Container | Contents | ||||||||||||
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BOX 1-62, 132, 135, 139 | Music | ||||||||||||
BOX 1-47, 132, 135, 139 | Music from Shows | ||||||||||||
The show music in the Gershwin collection is organized alphabetically by show title, and within each show, alphabetically by song title. The music is further organized within song title by type; full scores, piano-vocal scores, lyric sheets, etc. as well as holograph versus copyist versions. | |||||||||||||
135th Street
see Blue Monday |
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Note: Alternate title | |||||||||||||
135th Street blues
see Blue Monday |
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Note: Alternate title | |||||||||||||
BOX 1 | Americana [1926] | ||||||||||||
Blowin' the blues away see Blowing the blues away |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 1/1 | Blowing the blues away | ||||||||||||
Manuscript piano-vocal score chiefly in the hand of Hans Spialek; 5 p. | |||||||||||||
BOX-FOLDER 1/1 | Blowing the blues away | ||||||||||||
Typescript lyric sheet | |||||||||||||
Lost barbershop chord see That lost barbershop chord |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 1/2 | Sunny disposish | ||||||||||||
Manuscript piano score and 3 instrumental parts in the hand of Hans Spialek; 4 2,2,2 p. | |||||||||||||
Note: Arranged for E-flat alto saxophones I, II and III, B-flat tenor saxophone I and II, C melody saxophones I and II, and piano | |||||||||||||
BOX-FOLDER 1/3 | That lost barbershop chord | ||||||||||||
Manuscript piano-vocal score chiefly in the hand of Albert Sirmay; 8 p. | |||||||||||||
Note: Corrections to lyric in the hand of IG | |||||||||||||
BOX-FOLDER 1/3 | That lost barbershop chord | ||||||||||||
Manuscript piano-vocal score in the hand of William Daly; [4] p. | |||||||||||||
Note: Score has no lyric | |||||||||||||
BOX-FOLDER 1/3 | That lost barbershop chord | ||||||||||||
Copyist manuscript piano-vocal score [no. 1]; 7 p. | |||||||||||||
Note: Introduction in the hand of Albert Sirmay | |||||||||||||
BOX-FOLDER 1/3 | That lost barbershop chord | ||||||||||||
Copyist manuscript piano-vocal score [no. 2]; 7 p. | |||||||||||||
Note: No introduction | |||||||||||||
BOX-FOLDER 1/3 | That lost barbershop chord | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX 1 | The Barkleys of Broadway [film, 1949] | ||||||||||||
97,704 see Natchez on the Mississip' |
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Note: Early title | |||||||||||||
BOX-FOLDER 1/4 | Bouncin’ the blues [instrumental] | ||||||||||||
Photocopied (ozalid) copyist manuscript piano score; 2 p. | |||||||||||||
BOX-FOLDER 1/5 | Call on us again | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score; 3 p. | |||||||||||||
BOX-FOLDER 1/5 | Call on us again | ||||||||||||
Typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 1/6 | The courtin' of Elmer and Ella | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score [no. 1]; 10 p. | |||||||||||||
Note: Corrections in an unidentified hand | |||||||||||||
BOX-FOLDER 1/6 | The courtin' of Elmer and Ella | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score [no. 2]; 10 p. | |||||||||||||
In caption: Revised | |||||||||||||
BOX-FOLDER 1/6 | The courtin' of Elmer and Ella | ||||||||||||
IG holograph/typescript lyric sheets; [13] p. | |||||||||||||
BOX-FOLDER 1/7 | Manhattan downbeat | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score; 8 p. | |||||||||||||
BOX-FOLDER 1/7 | Manhattan downbeat | ||||||||||||
IG holograph/typescript lyric sheets; [10] p. | |||||||||||||
BOX-FOLDER 1/8 | Minstrels on parade | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 1/9 | My one and only highland fling | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score; 6 p. | |||||||||||||
BOX-FOLDER 1/9 | My one and only highland fling | ||||||||||||
IG holograph/typescript lyric sheets; [9] p. | |||||||||||||
Natchez see Natchez on the Mississip' |
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Note: Early title | |||||||||||||
BOX-FOLDER 1/10 | Natchez on the Mississip’ | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score; 7 p. | |||||||||||||
In capton: Rev[ised] | |||||||||||||
BOX-FOLDER 1/10 | Natchez on the Mississip’ | ||||||||||||
IG holograph/typescript lyric sheets; [8] p. | |||||||||||||
BOX-FOLDER 1/11 | The poetry of motion | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 1/11 | The poetry of motion | ||||||||||||
IG holograph/typescript lyric sheets; [6] p. | |||||||||||||
BOX-FOLDER 1/12 | Second fiddle to a harp | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 1/13 | Shoes with wings on | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 1/13 | Shoes with wings on | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. | |||||||||||||
Since the ballet swept the town see The poetry of motion |
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Note: Early title | |||||||||||||
BOX-FOLDER 1/14 | Swing trot | ||||||||||||
Manuscript lead sheet; [1] p. | |||||||||||||
Note: Refrain only, with unused lyric fragments in the hand of IG | |||||||||||||
Note: Unidentified IG holograph lyric sketches on verso | |||||||||||||
BOX-FOLDER 1/14 | Swing trot | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 1/15 | Taking no chances on you | ||||||||||||
IG holograph/typescript lyric sheets; [18] p. | |||||||||||||
BOX-FOLDER 1/16 | There is no music | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score; 4 p. | |||||||||||||
BOX-FOLDER 1/16 | There is no music | ||||||||||||
IG holograph/typescript lyric sheets; [10] p. | |||||||||||||
BOX-FOLDER 1/17 | These days | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score [no. 1]; 4 p. | |||||||||||||
Note: Correction in an unidentified hand | |||||||||||||
BOX-FOLDER 1/17 | These days | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score [no. 2]; 4 p. | |||||||||||||
In caption: Rev[ised] | |||||||||||||
BOX-FOLDER 1/17 | These days | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. and 1 envelope | |||||||||||||
Note: Correction on p. [2] in the hand of Michael Feinstein | |||||||||||||
Note: IG holograph lyric revision sketch, circa 1980, on envelope | |||||||||||||
BOX-FOLDER 1/18 | They can’t take that away from me see also They can't take that away from me from Shall we dance |
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Photocopied (ozalid) copyist manuscript short score; 12 p. | |||||||||||||
Note: Refrain only | |||||||||||||
Note: Scored by Conrad Salinger | |||||||||||||
BOX-FOLDER 1/19 | Weekend in the country | ||||||||||||
Photocopied (ozalid) copyist manuscript short score; 15 p. | |||||||||||||
Note: Scored by Conrad Salinger | |||||||||||||
BOX-FOLDER 1/19 | Weekend in the country | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score; 6 p. | |||||||||||||
BOX-FOLDER 1/19 | Weekend in the country | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 1/20 | The well-known skies of blue | ||||||||||||
IG holograph/typescript lyric sheets; [14] p. | |||||||||||||
BOX-FOLDER 1/21 | You’d be hard to replace | ||||||||||||
Photocopied (ozalid) copyist manuscript piano-vocal score; 4 p. | |||||||||||||
BOX-FOLDER 1/21 | You’d be hard to replace | ||||||||||||
Sheet music (“Advance artist copy”); [4] p. | |||||||||||||
BOX-FOLDER 1/21 | You’d be hard to replace | ||||||||||||
IG holograph/typescript lyric sheets; [16] p. | |||||||||||||
You're my highland fling see My one and only highland fling |
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Note: Early title | |||||||||||||
BOX-FOLDER 1/22 | Unidentified lyric sketches | ||||||||||||
IG holograph manuscripts; [5] p. | |||||||||||||
BOX 1 | Be Yourself [1924] | ||||||||||||
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