Container | Contents | ||||||||||||
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Music, 1913-1954 (continued) | |||||||||||||
Music from Shows (continued) | |||||||||||||
BOX-FOLDER 36/3 | Lose That Long Face | ||||||||||||
Ozalid piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 36/3 | Lose That Long Face | ||||||||||||
IG holograph/typescript lyric sheets; [9] p. | |||||||||||||
BOX-FOLDER 135/7 | The Man That Got Away | ||||||||||||
Corrected publisher's proof piano-vocal score; p. 2-5 | |||||||||||||
Note: Approved/signed off on by Harold Arlen | |||||||||||||
Laid in: Typescript letter from Lawrence Stewart to Gary Carver, 2004 July 23 | |||||||||||||
BOX-FOLDER 36/4 | Someone at Last | ||||||||||||
Ozalid piano-vocal score; 3 p. | |||||||||||||
BOX-FOLDER 36/4 | Someone at Last | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 36/5 | The TV Commercial | ||||||||||||
Ozalid piano-vocal score; 3 p. | |||||||||||||
BOX-FOLDER 36/5 | The TV Commercial | ||||||||||||
Typescript lyric sheet | |||||||||||||
Stepping Toes
see Shall We Dance |
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Note: Working title | |||||||||||||
BOX 36 | Sticks and Stones (revue, 1939) | ||||||||||||
BOX-FOLDER 36/6 | Baby, You're News | ||||||||||||
Typescript lyric sheet | |||||||||||||
T'me Baby, You're News see Baby, You're News |
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Note: Alternate title | |||||||||||||
Stop Flirting
see For Goodness Sake |
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Note: Working title | |||||||||||||
BOX 36-39, 132, 139 | Strike Up the Band (1927, revised 1930) | ||||||||||||
BOX-FOLDER 36/7 | 17 and 21 [1927] | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. | |||||||||||||
Ding Dong see Ring-a-Ding-a-Ding-Dong Dell |
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Note: Collective title | |||||||||||||
BOX-FOLDER 36/8 | Dream Music [1930] | ||||||||||||
Manuscript short score in the hand of William Daly; [2] p. | |||||||||||||
BOX-FOLDER 36/8 | Dream Music [1930] | ||||||||||||
Manuscript notes; [1] p. | |||||||||||||
BOX-FOLDER 36/9 | Entrance of Gideon and Swiss Girls [1930] | ||||||||||||
Copyist manuscript piano score; [2] p. | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
BOX-FOLDER 36/10 | Finale, Act II [1930] | ||||||||||||
16 copyist manuscript orchestral parts | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
Finaletto, Act II [1927] see Jim, Consider What You're Doing! |
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Note: Article title | |||||||||||||
Finaletto, Act II, scene 1 [1927] see Jim, Consider What You're Doing! |
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Note: Article title | |||||||||||||
BOX-FOLDER 36/11 | Finaletto, Act II scene 1 [early version] [1930] | ||||||||||||
Typescript lyric sheet; [2] p. | |||||||||||||
BOX-FOLDER 36/12 | Fletcher's American Chocolate Choral Society [1930] | ||||||||||||
Copyist manuscript piano-vocal score; [25] p. | |||||||||||||
BOX-FOLDER 36/12 | Fletcher's American Chocolate Choral Society [1930] | ||||||||||||
Typescript lyric sheets; 2 p. | |||||||||||||
BOX-FOLDER 36/13 | Hangin' Around with You [1930] | ||||||||||||
GG holograph manuscript piano-vocal score with lyric; [4] p. | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
BOX-FOLDER 36/14 | Hangin' Around with You [1930] | ||||||||||||
Copyist manuscript piano-vocal score; 7 p. | |||||||||||||
Note: Emendations of score in an unidentified hand | |||||||||||||
BOX-FOLDER 36/14 | Hangin' Around with You [1930] | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 36/15 | He Knows Milk [1930] | ||||||||||||
Manuscript full score; [2] p. | |||||||||||||
Caption title: Finale, Act I | |||||||||||||
Note: Incomplete | |||||||||||||
BOX-FOLDER 36/16 | He Knows Milk [1930] | ||||||||||||
Copyist manuscript piano-vocal score; 1, 27 p. | |||||||||||||
Cover title : Finale, Act I | |||||||||||||
Note: Emendations of score in an unidentified hand | |||||||||||||
BOX-FOLDER 36/16 | He Knows Milk [1930] | ||||||||||||
Typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 36/17 | Homeward Bound [1927] | ||||||||||||
GG holograph manuscript piano vocal score; [4] p. | |||||||||||||
Note: No lyric | |||||||||||||
Note: Pages [3-4] in an unidentified hand | |||||||||||||
BOX-FOLDER 36/18 | Homeward Bound [1927] | ||||||||||||
Manuscript piano score in the hand of William Daly; 2 p. | |||||||||||||
Note: Incomplete | |||||||||||||
BOX-FOLDER 36/18 | Homeward Bound [1927] | ||||||||||||
Copyist manuscript piano-vocal score; 5 p. | |||||||||||||
Note: Emendations of score in an unidentified hand | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 36/19 | Hoping That Someday You’d Care [1927] | ||||||||||||
Copyist manuscript piano-vocal score; 5 p. | |||||||||||||
In caption : Never used for Soon chorus free; in the hand of IG | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 36/19 | Hoping That Someday You’d Care [1927] | ||||||||||||
Photocopy of copyist manuscript piano-vocal score; 5 p. | |||||||||||||
Note: Lyric in ink | |||||||||||||
BOX-FOLDER 36/19 | Hoping That Someday You’d Care [1927] | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 36/20 | How about a Boy? [1930] | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
How about a Boy Like Me? see How about a Boy? |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 36/21 | How about a Man? [1927] | ||||||||||||
Copyist manuscript piano-vocal score; [4] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 36/21 | How about a Man? [1927] | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 36/22 | I Mean to Say [1930] | ||||||||||||
Copyist manuscript piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 36/22 | I Mean to Say [1930] | ||||||||||||
Sheet music | |||||||||||||
Note: Emendations | |||||||||||||
Note: On p. 4 in an unidentified hand: “Wrong! [i.e. wrong refrain] See corrected copy” | |||||||||||||
BOX-FOLDER 36/22 | I Mean to Say [1930] | ||||||||||||
Sheet music with corrections | |||||||||||||
BOX-FOLDER 36/23 | I Mean to Say [1930] | ||||||||||||
19 copyist manuscript orchestral parts | |||||||||||||
Note: Some parts are incomplete | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
BOX-FOLDER 36/24 | I Want to Be a War Bride [1930] see also Strike Up the Band |
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Copyist manuscript piano-vocal score; 6 p. | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
BOX-FOLDER 36/24 | I Want to Be a War Bride [1930] see also Strike Up the Band |
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Sheet music with corrections | |||||||||||||
Note: Alternate title | |||||||||||||
BOX-FOLDER 36/25 | If I Became the President [1930] | ||||||||||||
GG holograph manuscript piano-vocal score; [3] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 36/26 | If I Became the President [1930] | ||||||||||||
Copyist manuscript piano-vocal score; 6 p. | |||||||||||||
BOX-FOLDER 36/26 | If I Became the President [1930] | ||||||||||||
Copyist manuscript piano-vocal score; 4 p. | |||||||||||||
Note: Emendations of score in an unidentified hand | |||||||||||||
Note: Lyric on p. 1 only | |||||||||||||
BOX-FOLDER 36/26 | If I Became the President [1930] | ||||||||||||
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