Container | Contents | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Music, 1913-1954 (continued) | |||||||||||||
Music from Shows (continued) | |||||||||||||
The Key to My Heart (continued) | |||||||||||||
Manuscript piano-vocal score in the hand of Albert Sirmay; 6 p. | |||||||||||||
BOX-FOLDER 35/15 | The Key to My Heart | ||||||||||||
1st proof; 7 [i.e. 5] p. | |||||||||||||
BOX-FOLDER 35/15 | The Key to My Heart | ||||||||||||
Corrected 1st proof; 7 [i.e. 5] p. | |||||||||||||
BOX 35 | Song of the Flame (operetta, 1925) | ||||||||||||
BOX-FOLDER 35/16 | Cossack Love Song (Don't Forget Me) | ||||||||||||
Manuscript piano-vocal score in the hand of Robert Russell Bennett; [4] p. | |||||||||||||
BOX-FOLDER 35/17 | Midnight Bells | ||||||||||||
Manuscript piano-vocal score in the hand of Albert Sirmay; 6 p. | |||||||||||||
BOX-FOLDER 35/18 | Selection | ||||||||||||
Manuscript piano score in the hand of Robert Russell Bennett; 14 p. | |||||||||||||
BOX-FOLDER 35/19 | The Signal | ||||||||||||
Manuscript piano-vocal score in the hand of Albert Sirmay; 4 p. | |||||||||||||
BOX-FOLDER 35/20 | Song of the Flame | ||||||||||||
Manuscript piano-vocal score in the hand of Albert Sirmay; 6 p. | |||||||||||||
BOX-FOLDER 35/21 | Vodka see also Looking for a Boy |
||||||||||||
Manuscript piano-vocal score in the hand of Albert Sirmay; 7 p. | |||||||||||||
BOX 35 | Spice of 1922 | ||||||||||||
BOX-FOLDER 35/22 | Yankee Doodle Blues | ||||||||||||
Maurice DePackh (orchestrator) holograph manuscript full score; 16 p. | |||||||||||||
BOX 35-36, 135 | A Star is Born (film, 1954) | ||||||||||||
The Commercial (Calypso) see The TV Commercial |
|||||||||||||
Note: Alternate title | |||||||||||||
BOX-FOLDER 35/23 | Dancing Partner | ||||||||||||
IG holograph/typescript lyric sheets; [3] p. | |||||||||||||
Get That Long Face Lost see Lose That Long Face |
|||||||||||||
Note: Early title | |||||||||||||
BOX-FOLDER 35/24 | Gotta Have Me Go With You | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 35/25 | Green Light Ahead | ||||||||||||
Ozalid piano-vocal score; 6 p. | |||||||||||||
BOX-FOLDER 35/25 | Green Light Ahead | ||||||||||||
IG holograph/typescript lyric sheets; [10] p. | |||||||||||||
BOX-FOLDER 35/26 | Here's What I'm Here For | ||||||||||||
Ozalid piano-vocal score; 3 p. | |||||||||||||
BOX-FOLDER 35/26 | Here's What I'm Here For | ||||||||||||
Typescript lyric sheets; [2] p | |||||||||||||
BOX-FOLDER 36/1 | I'm Off the Downbeat | ||||||||||||
Ozalid piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 36/1 | I'm Off the Downbeat | ||||||||||||
IG holograph/typescript lyric sheets; [16] p. | |||||||||||||
BOX-FOLDER 36/2 | It's a New World | ||||||||||||
IG holograph/typescript lyric sheets; [15] p. | |||||||||||||
Laid in: Telegram from Lena Horne to IG, 1963 September 12 | |||||||||||||
Laid in: Lawrence Stewart typescript note; [1] p. | |||||||||||||
BOX-FOLDER 36/3 | Lose That Long Face | ||||||||||||
Ozalid piano-vocal score; 5 p. | |||||||||||||
BOX-FOLDER 36/3 | Lose That Long Face | ||||||||||||
IG holograph/typescript lyric sheets; [9] p. | |||||||||||||
BOX-FOLDER 135/7 | The Man That Got Away | ||||||||||||
Corrected publisher's proof piano-vocal score; p. 2-5 | |||||||||||||
Note: Approved/signed off on by Harold Arlen | |||||||||||||
Laid in: Typescript letter from Lawrence Stewart to Gary Carver, 2004 July 23 | |||||||||||||
BOX-FOLDER 36/4 | Someone at Last | ||||||||||||
Ozalid piano-vocal score; 3 p. | |||||||||||||
BOX-FOLDER 36/4 | Someone at Last | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 36/5 | The TV Commercial | ||||||||||||
Ozalid piano-vocal score; 3 p. | |||||||||||||
BOX-FOLDER 36/5 | The TV Commercial | ||||||||||||
Typescript lyric sheet | |||||||||||||
Stepping Toes
see Shall We Dance |
|||||||||||||
Note: Working title | |||||||||||||
BOX 36 | Sticks and Stones (revue, 1939) | ||||||||||||
BOX-FOLDER 36/6 | Baby, You're News | ||||||||||||
Typescript lyric sheet | |||||||||||||
T'me Baby, You're News see Baby, You're News |
|||||||||||||
Note: Alternate title | |||||||||||||
Stop Flirting
see For Goodness Sake |
|||||||||||||
Note: Working title | |||||||||||||
BOX 36-39, 132, 139 | Strike Up the Band (1927, revised 1930) | ||||||||||||
BOX-FOLDER 36/7 | 17 and 21 [1927] | ||||||||||||
IG holograph/typescript lyric sheets; [7] p. | |||||||||||||
Ding Dong see Ring-a-Ding-a-Ding-Dong Dell |
|||||||||||||
Note: Collective title | |||||||||||||
BOX-FOLDER 36/8 | Dream Music [1930] | ||||||||||||
Manuscript short score in the hand of William Daly; [2] p. | |||||||||||||
BOX-FOLDER 36/8 | Dream Music [1930] | ||||||||||||
Manuscript notes; [1] p. | |||||||||||||
BOX-FOLDER 36/9 | Entrance of Gideon and Swiss Girls [1930] | ||||||||||||
Copyist manuscript piano score; [2] p. | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
BOX-FOLDER 36/10 | Finale, Act II [1930] | ||||||||||||
16 copyist manuscript orchestral parts | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
Finaletto, Act II [1927] see Jim, Consider What You're Doing! |
|||||||||||||
Note: Article title | |||||||||||||
Finaletto, Act II, scene 1 [1927] see Jim, Consider What You're Doing! |
|||||||||||||
Note: Article title | |||||||||||||
BOX-FOLDER 36/11 | Finaletto, Act II scene 1 [early version] [1930] | ||||||||||||
Typescript lyric sheet; [2] p. | |||||||||||||
BOX-FOLDER 36/12 | Fletcher's American Chocolate Choral Society [1930] | ||||||||||||
Copyist manuscript piano-vocal score; [25] p. | |||||||||||||
BOX-FOLDER 36/12 | Fletcher's American Chocolate Choral Society [1930] | ||||||||||||
Typescript lyric sheets; 2 p. | |||||||||||||
BOX-FOLDER 36/13 | Hangin' Around with You [1930] | ||||||||||||
GG holograph manuscript piano-vocal score with lyric; [4] p. | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
BOX-FOLDER 36/14 | Hangin' Around with You [1930] | ||||||||||||
Copyist manuscript piano-vocal score; 7 p. | |||||||||||||
Note: Emendations of score in an unidentified hand | |||||||||||||
BOX-FOLDER 36/14 | Hangin' Around with You [1930] | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 36/15 | He Knows Milk [1930] | ||||||||||||
Manuscript full score; [2] p. | |||||||||||||
Caption title: Finale, Act I | |||||||||||||
Note: Incomplete | |||||||||||||
BOX-FOLDER 36/16 | He Knows Milk [1930] | ||||||||||||
Copyist manuscript piano-vocal score; 1, 27 p. | |||||||||||||
Cover title : Finale, Act I | |||||||||||||
Note: Emendations of score in an unidentified hand | |||||||||||||
BOX-FOLDER 36/16 | He Knows Milk [1930] | ||||||||||||
Typescript lyric sheets; [3] p. | |||||||||||||
BOX-FOLDER 36/17 | Homeward Bound [1927] | ||||||||||||
GG holograph manuscript piano vocal score; [4] p. | |||||||||||||
Note: No lyric | |||||||||||||
Note: Pages [3-4] in an unidentified hand | |||||||||||||
BOX-FOLDER 36/18 | Homeward Bound [1927] | ||||||||||||
Manuscript piano score in the hand of William Daly; 2 p. | |||||||||||||
Note: Incomplete | |||||||||||||
BOX-FOLDER 36/18 | Homeward Bound [1927] | ||||||||||||
Copyist manuscript piano-vocal score; 5 p. | |||||||||||||
Note: Emendations of score in an unidentified hand | |||||||||||||
Note: No lyric | |||||||||||||
Next Page » |