance by Gustave Ferrari |
|
(piano score) |
BOX-FOLDER 197/15 |
Music from Louis Horst’s Dance classes
|
BOX-FOLDER 197/16 |
“Star Spangled Banner”
|
|
(published orchestration) |
BOX-FOLDER 197/17 |
Dance Symphony by Aaron Copland |
|
(photocopy 2nd flute part) |
BOX-FOLDER 197/18 |
Fragments
|
BOX 308-376 |
Scrapbooks
|
|
The Martha Graham Collection contains an especially rich collection of Scrapbooks that span from 1926 to 1976. Documents contained within the scrapbooks include the official invitation from Germany to participate in the 1936 Olympics and Graham’s carbon copy of her refusal; transcripts of a German radio program from 1941; telegrams and notes of congratulations from luminaries such as Helen Hayes, Mary Wigman, Lincoln Kirstein, Sir Frederick Ashton, Svetlana Beriosova, and Michael Somes; and significant information on the Graham Company’s European tours during the Cold War. Other materials contained within the scrapbooks include invitations, speeches, fan mail, interviews, photographs, correspondence, reviews, and letters of tribute. For similar materials, the reader should see other parts of the collection, including Clippings; Programs; Writings By and About Martha Graham; and New York City Season and National and International Touring. |
|
Arranged in chronological order. |
BOX 308 |
1926-1929 |
BOX 309 |
1929-1930 |
BOX 310 |
1932-1933 |
BOX 311 |
1935-1936 |
BOX 312 |
1936 Tour |
BOX 313 |
1936-1937 |
BOX 314 |
1938-1939 |
BOX 315 |
1939 Tour |
BOX 316 |
1939-1940 |
BOX 317 |
1940 Tour |
BOX 318 |
1940-1941 |
BOX 319 |
1941-1942 |
BOX 320 A, B |
1941-1950 |
BOX 321 |
1942-1944 |
BOX 322 |
1944-1945 |
BOX 323 |
1945-1946 |
BOX 324 |
1946 Tour |
BOX 325 |
1946-1947 |
BOX 326 |
1949-1951 |
BOX 327 |
1950 |
BOX 328 |
1950 Tour |
BOX 329 |
1950-1967 |
BOX 330 |
1955 Tour (Asia) |
BOX 331 |
1955 Tour (Singapore) |
BOX 332 |
1955 Tour (Indonesia, Burma) |
BOX 333 |
1955 Tour (Japan) |
|
2 volumes |
BOX 334 |
1955 Tour (India, Pakistan) |
BOX 335 |
1955 Tour (Philippines) |
BOX 336 |
1955 Tour (Japan) and 1955 NYC Season |
|
2 volumes |
BOX 337 |
1955-1956 Tour (Israel, Greece) |
BOX 338 |
1956 Tour (India, Pakistan, Iran, Ceylon) |
|
2 volumes |
BOX 339 |
1957-1963 |
BOX 340 |
1957 Tour (Berlin) |
BOX 341 |
1958 |
BOX 342 |
1958 Tour (Israel) |
BOX 343 |
1958 |
BOX 344 |
1958 NYC Season |
BOX 345 |
1959 NYC Season |
BOX 346 |
1960 NYC Season |
BOX 347 |
1960 Capezio Award; 1961 General |
BOX 348 |
1961 NYC Season |
BOX 349 |
1962 Tour (Israel) |
BOX 350 |
1962 Tour (Turkey, Yugoslavia) |
BOX 351 |
1962 |
BOX 352 |
1962 Tour (Poland, Germany, Sweden) |
BOX 353 |
1962 NYC Season |
BOX 354 |
1962 Tour (Finland, Netherlands, Germany) |
BOX 355 |
1963 (September-October "Congressional Issue"); 1963 (October Eskin Court Case) |
BOX 356 |
1963 NYC Season |
BOX 357 |
1963 Tour (Edinburgh Festival and London) |
BOX 358 |
1963 |
BOX 359 |
1964 |
BOX 360 |
1965 |
BOX 361 |
1965 |
BOX 362 |
1966 |
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