Container | Contents | ||||||||||||
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Music, 1913-1954 (continued) | |||||||||||||
Music from Shows (continued) | |||||||||||||
BOX-FOLDER 28/19 | There's Nothing Like Marriage for People | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 12 p. | |||||||||||||
BOX-FOLDER 28/19 | There's Nothing Like Marriage for People | ||||||||||||
IG holograph/typescript lyric sheets; [9] p. | |||||||||||||
BOX-FOLDER 28/20 | Tomorrow is the Time | ||||||||||||
Ozalid copyist manuscript piano-vocal score; 8 p. | |||||||||||||
BOX-FOLDER 28/20 | Tomorrow is the Time | ||||||||||||
Typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 28/21 | We're Better Off the Way We Are | ||||||||||||
IG holograph/typescript lyric sheets; [8] p. | |||||||||||||
BOX-FOLDER 28/22 | Outline | ||||||||||||
Typescript with IG holograph emendations; [9] p. | |||||||||||||
Laid in: George Kaufman typescript letter to IG, 1946 January (incomplete) | |||||||||||||
Laid in: IG typescript notes | |||||||||||||
BOX-FOLDER 28/23 | Unidentified lyrics | ||||||||||||
IG holograph lyric sheets; [3] p. | |||||||||||||
BOX 28 | Piccadilly to Broadway (1920) | ||||||||||||
BOX-FOLDER 28/24 | Baby Blues | ||||||||||||
Maurice DePackh holograph manuscript full score; 23 p. | |||||||||||||
BOX-FOLDER 28/25 | Bambino | ||||||||||||
Typescript lyric sheet | |||||||||||||
Gondolier see Bambino |
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BOX-FOLDER 28/26 | Mr. and Mrs. | ||||||||||||
Manuscript/typescript lyric sheet | |||||||||||||
BOX-FOLDER 28/27 | On the Brim of Her Old-Fashioned Bonnet | ||||||||||||
Maurice DePackh holograph manuscript full score; 2 p. | |||||||||||||
Note: Incomplete | |||||||||||||
BOX-FOLDER 28/28 | Piccadilly's Not a Bit Like Broadway | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 28/29 | Pick Yo' Partner | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 28/30 | Somehow I Knew | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 28/31 | Something Peculiar | ||||||||||||
Copyist manuscript piano-vocal score; 4 p. | |||||||||||||
Caption title: Spanish number | |||||||||||||
BOX-FOLDER 28/31 | Something Peculiar | ||||||||||||
Copyist manuscript piano-vocal score; 6 p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 28/31 | Something Peculiar | ||||||||||||
Typescript lyric sheets; [4] p. | |||||||||||||
Who's Who with You? see Who's Who with You? from Two Little Girls in Blue |
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BOX 28 | Pins and Needles (1922) | ||||||||||||
BOX-FOLDER 28/32 | The Piccadilly Walk | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX 29-30, 132, 135, 137 | Porgy and Bess (1935) | ||||||||||||
BOX-FOLDER 29/1 | Act I, scene 1 [Opening] | ||||||||||||
Piano-vocal score proof copy; 1 p. | |||||||||||||
BOX-FOLDER 29/2 | Bess, You is My Woman Now | ||||||||||||
Photocopy of sheet music (Spanish version) | |||||||||||||
BOX-FOLDER 29/2 | Bess, You is My Woman Now | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 29/3 | I Got Plenty o' Nuthin' | ||||||||||||
Photocopy of sheet music (Spanish version) | |||||||||||||
BOX-FOLDER 29/3 | I Got Plenty o' Nuthin' | ||||||||||||
DuBose Heyward original typescript lyric sheets; [2] p. | |||||||||||||
Note: GG holograph p. [1]; IG holograph p. [2] | |||||||||||||
BOX-FOLDER 29/4 | I Hates Yo' Struttin' Style | ||||||||||||
GG holograph manuscript sketch; [2] p. | |||||||||||||
In caption: Maria | |||||||||||||
BOX-FOLDER 135/14 | It Ain't Necessarily So | ||||||||||||
GG holograph manuscript sketch; [1] p. | |||||||||||||
Note: GG holograph manuscript sketch for "Oh Lawd, I'm on My Way" on verso | |||||||||||||
Note: GG holograph manuscript list of 11 Rodgers and Hart songs for GG's radio program on verso | |||||||||||||
Note: GG holograph drawings on verso | |||||||||||||
Laid in: IG holograph note, 1959 December | |||||||||||||
BOX-FOLDER 29/5 | It Ain't Necessarily So | ||||||||||||
Photocopy of sheet music (Spanish version) | |||||||||||||
BOX-FOLDER 29/5 | It Ain't Necessarily So | ||||||||||||
IG holograph/typescript lyric sheets; [15] p. | |||||||||||||
Laid in: Typescript letter from IG to Alexander Smallens, 1941 December 15 | |||||||||||||
Laid in: Typescript letter from Columbia Broadcasting System, Inc. to Larry Spier, 1949 March 28 | |||||||||||||
BOX-FOLDER 29/5 | It Ain't Necessarily So | ||||||||||||
IG typescript lyric sheet; [1] p. | |||||||||||||
Note: 1952 revision for Adlai Stevenson | |||||||||||||
BOX-FOLDER 29/6 | Lonely Boy | ||||||||||||
GG holograph manuscript piano-vocal score; [1] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 29/7 | Lonely Boy | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 29/7 | Lonely Boy | ||||||||||||
DuBose Heyward original typescript lyric sheet; [1] p. | |||||||||||||
Note: GG holograph addition | |||||||||||||
BOX-FOLDER 29/7 | Lonely Boy | ||||||||||||
IG holograph lyric sheets; [2] p. | |||||||||||||
Note: GG holograph names | |||||||||||||
BOX-FOLDER 29/8 | My Man's Gone Now | ||||||||||||
GG holograph manuscript sketch; [1] p. | |||||||||||||
In caption: Serena song | |||||||||||||
BOX-FOLDER 29/9 | Oh, Heav'nly Father | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 29/10 | Oh, I Can't Sit Down! | ||||||||||||
GG holograph manuscript sketch; [1] p. | |||||||||||||
In caption: Picnic band | |||||||||||||
BOX-FOLDER 29/11 | Oh, I Can't Sit Down! | ||||||||||||
IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
BOX-FOLDER 29/12 | Oh Lawd, I'm on My Way see also It Ain't Necessarily So |
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GG holograph manuscript sketch with drawings; [1] p. | |||||||||||||
BOX-FOLDER 132/5 | Oh, the Train is at the Station/Leaving for the Promis' Lan' | ||||||||||||
GG holograph manuscript sketch; [4] p. | |||||||||||||
BOX-FOLDER 135/15 | Oh, the Train is at the Station/Leaving for the Promis' Lan' | ||||||||||||
GG holograph manuscript draft; [4] p. | |||||||||||||
Note: Canceled check pasted on with GG signature | |||||||||||||
Laid in: Folder with IG inscription to Salka Viertel | |||||||||||||
BOX-FOLDER 132/6 | Prelude | ||||||||||||
GG holograph short score sketch; [2] p. | |||||||||||||
BOX-FOLDER 29/13 | A Red-Headed Woman | ||||||||||||
GG holograph manuscript sketch; [2] p. | |||||||||||||
Caption title: Crown Blues | |||||||||||||
BOX-FOLDER 29/14 | Roll Dem Bones | ||||||||||||
GG holograph manuscript piano-vocal sketch; 2 p. | |||||||||||||
Note: Gift of IG, 1939 May 24 | |||||||||||||
Laid in: GG signature | |||||||||||||
Six prayers see Oh, Heav'nly Father |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 29/15 | Summertime | ||||||||||||
Photocopy of sheet music (French version) | |||||||||||||
BOX-FOLDER 29/15 | Summertime | ||||||||||||
Photocopy of sheet music (Spanish version) | |||||||||||||
BOX-FOLDER 29/16 | Sure to Go to Heaven | ||||||||||||
GG holograph manuscript sketch; [1] p. | |||||||||||||
In caption : First sketch; in the hand of IG | |||||||||||||
BOX-FOLDER 29/17 | Sure to Go to Heaven | ||||||||||||
GG holograph manuscript sketch; [1] p. | |||||||||||||
BOX-FOLDER 29/18 | There's a Boat Dat's Leavin' Soon for New York | ||||||||||||
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