| | | | | | | | | | | | | |
|
Music, 1913-1954
(continued) |
|
Concert Music
(continued) |
|
Prelude in G Major?, 1923 August
30 (continued) |
|
GG holograph manuscript piano score; [1]
p. |
|
Note: Incomplete |
|
BOX-FOLDER 51/2 |
Prelude in G Major?, 1923 August
30 |
|
Manuscript piano score; [1] p. |
|
Note: Incomplete |
|
BOX-FOLDER 51/3 |
Prelude in G Minor, 1925 January |
|
GG holograph manuscript piano score; [1]
p. |
|
In caption: Used as 3rd movement of Concerto in F; in the hand of IG |
|
Note: Incomplete |
| Bound |
Rhapsody in Blue, 1924 January 7 |
|
GG holograph manuscript for piano and jazz band;
56 p. |
|
Note: Page 56 is the last page of manuscript
notation, followed by blank pages numbered 59-61. |
| Bound |
Rhapsody in Blue, 1926 February
23 |
|
Ferde Grofé's manuscript for theatre
orchestra and piano; [49] p. |
|
Note: In some sources this manuscript has been
erroneously described as the symphonic orchestration. The Library of
Congress does not know of an extant Grofé or copyist manuscript of the
symphonic orchestration. |
| Bound |
Rhapsody in Blue |
|
GG's facsimile copy of Ferde Grofé's
symphonic orchestration; 128 p. |
|
BOX-FOLDER 51/4 |
Rhapsody in Blue, 1925 |
|
11 printed parts |
|
New York: Atlas Music: Harms, c1925 |
|
Note: A complete set of this edition may be
found in the Grofé Collection |
|
Note: Incomplete |
|
BOX-FOLDER 51/5 |
Rhapsody in Blue, 1924 |
|
Bound, printed score for piano and jazz band; 42
p. |
|
New York: Harms, c1924 |
|
Note: Band part reduced for 2nd
piano |
|
BOX-FOLDER 51/6 |
Rhapsody in Blue, 1942 |
|
Bound, printed full score for piano and symphony
orchestra |
|
New York: Harms, c1942 |
|
Note: Specially bound copy presented to IG by
the publisher |
|
Laid in: IG holograph/typescript notes and
letters; [15] p. |
| Bound |
Second Rhapsody, 1931 January |
|
GG holograph original sketch manuscript; [45]
p. |
| Bound |
Second Rhapsody, 1931 March 14-May
23 |
|
GG holograph original orchestration manuscript;
[76] p. |
|
BOX-FOLDER 132/12 |
Second Rhapsody |
|
GG holograph manuscript full score; p. 20 [i.e.,
1 p.] |
|
BOX-FOLDER 135/1 |
Second Rhapsody |
|
GG holograph manuscript sketch; [1]
p. |
|
In caption: From sketchbook of 2nd Rhapsody; in
the hand of GG |
|
Note: The Music Division is not aware of an
existing Second Rhapsody sketchbook from which
this page would have been removed |
|
BOX-FOLDER 51/7 |
Song Book, 1931 |
|
GG holograph manuscript piano scores; 75
p. |
|
Note: Inscribed to Kay Swift, 1931 Oct
26 |
|
Laid in: GG holograph manuscript piano score
for "Who cares?"; [3] p. |
|
BOX-FOLDER 52/1 |
Song Book, 1932 |
|
Printed piano scores; 167 p. |
|
New York: Random House, c1932 |
|
Note: Limited first edition with color
illustrations |
|
Note: Signed by GG and illustrator Constantin
Alajalov |
|
BOX 53-55 |
Song File
|
|
The Song File is arranged in numerical order by the number given to each
composition by Ira Gershwin and Kay Swift during their collaboration on The Shocking Miss Pilgrim. |
|
BOX-FOLDER 53/1 |
#17 Sleepless Night |
|
GG holograph manuscript piano-vocal score; 3
p. |
|
Note: No lyric |
|
BOX-FOLDER 53/2 |
#17 Sleepless Night |
|
Two copyist manuscript piano-vocal scores; [3]
p. each |
|
Note: No lyric |
|
BOX-FOLDER 53/2 |
#17 Sleepless Night |
|
Copyist manuscript piano score; [3]
p. |
|
Note: No lyric |
|
BOX-FOLDER 53/2 |
#17 Sleepless Night |
|
IG holograph lyric sheets; [2] p. |
|
BOX-FOLDER 53/2 |
#17 Sleepless Night |
|
IG holograph envelope |
|
BOX-FOLDER 53/3 |
#18 Ossining Time |
|
Manuscript piano-vocal score in the hand of Kay
Swift; [1, 3] p. |
|
Note: No lyric |
|
BOX-FOLDER 53/3 |
#18 Ossining Time |
|
Copyist manuscript piano-vocal score; [2]
p. |
|
Note: No lyric |
|
BOX-FOLDER 53/3 |
#18 Ossining Time |
|
Ozalid piano-vocal score; [2] p. |
|
Note: No lyric |
|
BOX-FOLDER 53/4 |
#19 Special Love |
|
Manuscript piano-vocal score in the hand of Kay
Swift; [1, 3] p. |
|
Note: No lyric |
|
BOX-FOLDER 53/4 |
#19 Special Love |
|
Two copyist manuscript piano-vocal scores; [2]
p. each |
|
Note: No lyric |
|
BOX-FOLDER 53/4 |
#19 Special Love |
|
Photocopy of copyist manuscript piano-vocal
score; [2] p. |
|
BOX-FOLDER 53/4 |
#19 Special Love |
|
Manuscript piano sketch in the hand of Kay
Swift; [1] p. |
|
BOX-FOLDER 53/4 |
#19 Special Love |
|
IG holograph/typescript lyric sheets; [7]
p. |
|
Caption title on p. [3]: Saying my
say |
|
Caption title on p. [4]: Say my say |
|
BOX-FOLDER 53/5 |
#20 My Honor Was at Stake |
|
Manuscript piano-vocal score in the hand of Kay
Swift; [1, 3] p. |
|
Note: No lyric |
|
BOX-FOLDER 53/5 |
#20 My Honor Was at Stake |
|
Copyist manuscript piano-vocal score; [3]
p. |
|
Note: No lyric |
|
BOX-FOLDER 53/5 |
#20 My Honor Was at Stake |
|
IG holograph/typescript lyric sheet |
|
BOX-FOLDER 53/6 |
#21 Brahmsy Tune |
|
Manuscript piano-vocal score in the hand of Kay
Swift; [1, 2] p. |
|
Note: No lyric |
|
BOX-FOLDER 53/6 |
#21 Brahmsy Tune |
|
Copyist manuscript piano-vocal score; [2]
p. |
|
Note: No lyric |
|
BOX-FOLDER 53/6 |
#21 Brahmsy Tune |
|
Ozalid piano-vocal score; [3] p. |
|
Note: No lyric |
|
BOX-FOLDER 53/6 |
#21 Brahmsy Tune |
|
Photocopy of copyist manuscript piano-vocal
score; [2] p. |
|
Note: No lyric |
|
BOX-FOLDER 53/7 |
#22 Chickadee |
|
Manuscript piano-vocal score in the hand of Kay
Swift; [1, 3] p. |
|
Note: No lyric |
|
BOX-FOLDER 53/7 |
#22 Chickadee |
|
Copyist manuscript piano-vocal score; [2]
p. |
|
Note: No lyric |
|
BOX-FOLDER 53/7 |
#22 Chickadee |
|
Ozalid piano-vocal score; [2] p. |
|
Note: No lyric |
|
BOX-FOLDER 53/8 |
#23 Hold On |
|
Manuscript piano-vocal score in the hand of Kay
Swift; [1, 3] p. |
|
Note: No lyric |
|
BOX-FOLDER 53/8 |
#23 Hold On |
|
Copyist manuscript piano-vocal score; [3]
p. |
|
Note: No lyric |
|
BOX-FOLDER 53/8 |
#23 Hold On |
|
IG holograph lyric sheets; [2] p. |
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