| | | | | | | | | | | | | |
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Music, 1913-1954
(continued) |
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Music from Shows
(continued) |
|
Sketches : Act I, scene 1, rehearsal no.
91-98 (continued) |
|
Note: Inscribed to Isaac Goldberg
|
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BOX-FOLDER 29/24 |
Sketches : Act I, scene 1, rehearsal no.
93-94 |
|
GG holograph manuscript short score (A); [1]
p. |
|
In caption: Fugatta |
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Note: From the estate of Kay Swift
|
|
BOX-FOLDER 29/25 |
Sketches : Act I, scene 1, rehearsal no.
99-100 |
|
GG holograph manuscript short scores (A, B,
C, D); 4 leaves |
|
Note: From the estate of Kay Swift
|
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BOX-FOLDER 132/7 |
Sketches : Act I, scene 1, rehearsal no.
126-129 |
|
GG holograph manuscript sketches |
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Caption titles: Intro to Fugue; Fugue
|
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BOX-FOLDER 29/26 |
Sketches : Act I, scene 1, rehearsal no.
130-131 |
|
GG holograph manuscript sketch; [2]
p. |
|
In caption: Fugue interlude |
|
BOX-FOLDER 29/27 |
Sketches : Act I, scene 1, rehearsal no.
131 |
|
GG holograph manuscript sketch; 1
p. |
|
BOX-FOLDER 29/28 |
Sketches : Act II, scene 2, rehearsal no.
163-168 |
|
GG holograph manuscript piano-vocal score;
[2] p. |
|
Laid in: GG check and photocopy of IG
holograph notes |
|
BOX-FOLDER 29/29 |
Sketches : Act II, scene 1, rehearsal no.
6-8 |
|
GG holograph manuscript sketch; [2]
p. |
|
In caption : Fisherman music; in the hand of
IG |
|
BOX-FOLDER 29/30 |
Sketches : Act II, scene 2, rehearsal 131,
unused |
|
GG holograph manuscript sketches; [7]
p. |
|
In captions : Kittiwah |
|
Laid in: IG typescript note |
|
BOX-FOLDER 29/31 |
Sketches : Act II, scene 2, rehearsal no.
131 |
|
GG holograph manuscript piano-vocal sketch;
[2] p. |
|
In caption: Kittiwah (Africana) |
|
BOX-FOLDER 29/32 |
Sketches : Act II, scene 3, rehearsal no.
225 |
|
GG holograph manuscript sketch; [1]
p. |
|
Caption title : Storm |
|
BOX-FOLDER 135/6 |
Sketches : Act II, scene 3 |
|
GG holograph manuscript sketch with three
portrait drawings; [1] p. |
|
Caption title : Storm Scene |
|
Note: Canceled check pasted on with GG
signature |
|
BOX-FOLDER 29/33 |
Sketches : Act III, scene 3,
Opening |
|
GG holograph manuscript note on development;
[1] p. |
|
BOX-FOLDER 132/14 |
Sketches : Act III, scene 3, rehearsal no.
130 |
|
GG holograph manuscript sketch with portrait
drawing in margin; [1] p. |
|
BOX-FOLDER 29/34 |
Sketches : Act III, scene 3, rehearsal no.
156-162 |
|
GG holograph manuscript sketch; 7
p. |
|
In caption: Trio |
|
Laid in: IG letter and GG check |
|
BOX-FOLDER 29/35 |
Miscellaneous and unused
sketches |
|
GG holograph manuscript sketches; 4
leaves |
|
Laid in: IG typescript note |
|
BOX-FOLDER 132/8 |
Miscellaneous motives |
|
GG holograph manuscript sketch; [1]
p. |
|
Laid in: IG typescript note |
| Bound |
Act I, scene I, 1934 May 23 |
|
GG holograph short score; [104] p. |
| Bound |
Act I, scene II |
|
GG holograph short score; 75 p. |
| Bound |
Act II |
|
GG holograph short score; [201] p. |
| Bound |
Act III |
|
GG holograph short score; [139] p. |
| Bound |
Act I |
|
GG holograph orchestral score; [167]
p. |
|
In caption of Act I, scene I: Late 1934-1935
September 2 |
| Bound |
Act II |
|
GG holograph orchestral score; [242]
p. |
| Bound |
Act III |
|
GG holograph orchestral score; [85]
p. |
|
In caption of Act III, scene I: July 22,
1935 (finished) |
|
In caption at end of Scene II, Act III:
August 4, 1935 |
|
In caption of Act III, scene III: Finished
August 23, 1935 |
| Bound |
Printed choral part |
|
Printed choral part; 238 p. |
|
Note: Copy owned by James E. Lightfoot
|
| Bound-Green |
Printed vocal score |
|
Pre-publication printed vocal score; 556
p. |
|
Note: Copy owned by Alexander Smallens,
annotated showing cuts and inscribed by GG |
| Bound-Theatre Guild |
Printed vocal score |
|
Pre-publication printed vocal score; 559
p. |
|
Note: Used by Theatre Guild, annotated with
stage directions |
| Bound-Maroon |
Printed vocal score |
|
Pre-publication printed vocal score; 442
p. |
|
Note: J. Rosamond Johnson's copy |
| Bound-Brown Marble |
Printed vocal score |
|
Printed vocal score; 559 p. |
|
Note: First edition, 1935; unannotated
|
| Bound-Maroon |
Printed vocal score |
|
Printed vocal score; 559 p. |
|
Note: Revised printing with IG lyric
changes |
| Bound |
Sketches |
|
GG holograph manuscript sketches; [4]
p. |
|
Includes: Act I, scene I fugue; Oh, the
Train is at the Station; Leaving for the Promis' Lan' |
| Bound |
First draft libretto |
|
Typescript; [89] p. |
|
Note: Annotations in various hands |
|
Note: Annotations identified by IG
|
|
BOX-FOLDER 29/36 |
First draft libretto |
|
Photocopy of typescript; [89] p. |
|
BOX-FOLDER 30/1 |
Libretto corrections |
|
IG holograph/typescript; [7] p. |
|
BOX-FOLDER 30/2 |
German libretto |
|
Photocopy of typescript; 51 p. |
|
Note: Translated by Ralph Benatzky
|
|
BOX-FOLDER 30/2 |
German libretto |
|
Published print; 40 p. |
|
BOX-FOLDER 30/3 |
Porgy (play) |
|
Typescript script; [112] p. |
|
BOX-FOLDER 30/4 |
Screenplay: First revision |
|
Typescript; 97 [i.e., 99] p. |
|
Note: Revised by N. Richard Nash |
|
BOX-FOLDER 30/5 |
Screenplay: Second revision |
|
Typescript; 105 [i.e., 107] p. |
|
Note: Revised by N. Richard Nash |
|
BOX-FOLDER 30/6 |
Short script |
|
GG holograph manuscript; [2] p. |
|
BOX-FOLDER 30/7 |
Ground plans |
|
Drafting plans; [3] p. |
|
BOX-FOLDER 30/8 |
Key to switchboards |
|
Two typescripts; [2] p. each |
|
BOX-FOLDER 30/12 |
Letters regarding screenplay |
|
Two typescripts from N. Richard Nash to
Samuel Goldwyn, 1958 February 9; [1], 8 p. |
|
BOX-FOLDER 30/9 |
List of tasks not yet done |
|
GG holograph manuscript; [1] p. |
|
BOX-FOLDER 30/10 |
Memo regarding first sketches of Catfish
Row |
|
Typescript; 1, 10 p. |
|
BOX-FOLDER 30/11 |
Property plot |
|
Two typescripts; [4] p. each |
|
BOX-FOLDER 137/38 |
Cuts by rehearsal number,
undated |
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