Container | Contents | ||||||||||||
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Music, 1913-1954 (continued) | |||||||||||||
Music from Shows (continued) | |||||||||||||
BOX-FOLDER 33/4 | Interlude | ||||||||||||
Copyist manuscript piano score; [1] p. | |||||||||||||
BOX-FOLDER 33/5 | Introduction and Dance of the Waves Ballet | ||||||||||||
Two Ozalid piano scores; 3 p. each | |||||||||||||
Note: One with emendations | |||||||||||||
BOX-FOLDER 33/6 | I've Got Beginner's Luck | ||||||||||||
GG holograph manuscript piano-vocal score; [5] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 141/45 | I've Got Beginner's Luck | ||||||||||||
IG typescript lyric sheets; [2] p. | |||||||||||||
Note: Lawrence Stewart manuscript note on verso | |||||||||||||
BOX-FOLDER 33/7 | Let's Call the Whole Thing Off | ||||||||||||
GG holograph manuscript piano-vocal sketch; [1, 5] p. | |||||||||||||
Laid in: IG holograph description; 1 p. | |||||||||||||
BOX-FOLDER 33/8 | Let's Call the Whole Thing Off | ||||||||||||
Typescript/photocopy of lyric sheets; [7] p. | |||||||||||||
BOX-FOLDER 33/9 | Promenade | ||||||||||||
Photocopy of manuscript orchestration; [3] p. | |||||||||||||
BOX-FOLDER 33/10 | Promenade | ||||||||||||
Copyist manuscript piano score; [4] p. | |||||||||||||
BOX-FOLDER 33/10 | Promenade | ||||||||||||
Photocopy of copyist manuscript piano score; 3 p. | |||||||||||||
BOX-FOLDER 135/17 | Slap That Bass | ||||||||||||
GG holograph manuscript sketch; [4] p. | |||||||||||||
BOX-FOLDER 33/11 | Slap That Bass | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 33/12 | They All Laughed | ||||||||||||
GG holograph manuscript piano-vocal score; [5] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 33/13 | They All Laughed | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 33/14 | They Can't Take That Away from Me | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 33/15 | Wake Up, Brother, and Dance | ||||||||||||
GG holograph manuscript piano-vocal score; [1, 6] p. | |||||||||||||
Note: Refrain lyric only | |||||||||||||
BOX-FOLDER 33/16 | Wake Up, Brother, and Dance | ||||||||||||
Ozalid piano-vocal score; 6 p. | |||||||||||||
BOX-FOLDER 33/16 | Wake Up, Brother, and Dance | ||||||||||||
Photocopy of GG holograph piano sketch; [1] p. | |||||||||||||
BOX-FOLDER 33/16 | Wake Up, Brother, and Dance | ||||||||||||
Sheet music | |||||||||||||
Laid in: Letter from Carl S. Miller (Chappell & Co.) to IG, 1961 September 27 | |||||||||||||
BOX-FOLDER 33/16 | Wake Up, Brother, and Dance | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 33/17 | Wake Up, Brother, and Dance | ||||||||||||
GG holograph manuscript piano sketch; [1] p. | |||||||||||||
Note: Refrain only | |||||||||||||
BOX 33-34 | The Shocking Miss Pilgrim (film, 1947) | ||||||||||||
BOX-FOLDER 33/18 | Aren't You Kind of Glad We Did? | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; 1, 5 p. | |||||||||||||
BOX-FOLDER 33/18 | Aren't You Kind of Glad We Did? | ||||||||||||
Ozalid piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 33/18 | Aren't You Kind of Glad We Did? | ||||||||||||
IG holograph/typescript lyric sheets; [15] p. | |||||||||||||
BOX-FOLDER 33/18 | Aren't You Kind of Glad We Did? | ||||||||||||
IG holograph/typescript lyric sheet; [1] p. | |||||||||||||
Note: Revised version for Ella Fitzgerald | |||||||||||||
BOX-FOLDER 33/19 | The Back Bay Polka | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
BOX-FOLDER 33/19 | The Back Bay Polka | ||||||||||||
Typescript lyric sheets; [9] p. | |||||||||||||
BOX-FOLDER 33/20 | The Back Bay Polka. Dance interlude | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
Boston see The Back Bay Polka |
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Note: Alternate title | |||||||||||||
But Not in Boston see The Back Bay Polka |
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Note: Alternate title | |||||||||||||
BOX-FOLDER 33/21 | Changing My Tune | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; 3 p. | |||||||||||||
BOX-FOLDER 33/21 | Changing My Tune | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 33/22 | Demon Rum | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 2] p. | |||||||||||||
BOX-FOLDER 33/22 | Demon Rum | ||||||||||||
Photocopy of Ozalid proof; 3 p. | |||||||||||||
BOX-FOLDER 33/22 | Demon Rum | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 33/23 | Demon Rum | ||||||||||||
Two copyist manuscript piano-vocal scores; [1, 2] p. each | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 33/23 | Demon Rum | ||||||||||||
Photocopy of manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 33/24 | For You, for Me, for Evermore | ||||||||||||
GG holograph manuscript sketch; [1] p. | |||||||||||||
In caption : Gold mine; in the hand of IG | |||||||||||||
Note: Refrain only | |||||||||||||
Laid in: IG holograph notes | |||||||||||||
BOX-FOLDER 33/25 | For You, for Me, for Evermore | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; 1, 5 p. | |||||||||||||
BOX-FOLDER 33/25 | For You, for Me, for Evermore | ||||||||||||
Manuscript vocal part in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 33/25 | For You, for Me, for Evermore | ||||||||||||
IG holograph/typescript lyric sheet; [1] p. | |||||||||||||
BOX-FOLDER 33/26 | March of the Suffragettes | ||||||||||||
Manuscript leadsheet in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 33/26 | March of the Suffragettes | ||||||||||||
IG holograph/typescript lyric sheets; [13] p. | |||||||||||||
BOX-FOLDER 33/27 | One, Two, Three | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
BOX-FOLDER 33/27 | One, Two, Three | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 33/28 | Stand Up and Fight | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 5] p. | |||||||||||||
BOX-FOLDER 33/28 | Stand Up and Fight | ||||||||||||
Photocopy of ozalid proof; 4 p. | |||||||||||||
BOX-FOLDER 33/28 | Stand Up and Fight | ||||||||||||
Typescript scenario; [2] p. | |||||||||||||
BOX-FOLDER 33/29 | Sweet Packard! | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
Cover title: Packard’s Business College | |||||||||||||
Note: Includes two-bar introduction | |||||||||||||
BOX-FOLDER 33/29 | Sweet Packard! | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
BOX-FOLDER 33/29 | Sweet Packard! | ||||||||||||
Photocopy of Ozalid proof; 3 p. | |||||||||||||
BOX-FOLDER 33/29 | Sweet Packard! | ||||||||||||
IG holograph/typescript scenario and lyric sheets; [5] p. | |||||||||||||
BOX-FOLDER 34/1 | Tour of the Town | ||||||||||||
Photocopy of Ozalid proof; 13 p. | |||||||||||||
BOX-FOLDER 34/1 | Tour of the Town | ||||||||||||
Typescript scenario and lyric sheets; [12] p. | |||||||||||||
Waltzing is Better Sitting Down see One, Two, Three |
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Note: Alternate title | |||||||||||||
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