Container | Contents | ||||||||||||
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Music, 1913-1954 (continued) | |||||||||||||
Music from Shows (continued) | |||||||||||||
BOX-FOLDER 47/32 | Please Send My Daddy Back to Mother | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. | |||||||||||||
BOX-FOLDER 141/47 | Political Ballet | ||||||||||||
IG holograph outline; [2] p. | |||||||||||||
Laid in: Photocopy of Lawrence Stewart typescript note; [1] p. | |||||||||||||
BOX-FOLDER 47/33 | Save Your Yesses | ||||||||||||
IG holograph/typescript lyric sheet; [2] p. | |||||||||||||
BOX-FOLDER 47/34 | Sentimental Weather | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
The Shadows see Five A.M. |
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Note: Early title | |||||||||||||
BOX-FOLDER 47/35 | Sunday Tan | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 47/36 | That Moment of Moments | ||||||||||||
Typescript lyric sheet | |||||||||||||
There's an Island in the West Indies see Island in the West Indies |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 47/37 | Time Marches On! | ||||||||||||
IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
BOX-FOLDER 47/38 | Trailer for "The 1936 Broadway Gold Melody Diggers" | ||||||||||||
IG holograph/typescript lyric sheets; [27] p. | |||||||||||||
We Hope You'll Soon Be Dancing to the
Score see Dancing to the Score |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 47/39 | Why Save for That Rainy Day? | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 47/40 | Wishing Tree of Harlem | ||||||||||||
IG holograph/typescript lyric sheet | |||||||||||||
BOX-FOLDER 47/41 | Words without Music | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 47/42 | List of songs | ||||||||||||
Two IG holograph/typescript manuscripts; [1] p. each | |||||||||||||
BOX 48-52, 132, 135 | Concert Music | ||||||||||||
The concert music is organized alphabetically by title and then by type. | |||||||||||||
BOX-FOLDER 48/1 | An American in Paris | ||||||||||||
GG holograph manuscript sketches; [22] p. | |||||||||||||
Bound | An American in Paris, 1928 January-August 1 | ||||||||||||
GG holograph original sketch manuscript; [69] p. | |||||||||||||
Bound | An American in Paris, 1928 November 18 | ||||||||||||
GG holograph original orchestration manuscript; 104 p. | |||||||||||||
Note: Microfilm #1338 | |||||||||||||
BOX-FOLDER 48/2 | An American in Paris, 1928 January | ||||||||||||
GG holograph manuscript arrangement for two pianos; 70 p. | |||||||||||||
BOX-FOLDER 48/3 | An American in Paris, 1928 | ||||||||||||
Printed arrangement for two pianos; 35 p. | |||||||||||||
New York: New World Music, c1928 | |||||||||||||
BOX-FOLDER 135/9 | An American in Paris | ||||||||||||
GG holograph manuscript of three principal themes; 1 p. | |||||||||||||
Note: Used in an article for Musical America and inscribed to Hyman Sandow, 1928 August 17 | |||||||||||||
BOX-FOLDER 48/4 | Catfish Row | ||||||||||||
GG holograph manuscript list of corrections to Porgy and Bess parts needed for the suite; [2] p. | |||||||||||||
BOX-FOLDER 48/5 | Suite from Porgy and Bess | ||||||||||||
Ozalid GG holograph manuscript full score; 100 p. | |||||||||||||
Note: Emendations in unidentified hands | |||||||||||||
Bound | Concerto in F, 1925 | ||||||||||||
GG holograph sketch-score manuscript; [181] p. | |||||||||||||
Movement I: 1925 July | |||||||||||||
Movement II: 1925 August-September | |||||||||||||
Movement III: 1925 September | |||||||||||||
Bound | Concerto in F, 1925 October-November | ||||||||||||
GG holograph original orchestration manuscript; [181] p. | |||||||||||||
BOX-FOLDER 48/6 | Concerto in F | ||||||||||||
GG holograph manuscript sketches; [15] p. | |||||||||||||
Laid in: IG holograph notes, 1961 April 26 | |||||||||||||
BOX-FOLDER 132/10 | Concerto in F | ||||||||||||
GG holograph manuscript early orchestration; 8 p. | |||||||||||||
Note: Incomplete | |||||||||||||
Laid in: IG typescript note [1] p. | |||||||||||||
BOX-FOLDER 48/7 | Concerto in F | ||||||||||||
Manuscript short score, Movement I; 5 p. | |||||||||||||
BOX-FOLDER 48/7 | Concerto in F | ||||||||||||
Manuscript short score, Movement I; 1 p. | |||||||||||||
Note: Final 88 bars only | |||||||||||||
BOX-FOLDER 48/7 | Concerto in F | ||||||||||||
Manuscript short score, Movement II; 4 p. | |||||||||||||
Note: Includes opening 24 bars of Movement III | |||||||||||||
BOX-FOLDER 48/7 | Concerto in F | ||||||||||||
Unidentified piano sketches; 3 p. | |||||||||||||
Note: Laid in with Concerto in F | |||||||||||||
Note: Black, blue and turquoise ink | |||||||||||||
BOX-FOLDER 49/1 | Concerto in F, 1927 | ||||||||||||
Two printed score arrangements for two pianos; 67 p. each | |||||||||||||
New York: Harms, c1927 | |||||||||||||
Note: Heavily annotated with corrections | |||||||||||||
BOX-FOLDER 49/2 | Concerto in F | ||||||||||||
Printed score arrangement for two pianos; 67 p. | |||||||||||||
New York: Harms, c1927 | |||||||||||||
Note: GG's copy | |||||||||||||
BOX-FOLDER 49/3 | Concerto in F: Movement I | ||||||||||||
Manuscript score for two pianos; [2] p. | |||||||||||||
In caption: Extra bars for 1st movement... | |||||||||||||
BOX-FOLDER 132/11 | Concerto in F: Movement III | ||||||||||||
Second publisher’s proof for two pianos; 21 [i.e., 11] p. | |||||||||||||
Note: Incomplete | |||||||||||||
BOX-FOLDER 49/4 | Cuban Overture | ||||||||||||
GG holograph manuscript sketches and notes; [39] p. | |||||||||||||
BOX-FOLDER 49/5 | Cuban Overture, 1932 July | ||||||||||||
GG holograph manuscript short score; [34] p. | |||||||||||||
Bound | Cuban Overture, 1932 July-August | ||||||||||||
GG holograph original orchestration manuscript; 62 p. | |||||||||||||
BOX-FOLDER 49/6 | Cuban Overture | ||||||||||||
37 copyist manuscript orchestral parts | |||||||||||||
BOX-FOLDER 50/1 | Fantasy on George Gershwin's Porgy and Bess, for two pianos, 1951 | ||||||||||||
Printed score; 43 p. | |||||||||||||
Note: By Percy Grainger | |||||||||||||
New York: Gershwin Publishing Corp., c1951 | |||||||||||||
BOX-FOLDER 50/2 | I Got Rhythm Variations | ||||||||||||
GG holograph manuscript sketches; [7] p. | |||||||||||||
BOX-FOLDER 50/3 | I Got Rhythm Variations | ||||||||||||
GG holograph manuscript short score; 36 p. | |||||||||||||
Bound | I Got Rhythm Variations | ||||||||||||
GG holograph manuscript orchestral score; 73 p. | |||||||||||||
Note : Finished 1934 January 6 | |||||||||||||
BOX-FOLDER 50/4 | I Got Rhythm Variations | ||||||||||||
Copyist manuscript piano part; 15 p. | |||||||||||||
Note: Emendations chiefly in the hand of GG | |||||||||||||
BOX-FOLDER 50/5 | I Got Rhythm Variations | ||||||||||||
GG holograph manuscript program outline; [1] p. | |||||||||||||
Laid in: IG holograph notes; [2] p. | |||||||||||||
BOX-FOLDER 50/6 | Lullaby [piano solo version] | ||||||||||||
GG holograph manuscript piano score; [3] p. | |||||||||||||
BOX-FOLDER 50/7 | Lullaby [string quartet version] | ||||||||||||
Four copyist manuscript parts | |||||||||||||
Laid in: Letter from IG to Harold Spivacke, 1967 March 8 | |||||||||||||
BOX-FOLDER 50/8 | Novelette | ||||||||||||
GG holograph manuscript piano sketch; [2] p. | |||||||||||||
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