Container | Contents | ||||||||||||
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Music, 1913-1954 (continued) | |||||||||||||
Music from Shows (continued) | |||||||||||||
BOX-FOLDER 1/11 | The Poetry of Motion | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 1/11 | The Poetry of Motion | ||||||||||||
IG holograph/typescript lyric sheets; [6] p. | |||||||||||||
BOX-FOLDER 1/12 | Second Fiddle to a Harp | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 1/13 | Shoes with Wings On | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 1/13 | Shoes with Wings On | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. | |||||||||||||
Since the Ballet Swept the Town see The Poetry of Motion |
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Note: Early title | |||||||||||||
BOX-FOLDER 1/14 | Swing Trot | ||||||||||||
Manuscript lead sheet; [1] p. | |||||||||||||
Note: Refrain only, with unused lyric fragments in the hand of IG | |||||||||||||
Note: Unidentified IG holograph lyric sketches on verso | |||||||||||||
BOX-FOLDER 1/14 | Swing Trot | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 1/15 | Taking No Chances on You | ||||||||||||
IG holograph/typescript lyric sheets; [18] p. | |||||||||||||
BOX-FOLDER 1/16 | There Is No Music | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 4 p. | |||||||||||||
BOX-FOLDER 1/16 | There Is No Music | ||||||||||||
IG holograph/typescript lyric sheets; [10] p. | |||||||||||||
BOX-FOLDER 1/17 | These Days | ||||||||||||
Ozalid copyist manuscript piano-vocal score [no. 1]; 4 p. | |||||||||||||
Note: Correction in an unidentified hand | |||||||||||||
BOX-FOLDER 1/17 | These Days | ||||||||||||
Ozalid copyist manuscript piano-vocal score [no. 2]; 4 p. | |||||||||||||
In caption: Rev[ised] | |||||||||||||
BOX-FOLDER 1/17 | These Days | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. and one envelope | |||||||||||||
Note: Correction on p. [2] in the hand of Michael Feinstein | |||||||||||||
Note: IG holograph lyric revision sketch, circa 1980, on envelope | |||||||||||||
BOX-FOLDER 1/18 | They Can’t Take That Away from Me see also They Can't Take That Away from Me from Shall We Dance |
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Ozalid copyist manuscript short score; 12 p. | |||||||||||||
Note: Refrain only | |||||||||||||
Note: Scored by Conrad Salinger | |||||||||||||
BOX-FOLDER 1/19 | Weekend in the Country | ||||||||||||
Ozalid copyist manuscript short score; 15 p. | |||||||||||||
Note: Scored by Conrad Salinger | |||||||||||||
BOX-FOLDER 1/19 | Weekend in the Country | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 6 p. | |||||||||||||
BOX-FOLDER 1/19 | Weekend in the Country | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 1/20 | The Well-Known Skies of Blue | ||||||||||||
IG holograph/typescript lyric sheets; [14] p. | |||||||||||||
BOX-FOLDER 1/21 | You’d Be Hard to Replace | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 4 p. | |||||||||||||
BOX-FOLDER 1/21 | You’d Be Hard to Replace | ||||||||||||
Sheet music (“Advance artist copy”); [4] p. | |||||||||||||
BOX-FOLDER 1/21 | You’d Be Hard to Replace | ||||||||||||
IG holograph/typescript lyric sheets; [16] p. | |||||||||||||
You're My Highland Fling see My One and Only Highland Fling |
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Note: Early title | |||||||||||||
BOX-FOLDER 132/23 | Lyric book | ||||||||||||
IG holograph manuscript; [11] p. | |||||||||||||
Contents:
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BOX-FOLDER 1/22 | Unidentified lyric sketches | ||||||||||||
IG holograph manuscripts; [5] p. | |||||||||||||
BOX 1 | Be Yourself (1924) | ||||||||||||
BOX-FOLDER 1/23 | I Came Here | ||||||||||||
Copyist manuscript piano-vocal score; 5 p. | |||||||||||||
Note: Extensive emendations in various hands including Albert Sirmay | |||||||||||||
Note: IG holograph lyric credit in caption | |||||||||||||
BOX-FOLDER 1/24 | Money Doesn’t Mean a Thing | ||||||||||||
IG holograph lyric sheet | |||||||||||||
Note: Verse 2 and part of refrain only | |||||||||||||
BOX-FOLDER 1/25 | My Heart is Yours [unfinished] | ||||||||||||
Typescript lyric sheet; [2] p. | |||||||||||||
BOX-FOLDER 1/26 | Not So Long Ago | ||||||||||||
Manuscript sketch; [2] p. | |||||||||||||
BOX-FOLDER 1/26 | Not So Long Ago | ||||||||||||
Manuscript lead sheet; [2] p. | |||||||||||||
BOX-FOLDER 1/27 | They Don’t Make ’Em That Way Anymore | ||||||||||||
IG holograph/typescript lyric sheet | |||||||||||||
BOX-FOLDER 1/28 | Uh-Uh | ||||||||||||
Manuscript piano-vocal score; [4] p. | |||||||||||||
Note: IG holograph lyric credit in caption | |||||||||||||
BOX-FOLDER 1/28 | Uh-Uh | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
Note: Emendations on p. [4] in unidentified hands | |||||||||||||
BOX-FOLDER 1/29 | What of It? | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 1/30 | The Wrong Thing at the Right Time | ||||||||||||
Copyist manuscript piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 1/30 | The Wrong Thing at the Right Time | ||||||||||||
IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
BOX-FOLDER 1/31 | List of 21 songs, most by IG and Lewis Gensler, circa 1925 | ||||||||||||
IG holograph manuscript; 1 p. | |||||||||||||
BOX-FOLDER 1/31 | List of 18 songs by IG and Lewis Gensler | ||||||||||||
Typescript with annotations by Michael Feinstein; 1 p. | |||||||||||||
BOX-FOLDER 1/31 | Title page from IG’s Be Yourself notebook | ||||||||||||
Typescript; 1 p. | |||||||||||||
BOX 1, 135 | Blue Monday (opera, 1922; revised 1925 and 1953) | ||||||||||||
Bound | Blue Monday : original version, 1922 | ||||||||||||
GG holograph manuscript short score; 38 [i.e., 40] p. | |||||||||||||
Note: Partial lyrics only | |||||||||||||
Note: Presented as part of George White’s Scandals of 1922 ; withdrawn after one performance | |||||||||||||
Bound | Blue Monday : revision, 1925 | ||||||||||||
Will Vodery holograph manuscript full score; 156 p. | |||||||||||||
Note: Bound in original cover with title "135[th] Street" in the hand of GG | |||||||||||||
Laid in: IG typescript notes; [2] p. | |||||||||||||
BOX-FOLDER 135/2 | Blue Monday : two themes | ||||||||||||
GG holograph manuscript piano score; [1] p. | |||||||||||||
Note: Themes include "Has Anyone Seen My Joe" and "Blue Monday Blues" | |||||||||||||
BOX-FOLDER 1/32 | Blue Monday : revision, 1925 | ||||||||||||
Typescript libretto; 4 p. | |||||||||||||
Caption title: 135th Street | |||||||||||||
Note: Emendation in the hand of B.G. De Sylva | |||||||||||||
Laid in: Photocopy of holograph letter from De Sylva to GG, 1925 November 25 | |||||||||||||
Laid in: IG holograph notes; [2] p. | |||||||||||||
BOX-FOLDER 1/33 | Blue Monday : revision, 1925 | ||||||||||||
Typescript libretto and carbon copy; 4 p. each | |||||||||||||
Caption title: 135th Street | |||||||||||||
BOX-FOLDER 1/34 | Blue Monday : adaptation, 1953 | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 34 p. | |||||||||||||
Caption title: 135th Street Blues | |||||||||||||
Note: Interlinear text in red pencil reflects the original lyrics | |||||||||||||
Note: Adapted by George Bassman | |||||||||||||
BOX-FOLDER 1/35 | Blue Monday : adaptation, 1953 | ||||||||||||
Typescript (mimeograph) libretto; 9 p. | |||||||||||||
Caption title: Blue Monday Blues | |||||||||||||
Note: Reflects revised libretto for Omnibus Broadcast, 1953 March 29 | |||||||||||||
Laid in: Typescript letter from William Spier to IG, 1953 March 18 | |||||||||||||
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