Container | Contents | ||||||||||||
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Music, 1913-1954 (continued) | |||||||||||||
Music from Shows (continued) | |||||||||||||
Uh-Uh (continued) | |||||||||||||
Manuscript piano-vocal score; [4] p. | |||||||||||||
Note: IG holograph lyric credit in caption | |||||||||||||
BOX-FOLDER 1/28 | Uh-Uh | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
Note: Emendations on p. [4] in unidentified hands | |||||||||||||
BOX-FOLDER 1/29 | What of It? | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 1/30 | The Wrong Thing at the Right Time | ||||||||||||
Copyist manuscript piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 1/30 | The Wrong Thing at the Right Time | ||||||||||||
IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
BOX-FOLDER 1/31 | List of 21 songs, most by IG and Lewis Gensler, circa 1925 | ||||||||||||
IG holograph manuscript; 1 p. | |||||||||||||
BOX-FOLDER 1/31 | List of 18 songs by IG and Lewis Gensler | ||||||||||||
Typescript with annotations by Michael Feinstein; 1 p. | |||||||||||||
BOX-FOLDER 1/31 | Title page from IG’s Be Yourself notebook | ||||||||||||
Typescript; 1 p. | |||||||||||||
BOX 1, 135 | Blue Monday (opera, 1922; revised 1925 and 1953) | ||||||||||||
Bound | Blue Monday : original version, 1922 | ||||||||||||
GG holograph manuscript short score; 38 [i.e., 40] p. | |||||||||||||
Note: Partial lyrics only | |||||||||||||
Note: Presented as part of George White’s Scandals of 1922 ; withdrawn after one performance | |||||||||||||
Bound | Blue Monday : revision, 1925 | ||||||||||||
Will Vodery holograph manuscript full score; 156 p. | |||||||||||||
Note: Bound in original cover with title "135[th] Street" in the hand of GG | |||||||||||||
Laid in: IG typescript notes; [2] p. | |||||||||||||
BOX-FOLDER 135/2 | Blue Monday : two themes | ||||||||||||
GG holograph manuscript piano score; [1] p. | |||||||||||||
Note: Themes include "Has Anyone Seen My Joe" and "Blue Monday Blues" | |||||||||||||
BOX-FOLDER 1/32 | Blue Monday : revision, 1925 | ||||||||||||
Typescript libretto; 4 p. | |||||||||||||
Caption title: 135th Street | |||||||||||||
Note: Emendation in the hand of B.G. De Sylva | |||||||||||||
Laid in: Photocopy of holograph letter from De Sylva to GG, 1925 November 25 | |||||||||||||
Laid in: IG holograph notes; [2] p. | |||||||||||||
BOX-FOLDER 1/33 | Blue Monday : revision, 1925 | ||||||||||||
Typescript libretto and carbon copy; 4 p. each | |||||||||||||
Caption title: 135th Street | |||||||||||||
BOX-FOLDER 1/34 | Blue Monday : adaptation, 1953 | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 34 p. | |||||||||||||
Caption title: 135th Street Blues | |||||||||||||
Note: Interlinear text in red pencil reflects the original lyrics | |||||||||||||
Note: Adapted by George Bassman | |||||||||||||
BOX-FOLDER 1/35 | Blue Monday : adaptation, 1953 | ||||||||||||
Typescript (mimeograph) libretto; 9 p. | |||||||||||||
Caption title: Blue Monday Blues | |||||||||||||
Note: Reflects revised libretto for Omnibus Broadcast, 1953 March 29 | |||||||||||||
Laid in: Typescript letter from William Spier to IG, 1953 March 18 | |||||||||||||
BOX 2 | Capitol Revue (1919) | ||||||||||||
BOX-FOLDER 2/1 | Come to the Moon | ||||||||||||
GG holograph manuscript piano-vocal score; 3 p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 2/2 | Come to the Moon | ||||||||||||
Frank Saddler holograph manuscript full score; 20 p. | |||||||||||||
BOX-FOLDER 2/3 |
Swanee see also Sinbad |
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Frank Saddler holograph manuscript full score; 21 p. | |||||||||||||
BOX-FOLDER 2/4 | Swanee see also Sinbad |
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Sheet music | |||||||||||||
Note: 1st edition with Capitol Theatre cover | |||||||||||||
BOX-FOLDER 2/4 | Swanee see also Sinbad |
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Photocopy of sheet music (French) | |||||||||||||
BOX 2 | Captain Jinks (1925) | ||||||||||||
BOX-FOLDER 2/5 | You Must Come Over Blues | ||||||||||||
Corrected publisher’s final proof; p. 2-5 | |||||||||||||
Laid in: Holograph description by Michael Feinstein, dated 1978 February 16 | |||||||||||||
BOX-FOLDER 2/5 | You Must Come Over Blues | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX 2 | Chopin Show (unproduced revue, 1923) | ||||||||||||
BOX-FOLDER 2/6 | Baby Me Blues | ||||||||||||
IG holograph lyric sheet | |||||||||||||
BOX-FOLDER 2/7 | Bittersweet | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
Note: Possible musical attribution to William Daly in the hand of Michael Feinstein on p. [1] | |||||||||||||
BOX-FOLDER 2/8 | Honorable Moon | ||||||||||||
IG holograph/typescript lyric sheet | |||||||||||||
BOX-FOLDER 2/9 |
The Hurdy-Gurdy Man see also A Corner of Heaven with You |
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Copyist manuscript piano-vocal score; 4 p. | |||||||||||||
BOX-FOLDER 2/9 | The Hurdy-Gurdy Man see also A Corner of Heaven with You |
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Typescript lyric sheet | |||||||||||||
BOX-FOLDER 2/10 | Man, the Master see also Musical sketches |
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IG holograph/typescript lyric sheets; [6] p. | |||||||||||||
BOX-FOLDER 2/11 | My All see also Musical sketches |
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William Daly holograph manuscript piano-vocal score; [2-3] p. | |||||||||||||
Note: Vocal line only; verse incomplete; p. [1] is absent | |||||||||||||
Note: Early lyric fragment in the hand of IG | |||||||||||||
BOX-FOLDER 2/11 | My All see also Musical sketches |
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IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 2/12 | On the Wings of Romance | ||||||||||||
William Daly holograph manuscript sketch; 1 p. | |||||||||||||
Note: Title and partial lyric in the hand of IG | |||||||||||||
BOX-FOLDER 2/12 | On the Wings of Romance | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 2/13 | Opening | ||||||||||||
William Daly holograph manuscript sketch; [2] p. | |||||||||||||
Note: Partial lyric in the hand of IG | |||||||||||||
Laid in: Description in the hand of Michael Feinstein | |||||||||||||
BOX-FOLDER 2/14 | Someday You'll Realize see also Musical sketches |
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William Daly holograph manuscript piano-vocal score; [4] p. | |||||||||||||
Note: Vocal line only, no lyric | |||||||||||||
BOX-FOLDER 2/14 | Someday You'll Realize see also Musical sketches |
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IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
BOX-FOLDER 2/15 | Musical sketches | ||||||||||||
William Daly holograph manuscript sketches with partial lyrics in the hand of IG; [2] p. | |||||||||||||
Contents:
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BOX 2 | The Country Girl (film, 1954) | ||||||||||||
BOX-FOLDER 2/16 | Commercials | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 2/17 | Dissertation on the State of Bliss | ||||||||||||
Ozalid copyist piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 2/17 | Dissertation on the State of Bliss | ||||||||||||
IG holograph/typescript lyric sheets; [13] p. | |||||||||||||
BOX-FOLDER 2/18 | The Land around Us | ||||||||||||
Ozalid copyist piano-vocal score [no. 1]; 8 p. | |||||||||||||
Note: Includes Patter section | |||||||||||||
BOX-FOLDER 2/18 | The Land around Us | ||||||||||||
Ozalid copyist piano-vocal score [no. 2]; 6 p. | |||||||||||||
Typescript (mimeograph) lyric sheets; 2 p. | |||||||||||||
Love and Learn see Dissertation on the State of Bliss |
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Note: Early title | |||||||||||||
BOX-FOLDER 2/19 | The Pitchman / It’s Mine, it’s Yours | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 10 p. | |||||||||||||
BOX-FOLDER 2/19 | The Pitchman / It’s Mine, it’s Yours | ||||||||||||
IG holograph/typescript lyric sheets; [33] p. | |||||||||||||
BOX-FOLDER 2/20 | The Search is Through | ||||||||||||
Ozalid copyist piano-vocal score; [4] p. | |||||||||||||
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