| | | | | | | | | | | | | |
|
Music, 1913-1954
(continued) |
|
Music from Shows
(continued) |
|
BOX 10 |
The Goldwyn Follies (1938)
|
|
BOX-FOLDER 10/9 |
Exposition |
|
Typescript ballet scenario (3 versions); 3,
2, 2 p. |
|
BOX-FOLDER 10/10 |
I Love to Rhyme |
|
GG holograph manuscript piano-vocal sketch;
[4] p. |
|
BOX-FOLDER 10/11 |
I Love to Rhyme |
|
IG holograph/typescript lyric sheets; [6]
p. |
|
BOX-FOLDER 10/12 |
I Was Doing All Right |
|
GG holograph manuscript piano-vocal sketch; 3
p. |
|
Note: Refrain only |
|
BOX-FOLDER 10/13 |
I Was Doing All Right |
|
Typescript lyric sheets; [3] p. |
|
BOX-FOLDER 10/14 |
I'm Not Complaining |
|
Manuscript piano-vocal score; 4 p. |
|
BOX-FOLDER 10/14 |
I'm Not Complaining |
|
Photocopy of copyist manuscript piano-vocal
score; 4 p. |
|
BOX-FOLDER 10/14 |
I'm Not Complaining |
|
Typescript lyric sheets; [2] p. |
|
BOX-FOLDER 10/15 |
Just Another Rhumba |
|
GG holograph manuscript piano-vocal score;
[5] p. |
|
Note: No lyric |
|
BOX-FOLDER 10/16 |
Just Another Rhumba |
|
IG holograph/typescript/carbon copy lyric
sheets; [11] p. |
|
BOX-FOLDER 10/17 |
Love Is Here to Stay |
|
Photocopy of sheet music (German) |
|
BOX-FOLDER 10/17 |
Love Is Here to Stay |
|
IG holograph/typescript lyric sheets; [7]
p. |
|
BOX-FOLDER 10/18 |
Love Walked In |
|
Photocopy of sheet music (German) |
|
BOX-FOLDER 10/18 |
Love Walked In |
|
IG holograph/typescript lyric sheets; [3]
p. |
|
BOX-FOLDER 10/19 |
Spring Again |
|
IG holograph/typescript lyric sheets; [3]
p. |
|
BOX-FOLDER 10/20 |
Miscellaneous notes |
|
IG holograph manuscript; [4] p. |
|
BOX 10 |
Good Morning, Judge (1919)
|
|
BOX-FOLDER 10/21 |
I Was So Young (You Were So
Beautiful) |
|
Manuscript full score in the hand of Frank
Saddler; 16 p. |
|
BOX-FOLDER 10/22 |
I Was So Young (You Were So
Beautiful) |
|
Copyist manuscript piano-vocal score; 5
p. |
|
Note: Emendations in an unidentified hand
|
|
BOX-FOLDER 10/22 |
I Was So Young (You Were So
Beautiful) |
|
Manuscript lyric sheet |
|
BOX-FOLDER 10/23 |
There's More to the Kiss than the
X-X-X |
|
GG holograph manuscript piano-vocal score;
[4] p. |
|
Note: Partial vocal line, no lyric
|
|
BOX-FOLDER 10/24 |
There's More to the Kiss than the
X-X-X |
|
IG holograph/typescript lyric
sheet |
|
BOX 10 |
Greenwich Village Follies (1924)
|
|
BOX-FOLDER 10/25 |
Hot Hindoo |
|
Copyist manuscript piano-vocal score; 5
p. |
|
BOX 10 |
Half Past Eight (1918)
|
|
BOX-FOLDER 10/26 |
Cupid |
|
Copyist manuscript piano score; [3]
p. |
|
BOX-FOLDER 10/26 |
Cupid |
|
Photocopy of copyist manuscript piano-vocal
score; 6 p. |
|
Note: No lyric |
|
BOX-FOLDER 10/27 |
Half Past Eight |
|
Photocopy of copyist manuscript piano-vocal
score; 7 p. |
|
Note: No lyric |
|
BOX-FOLDER 10/28 |
Hong Kong |
|
Photocopy of copyist manuscript piano-vocal
score; 6 p. |
|
Note: No lyric |
|
BOX-FOLDER 10/29 |
Little Sunbeam |
|
Photocopy of copyist manuscript piano-vocal
score; 5 p. |
|
Note: No lyric |
|
BOX-FOLDER 10/30 |
Ten Commandments of Love |
|
Manuscript full score in the hand of Maurice
DePackh; 21 p. |
|
BOX-FOLDER 10/31 |
There's Magic in the Air |
|
IG holograph/typescript lyric sheet; [2]
p. |
|
BOX-FOLDER 10/32 |
Running order |
|
Typescript list with emendations; [1]
p. |
|
BOX 11, 132, 141 |
Kiss Me, Stupid (1964)
|
|
BOX-FOLDER 11/1 |
All the Livelong Day (And the Long, Long
Night) |
|
Manuscript piano-vocal score in the hand of
Kay Swift; [2] p. |
|
Note: No lyric |
|
BOX-FOLDER 11/1 |
All the Livelong Day (And the Long, Long
Night) |
|
Copyist manuscript piano-vocal score; 4
p. |
|
BOX-FOLDER 11/1 |
All the Livelong Day (And the Long, Long
Night) |
|
Two Ozalid copyist manuscript piano-vocal
scores; 4 p. each |
|
Note: No lyric |
|
Note: IG holograph emendations |
|
BOX-FOLDER 11/1 |
All the Livelong Day (And the Long, Long
Night) |
|
Three Ozalid copyist manuscript piano-vocal
scores; 4 p. each |
|
Note: IG holograph emendations |
|
BOX-FOLDER 11/1 |
All the Livelong Day (And the Long, Long
Night) |
|
Ozalid piano-vocal score; 5 p. |
|
BOX-FOLDER 11/1 |
All the Livelong Day (And the Long, Long
Night) |
|
Manuscript piano sketch; [2] p. |
|
Note: Refrain only |
|
BOX-FOLDER 11/2 |
All the Livelong Day (And the Long, Long
Night) |
|
IG holograph/typescript lyric sheets and
notes; [54] p. |
|
BOX-FOLDER 11/3 |
All the Livelong Day (And the Long, Long
Night) |
|
IG typescript lyric sheets; [5] p. |
|
Note: Revised 2nd refrain for Ella
Fitzgerald |
|
Laid in: IG typescript letter to Ella
Fitzgerald, 1964 September 30 |
|
BOX-FOLDER 11/4 |
I'm a Poached Egg |
|
Manuscript piano-vocal sketch in the hand of
Kay Swift; [1] p. |
|
BOX-FOLDER 11/4 |
I'm a Poached Egg |
|
Manuscript piano score in the hand of Kay
Swift; [1] p. |
|
Note: Refrain only |
|
BOX-FOLDER 11/4 |
I'm a Poached Egg |
|
Copyist manuscript piano-vocal score; 5
p. |
|
BOX-FOLDER 11/4 |
I'm a Poached Egg |
|
Ozalid copyist manuscript piano-vocal score;
5 p. |
|
Note: IG holograph emendations |
|
BOX-FOLDER 11/4 |
I'm a Poached Egg |
|
Ozalid copyist manuscript piano-vocal score;
3 p. |
|
Note: Refrain only |
|
BOX-FOLDER 11/4 |
I'm a Poached Egg |
|
Ozalid copyist manuscript piano-vocal score;
5 p. |
|
BOX-FOLDER 11/4 |
I'm a Poached Egg |
|
Ozalid copyist manuscript piano-vocal score;
6 p. |
|
Laid in: Photocopy of IG typescript notes;
[1] p. |
|
BOX-FOLDER 11/4 |
I'm a Poached Egg |
|
Sheet music |
|
Note: IG holograph emendations |
|
BOX-FOLDER 11/5 |
I'm a Poached Egg |
|
IG holograph/typescript lyric sheets; [54]
p. |
|
BOX-FOLDER 132/3 |
I'm a Poached Egg |
|
IG holograph/typescript lyric sheets; [16]
p. |
|
BOX-FOLDER 11/6 |
I'm a Poached Egg |
|
IG holograph/typescript lyric sheets; [11]
p. |
|
Note: Revised 3rd refrain for Ella
Fitzgerald |
|
Laid in: IG signed typescript letter to
Ella Fitzgerald, 1964 September 30 |
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