Container | Contents | ||||||||||||
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BOX 1-62, 132, 135, 139 | Music, 1913-1954 | ||||||||||||
BOX 1-47, 132, 135, 139 | Music from Shows | ||||||||||||
The show music is organized alphabetically by show title, and within each show, alphabetically by song title. The music is further organized within song title by type; full scores, piano-vocal scores, lyric sheets, etc. as well as holograph versus copyist versions. | |||||||||||||
135th Street
see Blue Monday |
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Note: Alternate title | |||||||||||||
135th Street Blues
see Blue Monday |
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Note: Alternate title | |||||||||||||
BOX 1 | Americana (1926) | ||||||||||||
Blowin' the Blues Away see Blowing the Blues Away |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 1/1 | Blowing the Blues Away | ||||||||||||
Manuscript piano-vocal score chiefly in the hand of Hans Spialek; 5 p. | |||||||||||||
BOX-FOLDER 1/1 | Blowing the Blues Away | ||||||||||||
Typescript lyric sheet | |||||||||||||
Lost Barbershop Chord see That Lost Barbershop Chord |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 1/2 | Sunny Disposish | ||||||||||||
Manuscript piano score and three instrumental parts in the hand of Hans Spialek; 4, 2, 2, 2 p. | |||||||||||||
Note: Arranged for E-flat alto saxophones I, II, and III, B-flat tenor saxophone I and II, C melody saxophones I and II, and piano | |||||||||||||
BOX-FOLDER 1/3 | That Lost Barbershop Chord | ||||||||||||
Manuscript piano-vocal score chiefly in the hand of Albert Sirmay; 8 p. | |||||||||||||
Note: Corrections to lyric in the hand of IG | |||||||||||||
BOX-FOLDER 1/3 | That Lost Barbershop Chord | ||||||||||||
Manuscript piano-vocal score in the hand of William Daly; [4] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 1/3 | That Lost Barbershop Chord | ||||||||||||
Copyist manuscript piano-vocal score [no. 1]; 7 p. | |||||||||||||
Note: Introduction in the hand of Albert Sirmay | |||||||||||||
BOX-FOLDER 1/3 | That Lost Barbershop Chord | ||||||||||||
Copyist manuscript piano-vocal score [no. 2]; 7 p. | |||||||||||||
Note: No introduction | |||||||||||||
BOX-FOLDER 1/3 | That Lost Barbershop Chord | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX 1 | The Barkleys of Broadway (film, 1949) | ||||||||||||
97,704 see Natchez on the Mississip' |
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Note: Early title | |||||||||||||
BOX-FOLDER 1/4 | Bouncin’ the Blues [instrumental] | ||||||||||||
Ozalid copyist manuscript piano score; 2 p. | |||||||||||||
BOX-FOLDER 1/5 | Call on Us Again | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 3 p. | |||||||||||||
BOX-FOLDER 1/5 | Call on Us Again | ||||||||||||
Typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 1/6 | The Courtin' of Elmer and Ella | ||||||||||||
Ozalid copyist manuscript piano-vocal score [no. 1]; 10 p. | |||||||||||||
Note: Corrections in an unidentified hand | |||||||||||||
BOX-FOLDER 1/6 | The Courtin' of Elmer and Ella | ||||||||||||
Ozalid copyist manuscript piano-vocal score [no. 2]; 10 p. | |||||||||||||
In caption: Revised | |||||||||||||
BOX-FOLDER 1/6 | The Courtin' of Elmer and Ella | ||||||||||||
IG holograph/typescript lyric sheets; [13] p. | |||||||||||||
BOX-FOLDER 1/7 | Manhattan Downbeat | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 8 p. | |||||||||||||
BOX-FOLDER 1/7 | Manhattan Downbeat | ||||||||||||
IG holograph/typescript lyric sheets; [10] p. | |||||||||||||
BOX-FOLDER 1/8 | Minstrels on Parade | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 1/9 | My One and Only Highland Fling | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 6 p. | |||||||||||||
BOX-FOLDER 1/9 | My One and Only Highland Fling | ||||||||||||
IG holograph/typescript lyric sheets; [9] p. | |||||||||||||
Natchez see Natchez on the Mississip' |
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Note: Early title | |||||||||||||
BOX-FOLDER 1/10 | Natchez on the Mississip’ | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 7 p. | |||||||||||||
In capton: Rev[ised] | |||||||||||||
BOX-FOLDER 1/10 | Natchez on the Mississip’ | ||||||||||||
IG holograph/typescript lyric sheets; [8] p. | |||||||||||||
BOX-FOLDER 1/11 | The Poetry of Motion | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 1/11 | The Poetry of Motion | ||||||||||||
IG holograph/typescript lyric sheets; [6] p. | |||||||||||||
BOX-FOLDER 1/12 | Second Fiddle to a Harp | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 1/13 | Shoes with Wings On | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 1/13 | Shoes with Wings On | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. | |||||||||||||
Since the Ballet Swept the Town see The Poetry of Motion |
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Note: Early title | |||||||||||||
BOX-FOLDER 1/14 | Swing Trot | ||||||||||||
Manuscript lead sheet; [1] p. | |||||||||||||
Note: Refrain only, with unused lyric fragments in the hand of IG | |||||||||||||
Note: Unidentified IG holograph lyric sketches on verso | |||||||||||||
BOX-FOLDER 1/14 | Swing Trot | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 1/15 | Taking No Chances on You | ||||||||||||
IG holograph/typescript lyric sheets; [18] p. | |||||||||||||
BOX-FOLDER 1/16 | There Is No Music | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 4 p. | |||||||||||||
BOX-FOLDER 1/16 | There Is No Music | ||||||||||||
IG holograph/typescript lyric sheets; [10] p. | |||||||||||||
BOX-FOLDER 1/17 | These Days | ||||||||||||
Ozalid copyist manuscript piano-vocal score [no. 1]; 4 p. | |||||||||||||
Note: Correction in an unidentified hand | |||||||||||||
BOX-FOLDER 1/17 | These Days | ||||||||||||
Ozalid copyist manuscript piano-vocal score [no. 2]; 4 p. | |||||||||||||
In caption: Rev[ised] | |||||||||||||
BOX-FOLDER 1/17 | These Days | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. and one envelope | |||||||||||||
Note: Correction on p. [2] in the hand of Michael Feinstein | |||||||||||||
Note: IG holograph lyric revision sketch, circa 1980, on envelope | |||||||||||||
BOX-FOLDER 1/18 | They Can’t Take That Away from Me see also They Can't Take That Away from Me from Shall We Dance |
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Ozalid copyist manuscript short score; 12 p. | |||||||||||||
Note: Refrain only | |||||||||||||
Note: Scored by Conrad Salinger | |||||||||||||
BOX-FOLDER 1/19 | Weekend in the Country | ||||||||||||
Ozalid copyist manuscript short score; 15 p. | |||||||||||||
Note: Scored by Conrad Salinger | |||||||||||||
BOX-FOLDER 1/19 | Weekend in the Country | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 6 p. | |||||||||||||
BOX-FOLDER 1/19 | Weekend in the Country | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 1/20 | The Well-Known Skies of Blue | ||||||||||||
IG holograph/typescript lyric sheets; [14] p. | |||||||||||||
BOX-FOLDER 1/21 | You’d Be Hard to Replace | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 4 p. | |||||||||||||
BOX-FOLDER 1/21 | You’d Be Hard to Replace | ||||||||||||
Sheet music (“Advance artist copy”); [4] p. | |||||||||||||
BOX-FOLDER 1/21 | You’d Be Hard to Replace | ||||||||||||
IG holograph/typescript lyric sheets; [16] p. | |||||||||||||
You're My Highland Fling see My One and Only Highland Fling |
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Note: Early title | |||||||||||||
BOX-FOLDER 132/23 | Lyric book | ||||||||||||
IG holograph manuscript; [11] p. | |||||||||||||
Contents:
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