| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1913-1954 (continued) | |||||||||||||
| Music from Shows (continued) | |||||||||||||
| Bound | Act I | ||||||||||||
| GG holograph orchestral score; [167] p. | |||||||||||||
| In caption of Act I, scene I: Late 1934-1935 September 2 | |||||||||||||
| Bound | Act II | ||||||||||||
| GG holograph orchestral score; [242] p. | |||||||||||||
| Bound | Act III | ||||||||||||
| GG holograph orchestral score; [85] p. | |||||||||||||
| In caption of Act III, scene I: July 22, 1935 (finished) | |||||||||||||
| In caption at end of Scene II, Act III: August 4, 1935 | |||||||||||||
| In caption of Act III, scene III: Finished August 23, 1935 | |||||||||||||
| Bound | Printed choral part | ||||||||||||
| Printed choral part; 238 p. | |||||||||||||
| Note: Copy owned by James E. Lightfoot | |||||||||||||
| Bound-Green | Printed vocal score | ||||||||||||
| Pre-publication printed vocal score; 556 p. | |||||||||||||
| Note: Copy owned by Alexander Smallens, annotated showing cuts and inscribed by GG | |||||||||||||
| Bound-Theatre Guild | Printed vocal score | ||||||||||||
| Pre-publication printed vocal score; 559 p. | |||||||||||||
| Note: Used by Theatre Guild, annotated with stage directions | |||||||||||||
| Bound-Maroon | Printed vocal score | ||||||||||||
| Pre-publication printed vocal score; 442 p. | |||||||||||||
| Note: J. Rosamond Johnson's copy | |||||||||||||
| Bound-Brown Marble | Printed vocal score | ||||||||||||
| Printed vocal score; 559 p. | |||||||||||||
| Note: First edition, 1935; unannotated | |||||||||||||
| Bound-Maroon | Printed vocal score | ||||||||||||
| Printed vocal score; 559 p. | |||||||||||||
| Note: Revised printing with IG lyric changes | |||||||||||||
| Bound | Sketches | ||||||||||||
| GG holograph manuscript sketches; [4] p. | |||||||||||||
| Includes: Act I, scene I fugue; Oh, the Train is at the Station; Leaving for the Promis' Lan' | |||||||||||||
| Bound | First draft libretto | ||||||||||||
| Typescript; [89] p. | |||||||||||||
| Note: Annotations in various hands | |||||||||||||
| Note: Annotations identified by IG | |||||||||||||
| BOX-FOLDER 29/36 | First draft libretto | ||||||||||||
| Photocopy of typescript; [89] p. | |||||||||||||
| BOX-FOLDER 30/1 | Libretto corrections | ||||||||||||
| IG holograph/typescript; [7] p. | |||||||||||||
| BOX-FOLDER 30/2 | German libretto | ||||||||||||
| Photocopy of typescript; 51 p. | |||||||||||||
| Note: Translated by Ralph Benatzky | |||||||||||||
| BOX-FOLDER 30/2 | German libretto | ||||||||||||
| Published print; 40 p. | |||||||||||||
| BOX-FOLDER 30/3 | Porgy (play) | ||||||||||||
| Typescript script; [112] p. | |||||||||||||
| BOX-FOLDER 30/4 | Screenplay: First revision | ||||||||||||
| Typescript; 97 [i.e., 99] p. | |||||||||||||
| Note: Revised by N. Richard Nash | |||||||||||||
| BOX-FOLDER 30/5 | Screenplay: Second revision | ||||||||||||
| Typescript; 105 [i.e., 107] p. | |||||||||||||
| Note: Revised by N. Richard Nash | |||||||||||||
| BOX-FOLDER 30/6 | Short script | ||||||||||||
| GG holograph manuscript; [2] p. | |||||||||||||
| BOX-FOLDER 30/7 | Ground plans | ||||||||||||
| Drafting plans; [3] p. | |||||||||||||
| BOX-FOLDER 30/8 | Key to switchboards | ||||||||||||
| Two typescripts; [2] p. each | |||||||||||||
| BOX-FOLDER 30/12 | Letters regarding screenplay | ||||||||||||
| Two typescripts from N. Richard Nash to Samuel Goldwyn, 1958 February 9; [1], 8 p. | |||||||||||||
| BOX-FOLDER 30/9 | List of tasks not yet done | ||||||||||||
| GG holograph manuscript; [1] p. | |||||||||||||
| BOX-FOLDER 30/10 | Memo regarding first sketches of Catfish Row | ||||||||||||
| Typescript; 1, 10 p. | |||||||||||||
| BOX-FOLDER 30/11 | Property plot | ||||||||||||
| Two typescripts; [4] p. each | |||||||||||||
| BOX-FOLDER 137/38 | Cuts by rehearsal number, undated | ||||||||||||
| Manuscript in the hand of Alexander Smallens; [3] p. | |||||||||||||
| Laid in: Card to Alexander Smallens from the Porgy and Bess orchestra, 1953 | |||||||||||||
| BOX-FOLDER 137/38 | Timing sheet | ||||||||||||
| Manuscript on bookmark in the hand of Alexander Smallens | |||||||||||||
| Note: Possibly for a suite | |||||||||||||
| BOX 30-31 | Primrose (1924) | ||||||||||||
| BOX-FOLDER 30/13 | Ballet | ||||||||||||
| Orchestrator’s holograph manuscript full score; 13 p. | |||||||||||||
| BOX-FOLDER 30/14 | Berkeley Square and Kew | ||||||||||||
| GG holograph manuscript full score; 13 p. | |||||||||||||
| Boy wanted see Boy Wanted from A Dangerous Maid |
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| BOX-FOLDER 30/15 | Entrance of Brummell | ||||||||||||
| Orchestrator’s holograph manuscript full score; [6] p. | |||||||||||||
| BOX-FOLDER 30/16 | Every Girl Has a Method of Her Own | ||||||||||||
| IG holograph/typescript lyric sheet | |||||||||||||
| BOX-FOLDER 30/17 | Finale, Act I | ||||||||||||
| Orchestrator’s holograph manuscript full score; 14 p. | |||||||||||||
| BOX-FOLDER 30/18 | Finale, Act I | ||||||||||||
| Typescript lyric sheet | |||||||||||||
| BOX-FOLDER 30/19 | Finale, Act II | ||||||||||||
| Copyist manuscript full score; 23 p. | |||||||||||||
| BOX-FOLDER 30/20 |
Four Little Sirens see also The Sirens from A Dangerous Maid |
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| Orchestrator’s holograph manuscript full score; 5 p. | |||||||||||||
| Note: Incomplete | |||||||||||||
| BOX-FOLDER 30/21 | Four Little Sirens see also The Sirens from A Dangerous Maid |
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| IG holograph/typescript lyric sheets; [6] p. | |||||||||||||
| Note: Incomplete | |||||||||||||
| BOX-FOLDER 31/1 | I Make Hay While the Moon Shines | ||||||||||||
| Typescript lyric sheet | |||||||||||||
| BOX-FOLDER 31/2 | Isn't it Wonderful | ||||||||||||
| GG holograph manuscript full score; 20 p. | |||||||||||||
| BOX-FOLDER 31/3 | Isn't it Wonderful | ||||||||||||
| GG and William Daly holograph manuscript piano-vocal score; [1, 2] p. | |||||||||||||
| Note: Vocal line in hand of GG | |||||||||||||
| Note: No lyric | |||||||||||||
| BOX-FOLDER 31/4 | Isn't it Wonderful | ||||||||||||
| Typescript lyric sheets; [4] p. | |||||||||||||
| BOX-FOLDER 31/5 | The Mophams | ||||||||||||
| Orchestrator’s holograph manuscript full score; 14 p. | |||||||||||||
| BOX-FOLDER 31/6 | The Mophams | ||||||||||||
| Typescript lyric sheets; [3] p. | |||||||||||||
| BOX-FOLDER 31/7 | Naughty Baby | ||||||||||||
| GG holograph manuscript full score; 22 [i.e., 21] p. | |||||||||||||
| Note: Incomplete, p. 4 missing | |||||||||||||
| Note: Earliest known GG orchestration | |||||||||||||
| BOX-FOLDER 31/8 | Naughty Baby | ||||||||||||
| GG holograph manuscript sketch; [1] p. | |||||||||||||
| Laid in: IG holograph notes | |||||||||||||
| BOX-FOLDER 31/9 | Naughty Baby | ||||||||||||
| Typescript lyric sheets; [2] p. | |||||||||||||
| BOX-FOLDER 31/10 | Opening, Act I | ||||||||||||
| Orchestrator’s holograph manuscript full score; 31 p. | |||||||||||||
| BOX-FOLDER 31/11 | Opening, Act I | ||||||||||||
| IG holograph/typescript lyric sheets; [7] p. | |||||||||||||
| Note: Emendations in an unidentified hand | |||||||||||||
| BOX-FOLDER 31/12 | Opening, Act II | ||||||||||||
| Orchestrator’s holograph manuscript full score; 17 p. | |||||||||||||
| BOX-FOLDER 31/13 | Overture | ||||||||||||
| Next Page » | |||||||||||||