Container | Contents | ||||||||||||
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Music, 1913-1954 (continued) | |||||||||||||
Music from Shows (continued) | |||||||||||||
BOX-FOLDER 22/15 | Together at Last | ||||||||||||
GG holograph manuscript piano-vocal score; [4] p. | |||||||||||||
BOX-FOLDER 22/16 | Together at Last | ||||||||||||
William Daly holograph manuscript full score; 19 p. | |||||||||||||
BOX-FOLDER 22/17 | Together at Last | ||||||||||||
Manuscript piano-vocal score in the hand of Albert Sirmay; 7 p. | |||||||||||||
BOX-FOLDER 22/17 | Together at Last | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 22/18 | Together at Last | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 2] p. | |||||||||||||
Note: Lyric fragment | |||||||||||||
BOX-FOLDER 22/18 | Together at Last | ||||||||||||
Manuscript leadsheet in the hand of Michael Feinstein; [1] p. | |||||||||||||
Note: Refrain only | |||||||||||||
BOX-FOLDER 22/18 | Together at Last | ||||||||||||
Photocopy of manuscript piano-vocal score in the hand of Kay Swift; [2] p. | |||||||||||||
Note: Lyric in ink | |||||||||||||
BOX-FOLDER 22/18 | Together at Last | ||||||||||||
Typescript/photocopy of lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 22/19 | Tonight! | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 22/20 | Waltz | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 22/21 | Waltz sequence | ||||||||||||
GG holograph manuscript short score; [3-5] p. | |||||||||||||
Note: Incomplete | |||||||||||||
BOX-FOLDER 22/22 | Two Waltzes in C | ||||||||||||
Copyist manuscript piano score; 8 p. | |||||||||||||
In caption: Originally written ... for a musical sequence (but not used) ... | |||||||||||||
Note: Adapted by Saul Chaplin | |||||||||||||
Viennese Sextet see Freud and Jung and Adler and He's Oversexed |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 22/23 | Watch Your Head | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 22/24 | What Sort of Wedding is This? | ||||||||||||
William Daly manuscript full score; [49] p. | |||||||||||||
BOX-FOLDER 23/1 | What Sort of Wedding is This? | ||||||||||||
Copyist manuscript piano-vocal score; 8 p. | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
BOX-FOLDER 23/1 | What Sort of Wedding is This? | ||||||||||||
Typescript lyric sheets; [6] p. | |||||||||||||
BOX-FOLDER 23/2 | Where You Go, I Go | ||||||||||||
GG holograph manuscript piano-vocal score; [4] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 23/3 | Where You Go, I Go | ||||||||||||
Manuscript piano-vocal score in the hand of Albert Sirmay; 5 p. | |||||||||||||
BOX-FOLDER 23/3 | Where You Go, I Go | ||||||||||||
Manuscript sketch; [1] p. | |||||||||||||
BOX-FOLDER 23/3 | Where You Go, I Go | ||||||||||||
Manuscript sketch; [2] p. | |||||||||||||
BOX-FOLDER 23/3 | Where You Go, I Go | ||||||||||||
Typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 23/4-7 | Orchestral parts : 1 of 5 | ||||||||||||
Copyist manuscripts | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
Laid in: Typescript notes | |||||||||||||
Includes:
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BOX-FOLDER 24/1-4 | Orchestral parts : 2 of 5 | ||||||||||||
Copyist manuscripts | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
Laid in: Typescript notes | |||||||||||||
Includes:
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BOX-FOLDER 25/1-3 | Orchestral parts : 3 of 5 | ||||||||||||
Copyist manuscripts | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
Laid in: Typescript notes | |||||||||||||
Includes:
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BOX-FOLDER 26/1-4 | Orchestral parts : 4 of 5 | ||||||||||||
Copyist manuscripts | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
Laid in: Typescript notes | |||||||||||||
Includes:
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BOX-FOLDER 27/1-3 | Orchestral parts : 5 of 5 | ||||||||||||
Copyist manuscripts | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
Laid in: Typescript notes | |||||||||||||
Includes:
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BOX-FOLDER 27/4 | List of musical numbers | ||||||||||||
Manuscript; [2] p. | |||||||||||||
BOX-FOLDER 27/5 | Miscellaneous materials found with piano-vocal scores | ||||||||||||
Three folders with manuscript notations and list of printed piano parts | |||||||||||||
BOX-FOLDER 27/6 | Scriptbook | ||||||||||||
Photocopy of typescript manuscript; [73] p. | |||||||||||||
BOX-FOLDER 27/7 | Scriptbook | ||||||||||||
Photocopy of typescript manuscript; [67] p. | |||||||||||||
BOX 28 | Park Avenue (1946) | ||||||||||||
BOX-FOLDER 28/1 | The Dew Was on the Rose | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 6 p. | |||||||||||||
BOX-FOLDER 28/1 | The Dew Was on the Rose | ||||||||||||
IG holograph/typescript lyric sheets; [14] p. | |||||||||||||
BOX-FOLDER 28/2 | The Dew Was on the Rose. Interlude | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 2 p. | |||||||||||||
BOX-FOLDER 28/2 | The Dew Was on the Rose. Interlude | ||||||||||||
Typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 28/3 | The Dew Was on the Rose. Reprise | ||||||||||||
IG holograph/typescript lyric sheets; [9] p. | |||||||||||||
BOX-FOLDER 28/4 | Dinner Song | ||||||||||||
IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
BOX-FOLDER 28/5 | Don't Be a Woman if You Can | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 15 p. | |||||||||||||
BOX-FOLDER 28/5 | Don't Be a Woman if You Can | ||||||||||||
IG holograph/typescript lyric sheets; [20] p. | |||||||||||||
BOX-FOLDER 28/6 | For the Life of Me | ||||||||||||
IG holograph/typescript/photocopy of lyric sheets; [16] p. | |||||||||||||
BOX-FOLDER 28/7 | The Future Mrs. Coleman see also Stay as We Are |
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GG holograph manuscript piano sketch; [1] p. | |||||||||||||
In caption: Thanks, Kay | |||||||||||||
BOX-FOLDER 28/8 | The Future Mrs. Coleman see also Stay as We Are |
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IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
BOX-FOLDER 28/9 | Good-Bye to All That | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. | |||||||||||||
BOX-FOLDER 28/10 | Heavenly Day | ||||||||||||
IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
BOX-FOLDER 28/11 | Hope for the Best | ||||||||||||
Typescript lyric sheets; [13] p. | |||||||||||||
BOX-FOLDER 28/12 | Land of Opportunitee [sic] | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 10 p. | |||||||||||||
BOX-FOLDER 28/12 | Land of Opportunitee [sic] | ||||||||||||
IG holograph/typescript lyric sheets; [31] p. | |||||||||||||
Laid in: Lawrence Stewart typescript note | |||||||||||||
BOX-FOLDER 28/13 | My Son-in-Law | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 28/13 | My Son-in-Law | ||||||||||||
IG holograph/typescript lyric sheets; [20] p. | |||||||||||||
BOX-FOLDER 28/14 | Remind Me Not to Leave Town | ||||||||||||
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