Container | Contents | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Music, 1913-1954 (continued) | |||||||||||||
Song File (continued) | |||||||||||||
BOX-FOLDER 54/4 |
#42 Impromptu in Two Keys see also Yellow Blues lyric sheets |
||||||||||||
GG holograph manuscript piano sketch; [1, 2] p. | |||||||||||||
BOX-FOLDER 54/5 | #42 Impromptu in Two Keys see also Yellow Blues lyric sheets |
||||||||||||
Manuscript piano score; [3] p. | |||||||||||||
BOX-FOLDER 54/5 | #42 Impromptu in Two Keys see also Yellow Blues lyric sheets |
||||||||||||
Two copyist manuscript piano scores; [2] p. each | |||||||||||||
BOX-FOLDER 54/5 | #42 Impromptu in Two Keys see also Yellow Blues lyric sheets |
||||||||||||
Manuscript piano score fragment in the hand of Kay Swift; [1] p. | |||||||||||||
#43 Comedy Dance see Comedy Dance from Rosalie |
|||||||||||||
#44 Ain't it Romantic see Ain't it Romantic from Oh, Kay |
|||||||||||||
BOX-FOLDER 54/6 | #45 I Must Write a Song | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/6 | #45 I Must Write a Song | ||||||||||||
Two copyist manuscript piano-vocal scores; [1, 2] p. each | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/6 | #45 I Must Write a Song | ||||||||||||
Photocopy of copyist manuscript piano-vocal score; [2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/6 | #45 I Must Write a Song | ||||||||||||
IG holograph lyric sheet | |||||||||||||
BOX-FOLDER 54/7 | #46 Parade | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
BOX-FOLDER 54/7 | #46 Parade | ||||||||||||
Copyist manuscript piano score; [2] p. | |||||||||||||
BOX-FOLDER 54/8 | #47 Real Ossining | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/8 | #47 Real Ossining | ||||||||||||
Two copyist manuscript piano-vocal scores; [1, 2] p. each | |||||||||||||
Note: No lyric | |||||||||||||
#48 Demon Rum see Demon Rum from Shocking Miss Pilgrim |
|||||||||||||
BOX-FOLDER 54/9 | #49 Try | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/9 | #49 Try | ||||||||||||
Two copyist manuscript piano-vocal scores; [1, 2] p. each | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/10 | #50 Ask Me Again | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/10 | #50 Ask Me Again | ||||||||||||
Two copyist manuscript piano-vocal scores; [1, 3] p. each | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/10 | #50 Ask Me Again | ||||||||||||
Manuscript vocal part in the hand of Kay Swift; [1] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/10 | #50 Ask Me Again | ||||||||||||
IG holograph/typescript lyric sheets; [11] p. | |||||||||||||
Note: Lyric for "What Does it Mean?" on p. [8] | |||||||||||||
#51 For You, for Me, for Evermore see For You, for Me, for Evermore from The Shocking Miss Pilgrim |
|||||||||||||
#52 For You, for Me, for Ever see For You, for Me, for Evermore from The Shocking Miss Pilgrim |
|||||||||||||
BOX-FOLDER 54/11 | #53 Version A | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/12 | #54 Molly on the Shore | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1] p. | |||||||||||||
Note: Incomplete, no lyric | |||||||||||||
Note: Notes on p. [2] | |||||||||||||
BOX-FOLDER 54/12 | #54 Molly on the Shore | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
Note: No apparent musical relation to piano-vocal score | |||||||||||||
BOX-FOLDER 54/12 | #54 Molly on the Shore | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
#55 Freud and Jung and Adler see Freud and Jung and Adler from Pardon My English |
|||||||||||||
BOX-FOLDER 54/13 | #56 Vague Ballad | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [2] p. | |||||||||||||
Note: No lyric | |||||||||||||
#57 All the Livelong Day see All the Livelong Day (And the Long, Long Night) from Kiss Me, Stupid |
|||||||||||||
BOX-FOLDER 54/14 | #58 Wasting Time | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/14 | #58 Wasting Time | ||||||||||||
IG holograph/typescript lyric sheet | |||||||||||||
BOX-FOLDER 54/15 | #59 Sutton Place | ||||||||||||
Manuscript piano score in the hand of William Daly; [2] p. | |||||||||||||
BOX-FOLDER 54/15 | #59 Sutton Place | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [2] p. | |||||||||||||
BOX-FOLDER 54/15 | #59 Sutton Place | ||||||||||||
Copyist manuscript piano score; [2] p. | |||||||||||||
BOX-FOLDER 54/16 | #60 Soprano tune | ||||||||||||
GG holograph manuscript sketch; [1] p. | |||||||||||||
BOX-FOLDER 54/17 | #60 Soprano tune | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/18 | #61 Untitled | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1] p. | |||||||||||||
Note: Incomplete | |||||||||||||
BOX-FOLDER 54/19 | #62 Rainbow and You’re Still the Only One | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/20 | #63A Warm Tune | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/20 | #63A Warm Tune | ||||||||||||
Copyist manuscript piano score; [1, 2] p. | |||||||||||||
Note: Optional obbligato | |||||||||||||
BOX-FOLDER 54/20 | #63A Warm Tune | ||||||||||||
Copyist manuscript piano score; [2] p. | |||||||||||||
BOX-FOLDER 54/21 | #63B Untitled | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [2] p. | |||||||||||||
BOX-FOLDER 54/21 | #63B | ||||||||||||
Copyist manuscript piano score; [2] p. | |||||||||||||
BOX-FOLDER 54/22 | #64 Ever | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/23 | #65 Narrative | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [2] p. | |||||||||||||
BOX-FOLDER 54/24 | #66A Acid Tune | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/25 | #66B One Step | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/26 | #67 I Was Feeling Low | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [2] p. | |||||||||||||
In caption: marked “9” [by] G. G. | |||||||||||||
BOX-FOLDER 54/27 | #68 Ingratiating Tune | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/28 | #69 Anthemy fragment | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/29 | #70 Untitled | ||||||||||||
Note : A notation on the packing description indicates that this item was “Sir” or “Siren.” Presumably the manuscript was removed, according to Michael Feinstein. | |||||||||||||
#71 Together at Last see Together at Last from Pardon My English |
|||||||||||||
#72 Meadow Serenade see Meadow Serenade from Strike Up the Band |
|||||||||||||
#73 Duet -- Lonely Boy see Lonely Boy from Porgy and Bess |
|||||||||||||
BOX-FOLDER 54/30 | #74 I Must Remember | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/31 | #75 Gertie Lawrence type | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/32 | #76 Follies | ||||||||||||
Next Page » |