| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1913-1954 (continued) | |||||||||||||
| Music from Shows (continued) | |||||||||||||
| BOX-FOLDER 28/31 | Something Peculiar | ||||||||||||
| Copyist manuscript piano-vocal score; 4 p. | |||||||||||||
| Caption title: Spanish number | |||||||||||||
| BOX-FOLDER 28/31 | Something Peculiar | ||||||||||||
| Copyist manuscript piano-vocal score; 6 p. | |||||||||||||
| Note: No lyric | |||||||||||||
| BOX-FOLDER 28/31 | Something Peculiar | ||||||||||||
| Typescript lyric sheets; [4] p. | |||||||||||||
| Who's Who with You? see Who's Who with You? from Two Little Girls in Blue |
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| BOX 28 | Pins and Needles (1922) | ||||||||||||
| BOX-FOLDER 28/32 | The Piccadilly Walk | ||||||||||||
| Typescript lyric sheet | |||||||||||||
| BOX 29-30, 132, 135, 137 | Porgy and Bess (1935) | ||||||||||||
| BOX-FOLDER 29/1 | Act I, scene 1 [Opening] | ||||||||||||
| Piano-vocal score proof copy; 1 p. | |||||||||||||
| BOX-FOLDER 29/2 | Bess, You is My Woman Now | ||||||||||||
| Photocopy of sheet music (Spanish version) | |||||||||||||
| BOX-FOLDER 29/2 | Bess, You is My Woman Now | ||||||||||||
| Typescript lyric sheet | |||||||||||||
| BOX-FOLDER 29/3 | I Got Plenty o' Nuthin' | ||||||||||||
| Photocopy of sheet music (Spanish version) | |||||||||||||
| BOX-FOLDER 29/3 | I Got Plenty o' Nuthin' | ||||||||||||
| DuBose Heyward original typescript lyric sheets; [2] p. | |||||||||||||
| Note: GG holograph p. [1]; IG holograph p. [2] | |||||||||||||
| BOX-FOLDER 29/4 | I Hates Yo' Struttin' Style | ||||||||||||
| GG holograph manuscript sketch; [2] p. | |||||||||||||
| In caption: Maria | |||||||||||||
| BOX-FOLDER 135/14 | It Ain't Necessarily So | ||||||||||||
| GG holograph manuscript sketch; [1] p. | |||||||||||||
| Note: GG holograph manuscript sketch for "Oh Lawd, I'm on My Way" on verso | |||||||||||||
| Note: GG holograph manuscript list of 11 Rodgers and Hart songs for GG's radio program on verso | |||||||||||||
| Note: GG holograph drawings on verso | |||||||||||||
| Laid in: IG holograph note, 1959 December | |||||||||||||
| BOX-FOLDER 29/5 | It Ain't Necessarily So | ||||||||||||
| Photocopy of sheet music (Spanish version) | |||||||||||||
| BOX-FOLDER 29/5 | It Ain't Necessarily So | ||||||||||||
| IG holograph/typescript lyric sheets; [15] p. | |||||||||||||
| Laid in: Typescript letter from IG to Alexander Smallens, 1941 December 15 | |||||||||||||
| Laid in: Typescript letter from Columbia Broadcasting System, Inc. to Larry Spier, 1949 March 28 | |||||||||||||
| BOX-FOLDER 29/5 | It Ain't Necessarily So | ||||||||||||
| IG typescript lyric sheet; [1] p. | |||||||||||||
| Note: 1952 revision for Adlai Stevenson | |||||||||||||
| BOX-FOLDER 29/6 | Lonely Boy | ||||||||||||
| GG holograph manuscript piano-vocal score; [1] p. | |||||||||||||
| Note: No lyric | |||||||||||||
| BOX-FOLDER 29/7 | Lonely Boy | ||||||||||||
| Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
| BOX-FOLDER 29/7 | Lonely Boy | ||||||||||||
| DuBose Heyward original typescript lyric sheet; [1] p. | |||||||||||||
| Note: GG holograph addition | |||||||||||||
| BOX-FOLDER 29/7 | Lonely Boy | ||||||||||||
| IG holograph lyric sheets; [2] p. | |||||||||||||
| Note: GG holograph names | |||||||||||||
| BOX-FOLDER 29/8 | My Man's Gone Now | ||||||||||||
| GG holograph manuscript sketch; [1] p. | |||||||||||||
| In caption: Serena song | |||||||||||||
| BOX-FOLDER 29/9 | Oh, Heav'nly Father | ||||||||||||
| Typescript lyric sheet | |||||||||||||
| BOX-FOLDER 29/10 | Oh, I Can't Sit Down! | ||||||||||||
| GG holograph manuscript sketch; [1] p. | |||||||||||||
| In caption: Picnic band | |||||||||||||
| BOX-FOLDER 29/11 | Oh, I Can't Sit Down! | ||||||||||||
| IG holograph/typescript lyric sheets; [4] p. | |||||||||||||
| BOX-FOLDER 29/12 | Oh Lawd, I'm on My Way see also It Ain't Necessarily So |
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| GG holograph manuscript sketch with drawings; [1] p. | |||||||||||||
| BOX-FOLDER 132/5 | Oh, the Train is at the Station/Leaving for the Promis' Lan' | ||||||||||||
| GG holograph manuscript sketch; [4] p. | |||||||||||||
| BOX-FOLDER 135/15 | Oh, the Train is at the Station/Leaving for the Promis' Lan' | ||||||||||||
| GG holograph manuscript draft; [4] p. | |||||||||||||
| Note: Canceled check pasted on with GG signature | |||||||||||||
| Laid in: Folder with IG inscription to Salka Viertel | |||||||||||||
| BOX-FOLDER 132/6 | Prelude | ||||||||||||
| GG holograph short score sketch; [2] p. | |||||||||||||
| BOX-FOLDER 29/13 | A Red-Headed Woman | ||||||||||||
| GG holograph manuscript sketch; [2] p. | |||||||||||||
| Caption title: Crown Blues | |||||||||||||
| BOX-FOLDER 29/14 | Roll Dem Bones | ||||||||||||
| GG holograph manuscript piano-vocal sketch; 2 p. | |||||||||||||
| Note: Gift of IG, 1939 May 24 | |||||||||||||
| Laid in: GG signature | |||||||||||||
| Six prayers see Oh, Heav'nly Father |
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| Note: Alternate title | |||||||||||||
| BOX-FOLDER 29/15 | Summertime | ||||||||||||
| Photocopy of sheet music (French version) | |||||||||||||
| BOX-FOLDER 29/15 | Summertime | ||||||||||||
| Photocopy of sheet music (Spanish version) | |||||||||||||
| BOX-FOLDER 29/16 | Sure to Go to Heaven | ||||||||||||
| GG holograph manuscript sketch; [1] p. | |||||||||||||
| In caption : First sketch; in the hand of IG | |||||||||||||
| BOX-FOLDER 29/17 | Sure to Go to Heaven | ||||||||||||
| GG holograph manuscript sketch; [1] p. | |||||||||||||
| BOX-FOLDER 29/18 | There's a Boat Dat's Leavin' Soon for New York | ||||||||||||
| GG holograph manuscript leadsheet; [1] p. | |||||||||||||
| Caption title: Boat for New York | |||||||||||||
| BOX-FOLDER 135/16 | There's a Boat Dat's Leavin' Soon for New York | ||||||||||||
| GG holograph manuscript sketch; [2] p. | |||||||||||||
| In caption: Other setting | |||||||||||||
| BOX-FOLDER 29/19 | They Pass by Singin' | ||||||||||||
| GG holograph manuscript piano-vocal sketch; 2 p. | |||||||||||||
| BOX-FOLDER 29/20 | What You Want wid Bess? | ||||||||||||
| GG holograph manuscript sketches; [3] p. | |||||||||||||
| BOX-FOLDER 135/11 | A Woman is a Sometime Thing | ||||||||||||
| GG holograph manuscript piano-vocal sketch; [3] p. | |||||||||||||
| Laid in: GG signature | |||||||||||||
| BOX-FOLDER 29/21 | Sketches : Act I, scene 1, rehearsal no. 22-23 | ||||||||||||
| GG holograph manuscript sketch; [1] p. | |||||||||||||
| In caption: Part of crap game music | |||||||||||||
| BOX-FOLDER 29/22 | Sketches : Act I, scene 1, rehearsal no. 34-35 | ||||||||||||
| GG holograph manuscript piano-vocal sketch; [2] p. | |||||||||||||
| In caption: Jake | |||||||||||||
| BOX-FOLDER 29/23 | Sketches : Act I, scene 1, rehearsal no. 70-72 | ||||||||||||
| GG holograph manuscript short scores (A, B, C, D); 4 leaves | |||||||||||||
| In caption : Porgy’s theme; in the hand of IG | |||||||||||||
| Note: Gift of Ira Gershwin, 1969 | |||||||||||||
| BOX-FOLDER 135/5 | Sketches : Act I, scene 1, rehearsal no. 91-98 | ||||||||||||
| GG holograph manuscript piano-vocal score; [1], 5 p. | |||||||||||||
| In caption: Crap game | |||||||||||||
| Note: Inscribed to Isaac Goldberg | |||||||||||||
| BOX-FOLDER 29/24 | Sketches : Act I, scene 1, rehearsal no. 93-94 | ||||||||||||
| GG holograph manuscript short score (A); [1] p. | |||||||||||||
| In caption: Fugatta | |||||||||||||
| Note: From the estate of Kay Swift | |||||||||||||
| BOX-FOLDER 29/25 | Sketches : Act I, scene 1, rehearsal no. 99-100 | ||||||||||||
| GG holograph manuscript short scores (A, B, C, D); 4 leaves | |||||||||||||
| Note: From the estate of Kay Swift | |||||||||||||
| Next Page » | |||||||||||||