Container | Contents | ||||||||||||
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Music, 1913-1954 (continued) | |||||||||||||
Music from Shows (continued) | |||||||||||||
BOX-FOLDER 1/35 | Blue Monday : adaptation, 1953 | ||||||||||||
Typescript (mimeograph) libretto; 9 p. | |||||||||||||
Caption title: Blue Monday Blues | |||||||||||||
Note: Reflects revised libretto for Omnibus Broadcast, 1953 March 29 | |||||||||||||
Laid in: Typescript letter from William Spier to IG, 1953 March 18 | |||||||||||||
BOX 2 | Capitol Revue (1919) | ||||||||||||
BOX-FOLDER 2/1 | Come to the Moon | ||||||||||||
GG holograph manuscript piano-vocal score; 3 p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 2/2 | Come to the Moon | ||||||||||||
Frank Saddler holograph manuscript full score; 20 p. | |||||||||||||
BOX-FOLDER 2/3 |
Swanee see also Sinbad |
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Frank Saddler holograph manuscript full score; 21 p. | |||||||||||||
BOX-FOLDER 2/4 | Swanee see also Sinbad |
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Sheet music | |||||||||||||
Note: 1st edition with Capitol Theatre cover | |||||||||||||
BOX-FOLDER 2/4 | Swanee see also Sinbad |
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Photocopy of sheet music (French) | |||||||||||||
BOX 2 | Captain Jinks (1925) | ||||||||||||
BOX-FOLDER 2/5 | You Must Come Over Blues | ||||||||||||
Corrected publisher’s final proof; p. 2-5 | |||||||||||||
Laid in: Holograph description by Michael Feinstein, dated 1978 February 16 | |||||||||||||
BOX-FOLDER 2/5 | You Must Come Over Blues | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX 2 | Chopin Show (unproduced revue, 1923) | ||||||||||||
BOX-FOLDER 2/6 | Baby Me Blues | ||||||||||||
IG holograph lyric sheet | |||||||||||||
BOX-FOLDER 2/7 | Bittersweet | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
Note: Possible musical attribution to William Daly in the hand of Michael Feinstein on p. [1] | |||||||||||||
BOX-FOLDER 2/8 | Honorable Moon | ||||||||||||
IG holograph/typescript lyric sheet | |||||||||||||
BOX-FOLDER 2/9 |
The Hurdy-Gurdy Man see also A Corner of Heaven with You |
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Copyist manuscript piano-vocal score; 4 p. | |||||||||||||
BOX-FOLDER 2/9 | The Hurdy-Gurdy Man see also A Corner of Heaven with You |
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Typescript lyric sheet | |||||||||||||
BOX-FOLDER 2/10 | Man, the Master see also Musical sketches |
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IG holograph/typescript lyric sheets; [6] p. | |||||||||||||
BOX-FOLDER 2/11 | My All see also Musical sketches |
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William Daly holograph manuscript piano-vocal score; [2-3] p. | |||||||||||||
Note: Vocal line only; verse incomplete; p. [1] is absent | |||||||||||||
Note: Early lyric fragment in the hand of IG | |||||||||||||
BOX-FOLDER 2/11 | My All see also Musical sketches |
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IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 2/12 | On the Wings of Romance | ||||||||||||
William Daly holograph manuscript sketch; 1 p. | |||||||||||||
Note: Title and partial lyric in the hand of IG | |||||||||||||
BOX-FOLDER 2/12 | On the Wings of Romance | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 2/13 | Opening | ||||||||||||
William Daly holograph manuscript sketch; [2] p. | |||||||||||||
Note: Partial lyric in the hand of IG | |||||||||||||
Laid in: Description in the hand of Michael Feinstein | |||||||||||||
BOX-FOLDER 2/14 | Someday You'll Realize see also Musical sketches |
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William Daly holograph manuscript piano-vocal score; [4] p. | |||||||||||||
Note: Vocal line only, no lyric | |||||||||||||
BOX-FOLDER 2/14 | Someday You'll Realize see also Musical sketches |
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IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
BOX-FOLDER 2/15 | Musical sketches | ||||||||||||
William Daly holograph manuscript sketches with partial lyrics in the hand of IG; [2] p. | |||||||||||||
Contents:
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BOX 2 | The Country Girl (film, 1954) | ||||||||||||
BOX-FOLDER 2/16 | Commercials | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 2/17 | Dissertation on the State of Bliss | ||||||||||||
Ozalid copyist piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 2/17 | Dissertation on the State of Bliss | ||||||||||||
IG holograph/typescript lyric sheets; [13] p. | |||||||||||||
BOX-FOLDER 2/18 | The Land around Us | ||||||||||||
Ozalid copyist piano-vocal score [no. 1]; 8 p. | |||||||||||||
Note: Includes Patter section | |||||||||||||
BOX-FOLDER 2/18 | The Land around Us | ||||||||||||
Ozalid copyist piano-vocal score [no. 2]; 6 p. | |||||||||||||
Typescript (mimeograph) lyric sheets; 2 p. | |||||||||||||
Love and Learn see Dissertation on the State of Bliss |
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Note: Early title | |||||||||||||
BOX-FOLDER 2/19 | The Pitchman / It’s Mine, it’s Yours | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 10 p. | |||||||||||||
BOX-FOLDER 2/19 | The Pitchman / It’s Mine, it’s Yours | ||||||||||||
IG holograph/typescript lyric sheets; [33] p. | |||||||||||||
BOX-FOLDER 2/20 | The Search is Through | ||||||||||||
Ozalid copyist piano-vocal score; [4] p. | |||||||||||||
BOX-FOLDER 2/20 | The Search is Through | ||||||||||||
Typescript lyric sheets; [11] p. | |||||||||||||
You've Got What it Takes see The Search is Through |
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Note: Early title | |||||||||||||
BOX-FOLDER 2/21 | Unidentified lyric sketches | ||||||||||||
IG holograph manuscripts; [3] p. | |||||||||||||
BOX 2 | Cover Girl (film, 1944) | ||||||||||||
Any Moment Now see Long Ago (And Far Away) |
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BOX-FOLDER 2/22 | Cover Girl | ||||||||||||
IG holograph/typescript lyric sheets; [11] p. | |||||||||||||
BOX-FOLDER 2/23 | Long Ago (And Far Away) | ||||||||||||
IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
Laid in: Three discarded lyrics for this melody: Any Moment Now; [3] p.; Midnight Madness; [2] p.; Midnight Music; [7] p. | |||||||||||||
BOX-FOLDER 2/24 | Make Way for Tomorrow | ||||||||||||
IG holograph/typescript lyric sheets; [15] p. | |||||||||||||
Midnight Madness see Long Ago (And Far Away) |
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Midnight Music see Long Ago (And Far Away) |
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BOX-FOLDER 2/25 |
Put Me to the Test see also Put Me to the Test from A Damsel in Distress |
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IG holograph/typescript lyric sheets; [12] p. | |||||||||||||
BOX-FOLDER 2/26 | The Show Must Go On | ||||||||||||
IG holograph/typescript lyric sheets; [14] p. | |||||||||||||
BOX-FOLDER 2/27 | Sure Thing | ||||||||||||
IG holograph/typescript lyric sheets; [10] p. | |||||||||||||
That Girl on the Cover see Cover Girl |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 2/28 | That’s the Best of All [unfinished?] | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. | |||||||||||||
Note: Suggestion for lyric alteration on p. [3] in the hand of Jerome Kern | |||||||||||||
BOX-FOLDER 2/29 | Time: the Present | ||||||||||||
IG holograph/typescript lyric sheets; [9] p. | |||||||||||||
Today's the Day (To Make Way for
Tomorrow) see Make Way for Tomorrow |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 2/30 | Tropical Night | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
What I Love to Hear see That's the Best of All |
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Note: Early title | |||||||||||||
BOX-FOLDER 2/31 | Who's Complaining? | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. | |||||||||||||
BOX 2 | Crazy Quilt (unproduced revue?, 1924?) | ||||||||||||
BOX-FOLDER 2/32 | Opening | ||||||||||||
IG holograph lyric sheet; [2] p. | |||||||||||||
Note: This item is not related to Crazy Quilt [revue, 1931] | |||||||||||||
BOX 2 | Crazy Quilt (revue, 1931) | ||||||||||||
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