Container | Contents | ||||||||||||
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Music, 1913-1954 (continued) | |||||||||||||
Song File (continued) | |||||||||||||
BOX-FOLDER 54/40 | #94 Fairyland Wedding | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 55/1 | #95 If We Had Known | ||||||||||||
Copyist manuscript piano-vocal score; [4] p. | |||||||||||||
Note: Emendations in the hand of GG | |||||||||||||
BOX-FOLDER 55/1 | #95 If We Had Known | ||||||||||||
Typescript lyric sheets; [2] p. | |||||||||||||
BOX-FOLDER 55/2 | #96 Bebe | ||||||||||||
Copyist manuscript piano-vocal score; [4] p. | |||||||||||||
In caption : good verse, good can-can chorus; in the hand of IG | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/3 | #97 Barcelona | ||||||||||||
GG holograph manuscript piano-vocal sketch; 3 p. | |||||||||||||
BOX-FOLDER 55/3 | #97 Barcelona | ||||||||||||
Copyist manuscript piano-vocal score; 6 p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/4 | #98 Beautiful Bird | ||||||||||||
Manuscript piano-vocal score in the hand of Stephen O. Jones; 5 p. | |||||||||||||
BOX-FOLDER 55/4 | #98 Beautiful Bird | ||||||||||||
IG holograph/typescript lyric sheets; [5] p. | |||||||||||||
Note: Notes in the hand of GG on p. [4] | |||||||||||||
#99 A Corner of Heaven with You see also A Corner of Heaven with You and The Hurdy-Gurdy Man from Chopin Show |
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#100 Put Me to the Test see Put Me to the Test from A Damsel in Distress |
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BOX-FOLDER 55/5 | #101 I’m Afraid This Can’t (Won’t) Last | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 1] p. | |||||||||||||
Note: Unfinished, no lyric | |||||||||||||
BOX-FOLDER 55/5 | #101 I'm Afraid This Can't (Won't) Last | ||||||||||||
IG holograph lyric sheet; [2] p. | |||||||||||||
BOX-FOLDER 55/6 | #102 You Just Keep on Asking | ||||||||||||
Manuscript piano-vocal sketch in the hand of Kay Swift; [1, 1] p. | |||||||||||||
BOX-FOLDER 55/6 | #102 You Just Keep on Asking | ||||||||||||
Typescript lyric sheet | |||||||||||||
BOX-FOLDER 55/7 | #103 I Want Somebody | ||||||||||||
GG holograph manuscript piano-vocal score; [1] p. | |||||||||||||
Note: Refrain only, no lyric | |||||||||||||
#104 Leave it to Love see Leave it to Love from Lady, Be Good! |
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#105 I’m a Poached Egg see I'm a Poached Egg from Kiss Me, Stupid |
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BOX-FOLDER 55/8 | #106 Gold Mine | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; 2 p. | |||||||||||||
Note: Verse only, no lyric | |||||||||||||
#107 Gather-Ye-Rosebuds see Gather-Ye-Rosebuds from Tip Toes |
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#108 Your Eyes, Your Smile see Your Eyes, Your Smile from Funny Face |
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#109 Acrobats see Acrobats from Funny Face |
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BOX-FOLDER 55/9 | #110 You’re Mighty Lucky | ||||||||||||
Copyist manuscript piano-vocal score; 12 [i.e. 1, 11] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/9 | #110 You're Mighty Lucky | ||||||||||||
Ozalid lyric sheet | |||||||||||||
BOX-FOLDER 55/10 | #111 Untitled | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
Note: No lyric | |||||||||||||
On cover : dated June 8, 1930 | |||||||||||||
BOX-FOLDER 55/10 | #111 Untitled | ||||||||||||
Copyist manuscript piano-vocal score; [1, 2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/11 | #112 I Just Met an Angel | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/11 | #112 I Just Met an Angel | ||||||||||||
Copyist manuscript piano-vocal score; [1, 2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/12 | #113 In Moderate Tempo | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/12 | #113 In Moderate Tempo | ||||||||||||
Copyist manuscript piano-vocal score; [1, 2] p. | |||||||||||||
#114 You Can't Unscramble Scrambled Eggs see Girl Crazy |
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BOX-FOLDER 55/13 | #115 Machinery Going Mad | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/13 | #115 Machinery Going Mad | ||||||||||||
Copyist manuscript piano-vocal score; [1, 2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/14 | #116 Opening II | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/14 | #116 Opening II | ||||||||||||
Copyist manuscript piano-vocal score; [1, 2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/15 | #117 Hot | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/15 | #117 Hot | ||||||||||||
Copyist manuscript piano-vocal score; [1, 2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/16 | #118 Opening I | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 3] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/16 | #118 Opening I | ||||||||||||
Copyist manuscript piano-vocal score; [1, 2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/17 | #119 Humpty and Dumpty | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1, 2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/17 | #119 Humpty and Dumpty | ||||||||||||
Copyist manuscript piano-vocal score; [1, 1] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/17 | #119 Humpty and Dumpty | ||||||||||||
Photocopy of manuscript piano-vocal score in the hand of Kay Swift; [2] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/18 | #120 Waltz | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [3] p. | |||||||||||||
Note: No lyric | |||||||||||||
BOX-FOLDER 55/19 | #121 Piano piece | ||||||||||||
Copyist manuscript piano score; [3] p. | |||||||||||||
BOX-FOLDER 55/19 | #121 Piano piece | ||||||||||||
Copyist manuscript piano sketch; [1] p. | |||||||||||||
BOX-FOLDER 55/20 | #122 Ballad | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; [1] p. | |||||||||||||
Note: Unfinished | |||||||||||||
#123 Fatherland, Mother of the Band see Pardon My English |
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BOX-FOLDER 55/21 | #124 Call Me John | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; 2 p. | |||||||||||||
Note: 1st version | |||||||||||||
BOX-FOLDER 55/21 | #124 Call Me John | ||||||||||||
Manuscript piano-vocal score in the hand of Kay Swift; 2 p. | |||||||||||||
Note: 2nd version | |||||||||||||
BOX-FOLDER 55/21 | #124 Call Me John | ||||||||||||
Manuscript piano score fragments in the hand of Kay Swift; [3] p. | |||||||||||||
Laid in: Two holograph letters from Kay Swift to IG, 1966 June 30; [1] p. each | |||||||||||||
Laid in: Holograph letter from Kay Swift to IG, 1966 June 24; [1] p. | |||||||||||||
Laid in: Typescript letter from IG to Kay Swift, 1966 July 12; [1] p. | |||||||||||||
Laid in: Kay Swift holograph envelope | |||||||||||||
#125 You Started It see Delishious |
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#126 Something Peculiar see Piccadilly to Broadway |
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