Container | Contents | ||||||||||||
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Music, 1913-1954 (continued) | |||||||||||||
Music from Shows (continued) | |||||||||||||
Orchestral parts : 3 of 5 (continued) | |||||||||||||
Includes:
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BOX-FOLDER 26/1-4 | Orchestral parts : 4 of 5 | ||||||||||||
Copyist manuscripts | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
Laid in: Typescript notes | |||||||||||||
Includes:
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BOX-FOLDER 27/1-3 | Orchestral parts : 5 of 5 | ||||||||||||
Copyist manuscripts | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
Laid in: Typescript notes | |||||||||||||
Includes:
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BOX-FOLDER 27/4 | List of musical numbers | ||||||||||||
Manuscript; [2] p. | |||||||||||||
BOX-FOLDER 27/5 | Miscellaneous materials found with piano-vocal scores | ||||||||||||
Three folders with manuscript notations and list of printed piano parts | |||||||||||||
BOX-FOLDER 27/6 | Scriptbook | ||||||||||||
Photocopy of typescript manuscript; [73] p. | |||||||||||||
BOX-FOLDER 27/7 | Scriptbook | ||||||||||||
Photocopy of typescript manuscript; [67] p. | |||||||||||||
BOX 28 | Park Avenue (1946) | ||||||||||||
BOX-FOLDER 28/1 | The Dew Was on the Rose | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 6 p. | |||||||||||||
BOX-FOLDER 28/1 | The Dew Was on the Rose | ||||||||||||
IG holograph/typescript lyric sheets; [14] p. | |||||||||||||
BOX-FOLDER 28/2 | The Dew Was on the Rose. Interlude | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 2 p. | |||||||||||||
BOX-FOLDER 28/2 | The Dew Was on the Rose. Interlude | ||||||||||||
Typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 28/3 | The Dew Was on the Rose. Reprise | ||||||||||||
IG holograph/typescript lyric sheets; [9] p. | |||||||||||||
BOX-FOLDER 28/4 | Dinner Song | ||||||||||||
IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
BOX-FOLDER 28/5 | Don't Be a Woman if You Can | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 15 p. | |||||||||||||
BOX-FOLDER 28/5 | Don't Be a Woman if You Can | ||||||||||||
IG holograph/typescript lyric sheets; [20] p. | |||||||||||||
BOX-FOLDER 28/6 | For the Life of Me | ||||||||||||
IG holograph/typescript/photocopy of lyric sheets; [16] p. | |||||||||||||
BOX-FOLDER 28/7 | The Future Mrs. Coleman see also Stay as We Are |
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GG holograph manuscript piano sketch; [1] p. | |||||||||||||
In caption: Thanks, Kay | |||||||||||||
BOX-FOLDER 28/8 | The Future Mrs. Coleman see also Stay as We Are |
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IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
BOX-FOLDER 28/9 | Good-Bye to All That | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. | |||||||||||||
BOX-FOLDER 28/10 | Heavenly Day | ||||||||||||
IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
BOX-FOLDER 28/11 | Hope for the Best | ||||||||||||
Typescript lyric sheets; [13] p. | |||||||||||||
BOX-FOLDER 28/12 | Land of Opportunitee [sic] | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 10 p. | |||||||||||||
BOX-FOLDER 28/12 | Land of Opportunitee [sic] | ||||||||||||
IG holograph/typescript lyric sheets; [31] p. | |||||||||||||
Laid in: Lawrence Stewart typescript note | |||||||||||||
BOX-FOLDER 28/13 | My Son-in-Law | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 28/13 | My Son-in-Law | ||||||||||||
IG holograph/typescript lyric sheets; [20] p. | |||||||||||||
BOX-FOLDER 28/14 | Remind Me Not to Leave Town | ||||||||||||
IG holograph/typescript lyric sheets; [12] p. | |||||||||||||
BOX-FOLDER 28/15 | Stay as We Are | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 7 p. | |||||||||||||
In caption: New verse | |||||||||||||
BOX-FOLDER 28/15 | Stay as We Are | ||||||||||||
IG holograph/typescript lyric sheets; [8] p. | |||||||||||||
Note: The Future Mrs. Coleman (unfinished) on p. [2] | |||||||||||||
BOX-FOLDER 28/16 | Sweet Nevada [waltz version] | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 8 p. | |||||||||||||
BOX-FOLDER 28/16 | Sweet Nevada [waltz version] | ||||||||||||
IG holograph/typescript lyric sheets; [14] p. | |||||||||||||
BOX-FOLDER 28/17 | Sweet Nevada [western version] | ||||||||||||
IG holograph/typescript lyric sheets; [9] p. | |||||||||||||
BOX-FOLDER 28/18 | There's No Holding Me | ||||||||||||
IG holograph/typescript lyric sheets; [16] p. | |||||||||||||
There's No Holding Me (If I Can Keep on
Holding You) see Dance Alone With You |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 28/19 | There's Nothing Like Marriage for People | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 12 p. | |||||||||||||
BOX-FOLDER 28/19 | There's Nothing Like Marriage for People | ||||||||||||
IG holograph/typescript lyric sheets; [9] p. | |||||||||||||
BOX-FOLDER 28/20 | Tomorrow is the Time | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 8 p. | |||||||||||||
BOX-FOLDER 28/20 | Tomorrow is the Time | ||||||||||||
Typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 28/21 | We're Better Off the Way We Are | ||||||||||||
IG holograph/typescript lyric sheets; [8] p. | |||||||||||||
BOX-FOLDER 28/22 | Outline | ||||||||||||
Typescript with IG holograph emendations; [9] p. | |||||||||||||
Laid in: George Kaufman typescript letter to IG, 1946 January (incomplete) | |||||||||||||
Laid in: IG typescript notes | |||||||||||||
BOX-FOLDER 28/23 | Unidentified lyrics | ||||||||||||
IG holograph lyric sheets; [3] p. | |||||||||||||
BOX 28 | Piccadilly to Broadway (1920) | ||||||||||||
BOX-FOLDER 28/24 | Baby Blues | ||||||||||||
Maurice DePackh holograph manuscript full score; 23 p. | |||||||||||||
BOX-FOLDER 28/25 | Bambino | ||||||||||||
Typescript lyric sheet | |||||||||||||
Gondolier see Bambino |
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BOX-FOLDER 28/26 | Mr. and Mrs. | ||||||||||||
Manuscript/typescript lyric sheet | |||||||||||||
BOX-FOLDER 28/27 | On the Brim of Her Old-Fashioned Bonnet | ||||||||||||
Maurice DePackh holograph manuscript full score; 2 p. | |||||||||||||
Note: Incomplete | |||||||||||||
BOX-FOLDER 28/28 | Piccadilly's Not a Bit Like Broadway | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 28/29 | Pick Yo' Partner | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 28/30 | Somehow I Knew | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 28/31 | Something Peculiar | ||||||||||||
Copyist manuscript piano-vocal score; 4 p. | |||||||||||||
Caption title: Spanish number | |||||||||||||
BOX-FOLDER 28/31 | Something Peculiar | ||||||||||||
Copyist manuscript piano-vocal score; 6 p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 28/31 | Something Peculiar | ||||||||||||
Typescript lyric sheets; [4] p. | |||||||||||||
Who's Who with You? see Who's Who with You? from Two Little Girls in Blue |
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BOX 28 | Pins and Needles (1922) | ||||||||||||
BOX-FOLDER 28/32 | The Piccadilly Walk | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX 29-30, 132, 135, 137 | Porgy and Bess (1935) | ||||||||||||
BOX-FOLDER 29/1 | Act I, scene 1 [Opening] | ||||||||||||
Piano-vocal score proof copy; 1 p. | |||||||||||||
BOX-FOLDER 29/2 | Bess, You is My Woman Now | ||||||||||||
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