Container | Contents | ||||||||||||
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Music, 1913-1954 (continued) | |||||||||||||
Song File (continued) | |||||||||||||
#53 Version A (continued) | |||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/12 | #54 Molly on the Shore | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1] p. | |||||||||||||
Note: Incomplete, no lyric | |||||||||||||
Note: Notes on p. [2] | |||||||||||||
BOX-FOLDER 54/12 | #54 Molly on the Shore | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
Note: No apparent musical relation to piano-vocal score | |||||||||||||
BOX-FOLDER 54/12 | #54 Molly on the Shore | ||||||||||||
IG holograph/typescript lyric sheets; [2] p. | |||||||||||||
#55 Freud and Jung and Adler see Freud and Jung and Adler from Pardon My English |
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BOX-FOLDER 54/13 | #56 Vague Ballad | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [2] p. | |||||||||||||
Note: No lyric | |||||||||||||
#57 All the Livelong Day see All the Livelong Day (And the Long, Long Night) from Kiss Me, Stupid |
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BOX-FOLDER 54/14 | #58 Wasting Time | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/14 | #58 Wasting Time | ||||||||||||
IG holograph/typescript lyric sheet | |||||||||||||
BOX-FOLDER 54/15 | #59 Sutton Place | ||||||||||||
Manuscript piano score in the hand of William Daly; [2] p. | |||||||||||||
BOX-FOLDER 54/15 | #59 Sutton Place | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [2] p. | |||||||||||||
BOX-FOLDER 54/15 | #59 Sutton Place | ||||||||||||
Copyist manuscript piano score; [2] p. | |||||||||||||
BOX-FOLDER 54/16 | #60 Soprano tune | ||||||||||||
GG holograph manuscript sketch; [1] p. | |||||||||||||
BOX-FOLDER 54/17 | #60 Soprano tune | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/18 | #61 Untitled | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1] p. | |||||||||||||
Note: Incomplete | |||||||||||||
BOX-FOLDER 54/19 | #62 Rainbow and You’re Still the Only One | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/20 | #63A Warm Tune | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/20 | #63A Warm Tune | ||||||||||||
Copyist manuscript piano score; [1, 2] p. | |||||||||||||
Note: Optional obbligato | |||||||||||||
BOX-FOLDER 54/20 | #63A Warm Tune | ||||||||||||
Copyist manuscript piano score; [2] p. | |||||||||||||
BOX-FOLDER 54/21 | #63B Untitled | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [2] p. | |||||||||||||
BOX-FOLDER 54/21 | #63B | ||||||||||||
Copyist manuscript piano score; [2] p. | |||||||||||||
BOX-FOLDER 54/22 | #64 Ever | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/23 | #65 Narrative | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [2] p. | |||||||||||||
BOX-FOLDER 54/24 | #66A Acid Tune | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/25 | #66B One Step | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/26 | #67 I Was Feeling Low | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [2] p. | |||||||||||||
In caption: marked “9” [by] G. G. | |||||||||||||
BOX-FOLDER 54/27 | #68 Ingratiating Tune | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/28 | #69 Anthemy fragment | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/29 | #70 Untitled | ||||||||||||
Note : A notation on the packing description indicates that this item was “Sir” or “Siren.” Presumably the manuscript was removed, according to Michael Feinstein. | |||||||||||||
#71 Together at Last see Together at Last from Pardon My English |
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#72 Meadow Serenade see Meadow Serenade from Strike Up the Band |
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#73 Duet -- Lonely Boy see Lonely Boy from Porgy and Bess |
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BOX-FOLDER 54/30 | #74 I Must Remember | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/31 | #75 Gertie Lawrence type | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/32 | #76 Follies | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/33 | #77 Untitled | ||||||||||||
Manuscript piano score in the hand of Kay Swift; [1] p. | |||||||||||||
Note : A notation on the packing description indicates that this item was intended for East Is West , and that the manuscripts were filed with that material. | |||||||||||||
BOX-FOLDER 54/34 | #78 Rich fragment | ||||||||||||
Manuscript piano score fragment in the hand of Kay Swift; [1] p. | |||||||||||||
BOX-FOLDER 54/35 | #79 For Lily Pons | ||||||||||||
GG holograph manuscript piano-vocal sketch; [4] p. | |||||||||||||
#80 Sing! Carry On! see Sing! Carry On! from Strike Up the Band |
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BOX-FOLDER 54/36 | #81 Sextette | ||||||||||||
Copyist manuscript piano-vocal score; 8 p. | |||||||||||||
Note: No lyric | |||||||||||||
Note: IG holograph lyric credit | |||||||||||||
BOX-FOLDER 54/36 | #81 Sextette | ||||||||||||
Typescript lyric sheets [2] p. | |||||||||||||
Caption title: We’re Six Little Nieces of our Uncle Sam | |||||||||||||
#82 When Our Ship Comes Sailing In see When Our Ship Comes Sailing In from Oh, Kay! |
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#83 Hoping That Someday You'd Care see Hoping That Someday You'd Care from Strike Up the Band |
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#84 Gushing see Gushing from Tell Me More |
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#85 Under the Cinnamon Tree see Under the Cinnamon Tree from East is West |
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#86 The Bad, Bad Men see The Bad, Bad Men from Lady, Be Good! |
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#87 Adored One see Adored One from Show Girl |
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#88 Evening Star see Evening Star from Lady, Be Good! |
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BOX-FOLDER 54/37 | #89 Phoebe | ||||||||||||
Copyist manuscript piano score; [3] p. | |||||||||||||
In caption: verse usable | |||||||||||||
Note: Emendations in an unidentified hand | |||||||||||||
BOX-FOLDER 54/37 | #89 Phoebe | ||||||||||||
IG holograph/typescript lyric sheets; [6] p. | |||||||||||||
BOX-FOLDER 54/38 | #90 It’s Wonderful How Love Can Understand | ||||||||||||
Copyist manuscript piano-vocal score; [4] p. | |||||||||||||
In caption : verse used; in the hand of IG | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/38 | #90 It’s Wonderful How Love Can Understand | ||||||||||||
Copyist manuscript piano-vocal score fragment; [2] p. | |||||||||||||
Note: No lyric | |||||||||||||
#91 Will You Remember Me see Will You Remember Me from Lady, Be Good! |
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#92 Opening, Act II see Oh, This Is Such a Lovely War [1927] from Strike Up the Band |
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BOX-FOLDER 54/39 | #93 Look to the Stars | ||||||||||||
Copyist manuscript piano-vocal score; [4] p. | |||||||||||||
BOX-FOLDER 54/39 | #93 Look to the Stars | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 54/40 | #94 Fairyland Wedding | ||||||||||||
Copyist manuscript piano-vocal score; [5] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 54/40 | #94 Fairyland Wedding | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 55/1 | #95 If We Had Known | ||||||||||||
Copyist manuscript piano-vocal score; [4] p. | |||||||||||||
Note: Emendations in the hand of GG | |||||||||||||
BOX-FOLDER 55/1 | #95 If We Had Known | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 55/2 | #96 Bebe | ||||||||||||
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