Container | Contents | ||||||||||||
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Music, 1913-1954 (continued) | |||||||||||||
Music from Shows (continued) | |||||||||||||
BOX-FOLDER 16/21 | Collective Loading-Time Song | ||||||||||||
IG holograph/typescript lyric sheets; [8] p. | |||||||||||||
BOX-FOLDER 16/22 | I'll Always Have a Roving Eye | ||||||||||||
IG holograph lyric sheets; [2] p. | |||||||||||||
From the Baltic to the Pacific see Collective Loading-Time Song |
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Note: Alternate title | |||||||||||||
Loading Song see Collective Loading-Time Song |
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Note: Alternate title | |||||||||||||
Loading Time at Last is Over see Village Scene Jingles |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 16/23 | No Village Like Mine | ||||||||||||
IG holograph/typescript lyric sheets; [6] p. | |||||||||||||
BOX-FOLDER 16/24 | Song of the Fatherland | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 16/25 | Song of the Guerillas | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
Soviet Land see Song of the Fatherland |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 16/26 | Unite, You Workers of All Nations | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 16/27 | Village Scene Jingles | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 16/28 | Wagon Song | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 16/29 | Younger Generation | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 16/30 | Lyric sheets and character list | ||||||||||||
IG holograph/typescript manuscripts; [6] p. | |||||||||||||
BOX 16-18, 135, 139 | Of Thee I Sing (1931) | ||||||||||||
BOX-FOLDER 16/31 | Adlai’s Sweeping the Country | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 16/32 | Because, Because see also Opening, Act I, scene 3 |
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Manuscript piano-vocal score in the hand of Albert Sirmay; 7 p. | |||||||||||||
BOX-FOLDER 16/32 | Because, Because see also Opening, Act I, scene 3 |
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Two corrected 1st proofs; 5 [i.e., 4] p. each | |||||||||||||
BOX-FOLDER 16/32 | Because, Because see also Opening, Act I, scene 3 |
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Corrected 2nd proof; 5 [i.e., 4] p. | |||||||||||||
BOX-FOLDER 16/32 | Because, Because see also Opening, Act I, scene 3 |
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Typescript/photocopy of lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 16/33 | Exit, Atlantic City scene | ||||||||||||
Copyist manuscript piano-vocal score; 1, 3 p. | |||||||||||||
BOX-FOLDER 16/34 | Finale, Act I | ||||||||||||
Copyist manuscript piano-vocal score; [48] p. | |||||||||||||
BOX-FOLDER 16/34 | Finale, Act I | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 16/35 | Finale, Act I [1952 revival] | ||||||||||||
Typescript lyric sheets; [6] p. | |||||||||||||
Finale Ultimo see On That Matter, No One Budges |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 16/36 | Finaletto, Act I scene 4 | ||||||||||||
GG holograph manuscript piano-vocal score; 1, 17 p. | |||||||||||||
BOX-FOLDER 16/36 | Finaletto, Act I scene 4 | ||||||||||||
Copyist manuscript piano-vocal score; [32] p. | |||||||||||||
Note: Emendations in the hands of Albert Sirmay and William Daly | |||||||||||||
BOX-FOLDER 16/37 | Finaletto, Act II scene 1 | ||||||||||||
Copyist manuscript piano-vocal score; 32 [i.e., 34] p. | |||||||||||||
BOX-FOLDER 17/1 | Finaletto, Act II scene 3 | ||||||||||||
Copyist manuscript piano-vocal score; 32 p. | |||||||||||||
BOX-FOLDER 17/2 | Finaletto, Act II scene 3 | ||||||||||||
IG holograph sheet | |||||||||||||
Note: Incomplete | |||||||||||||
Gabriel, Gabriel, Blow Your Golden Horn see Trumpeter, Blow Your Golden Horn |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 17/3 | Hello, Good Morning | ||||||||||||
GG and William Daly holograph manuscript full score; 22 p. | |||||||||||||
Laid in: IG holograph notes; [2] p. | |||||||||||||
BOX-FOLDER 17/4 | Hello, Good Morning | ||||||||||||
Copyist manuscript piano-vocal score; 13 p. | |||||||||||||
BOX-FOLDER 17/5 | The Illegitimate Daughter | ||||||||||||
Copyist manuscript piano-vocal score; [1, 4] p. | |||||||||||||
Note: Caption title in the hand of IG | |||||||||||||
BOX-FOLDER 17/5 | The Illegitimate Daughter | ||||||||||||
Manuscript piano-vocal score in the hand of Albert Sirmay; [8] p. | |||||||||||||
BOX-FOLDER 17/5 | The Illegitimate Daughter | ||||||||||||
Corrected 1st proof; 7 [i.e., 5] p. | |||||||||||||
BOX-FOLDER 17/5 | The Illegitimate Daughter | ||||||||||||
Sheet music with annotations | |||||||||||||
BOX-FOLDER 17/5 | The Illegitimate Daughter | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 17/6 | Love Is Sweeping the Country | ||||||||||||
GG holograph manuscript piano-vocal score; [2] p. | |||||||||||||
Note: Verse only, no lyric | |||||||||||||
BOX-FOLDER 17/7 | Love Is Sweeping the Country | ||||||||||||
Manuscript piano-vocal score in the hand of Albert Sirmay; 11 p. | |||||||||||||
BOX-FOLDER 17/7 | Love Is Sweeping the Country | ||||||||||||
Corrected 1st proof; 7 [i.e., 6] p. | |||||||||||||
BOX-FOLDER 17/7 | Love Is Sweeping the Country | ||||||||||||
Corrected 2nd proof; 7 [i.e., 6] p. | |||||||||||||
BOX-FOLDER 17/7 | Love Is Sweeping the Country | ||||||||||||
Sheet music with corrections | |||||||||||||
BOX-FOLDER 17/7 | Love Is Sweeping the Country | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 17/8 | Love Is Sweeping the Country. Patter | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 17/9 | Of Thee I Sing | ||||||||||||
GG holograph manuscript piano-vocal score; [1, 2] p. | |||||||||||||
Note: Verse only, no lyric | |||||||||||||
BOX-FOLDER 17/10 | Of Thee I Sing | ||||||||||||
GG holograph manuscript piano-vocal score; [1, 2] p. | |||||||||||||
Note: Refrain only, no lyric | |||||||||||||
BOX-FOLDER 17/11 | Of Thee I Sing | ||||||||||||
Manuscript piano-vocal score in the hand of Albert Sirmay; 7 p. | |||||||||||||
BOX-FOLDER 17/11 | Of Thee I Sing | ||||||||||||
Corrected 1st proof; 5 [i.e., 4] p. | |||||||||||||
BOX-FOLDER 17/11 | Of Thee I Sing | ||||||||||||
Corrected 2nd proof; 5 [i.e. 4] p. | |||||||||||||
BOX-FOLDER 17/11 | Of Thee I Sing | ||||||||||||
Sheet music with corrections in the hand of Albert Sirmay | |||||||||||||
BOX-FOLDER 17/11 | Of Thee I Sing | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 17/12 | On That Matter, No One Budges | ||||||||||||
Copyist manuscript piano-vocal score; 16 p. | |||||||||||||
BOX-FOLDER 17/13 | Opening, Act I scene 3 | ||||||||||||
Copyist manuscript piano-vocal score; [21] p. | |||||||||||||
Note: Emendations in the hand of Albert Sirmay | |||||||||||||
Includes:
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Opening, Act II see Hello, Good Morning |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 17/14 | Opening, Atlantic City scene | ||||||||||||
Copyist manuscript piano score; [1] p. | |||||||||||||
BOX-FOLDER 17/15 | Overture | ||||||||||||
Manuscript (with printed portions) piano score chiefly in the hand of Albert Sirmay; 16 p. | |||||||||||||
Posterity see Posterity Is Just around the Corner |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 17/16 | Posterity Is Just around the Corner | ||||||||||||
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