| | | | | | | | | | | | | |
|
Music, 1913-1954
(continued) |
|
Miscellaneous Music
(continued) |
|
Till Then (continued) |
|
Typescript lyric sheet |
|
BOX-FOLDER 57/20 |
West Point Walk |
|
GG holograph manuscript leadsheet; [1]
p. |
|
BOX-FOLDER 57/21 |
What I care! |
|
Typescript lyric sheet; 1 p. |
|
BOX-FOLDER 57/22 |
Women of America |
|
Photocopy of copyist manuscript piano-vocal
score; [4] p. |
|
Laid in: Typescript letter from Irene Dayton
to IG, 1962 November 19 |
|
Laid in: Three typescript letters from Dave
Gordon to IG, 1962 Oct 22, 1962 October 24, 1962 November 13 |
|
Laid in: Holograph letter from Theodore Grouya
to IG, 1976 January 16 |
|
Laid in: Typescript letter from IG to Dave
Gordon, 1962 November 14 |
|
BOX-FOLDER 139/8 |
You're a Dear - That's What You
Are |
|
Typescript lyric sheet; [1] p. |
|
BOX-FOLDER 139/9 |
You're the Witch Who is Bewitching Me |
|
Typescript lyric sheet; [1] p. |
|
Note: IG holograph note in caption |
|
BOX-FOLDER 57/2 |
Unidentified cello sketch |
|
GG holograph manuscript; [1] p. |
|
BOX-FOLDER 135/19 |
Unidentified lyric fragment |
|
IG holograph manuscript; [1] p. |
|
BOX-FOLDER 57/3 |
Unidentified melody sketches |
|
GG holograph manuscript; [1] p. |
|
BOX-FOLDER 57/4 |
Unidentified melody sketches |
|
GG holograph manuscript; [1] p. |
|
BOX-FOLDER 57/5 |
Unidentified melody sketches |
|
GG holograph manuscript; [1] p. |
|
BOX-FOLDER 57/6 |
Unidentified melody sketches |
|
GG holograph manuscript; [2] p. |
|
BOX-FOLDER 57/7 |
Unidentified piano sketches |
|
GG holograph manuscript; [1] p. |
|
Note: Found with Pay Some Attention to Me
materials |
|
BOX-FOLDER 57/8 |
Unidentified piano sketches |
|
GG holograph manuscript; [1] p. |
|
BOX-FOLDER 57/9 |
Unidentified piano sketches |
|
GG holograph manuscript; [1] p. |
|
BOX-FOLDER 57/10 |
Unidentified piano sketches, 1923 August
4 |
|
GG holograph manuscript; [1] p. |
|
BOX-FOLDER 57/11 |
Unidentified piano sketches, 1921 October
27 |
|
GG holograph manuscript; [2] p. |
|
BOX-FOLDER 57/12 |
Unidentified piano sketches |
|
GG holograph manuscript; [2] p. |
|
BOX-FOLDER 57/13 |
Unidentified piano sketches |
|
GG holograph manuscript; [2] p. |
|
BOX-FOLDER 57/14 |
Unidentified piano sketches |
|
GG holograph manuscript; [2] p. |
|
BOX-FOLDER 57/15 |
Unidentified piano-vocal sketch |
|
GG holograph manuscript; [3] p. |
|
BOX-FOLDER 57/16 |
Unidentified short score sketches |
|
GG holograph manuscript; [1] p. |
|
BOX-FOLDER 57/17 |
Unidentified short score sketch |
|
GG holograph manuscript fragment; [1]
p. |
|
BOX-FOLDER 57/18 |
Unidentified short score sketch |
|
GG holograph manuscript; [2] p. |
|
BOX-FOLDER 57/19 |
Unidentified piece for banjo |
|
GG holograph manuscript leadsheet; [1]
p. |
|
Laid in: Photocopy of photograph of Bill Bowen
and Fred Van Eps |
|
BOX 58-59, 141 |
Music Notebooks and Composition Exercises
|
|
The music notebooks and composition exercises are organized alphabetically by
title. |
|
BOX-FOLDER 58/1 |
501 W. 110th St. N.Y.C., 1921 October
6 |
|
GG holograph manuscript sketches; [1, 4]
p. |
|
Contents:
- p. 1: unidentified study
- p. 3: Kitty’s Kisses
- p. 4: Titles of songs used in Oh, Kay
- p. 5: Maybe
|
|
BOX-FOLDER 141/48 |
1936 Notebook |
|
GG holograph manuscript sketch; [1]
p. |
|
BOX-FOLDER 58/2 |
Black notebook |
|
GG holograph manuscript sketches, undated; 11
p. |
|
Contents:
- p. 1: I Was Doing All Right
- p. 2: Wake Up, Brother, and Dance; unidentified
- p. 3: unidentified; My Honor Was at Stake [Titled: Hot Dogs]
- p. 4: I Used to – but I Don’t Anymore; It’s Nice to Know
- p. 5: Waltz; Yes, Yes, Oui, Oui
- p. 6: Hold On; unidentified
- p. 7: Love Is Here to Stay; Ask Me Again
- p. 8: unidentified; Simple as A.B.C.
- p. 9: unidentified; Unforgettable; I Got Rhythm
- p. 10: unidentified
- p. 11: unidentified
|
|
BOX-FOLDER 58/3 |
Composition exercises, 1923 January 29 and
February 1 |
|
Two GG holograph manuscripts; [2] p.
each |
|
Laid in: IG holograph notes; [1] p. |
|
BOX-FOLDER 58/4 |
Figured choral, 1921 July 27 |
|
GG holograph manuscript short score; [1, 2]
p. |
| Bound |
Fragments, Sketches, 1929-1931
|
|
GG holograph manuscript; [84] p. |
|
Note: Formerly owned by Michael Feinstein |
|
Note: Occasional notations in the hand of IG
|
|
Contents:
- p. 6: Liza
- p. 15: Embraceable You
- p. 17: Lady of the Moon; I Wants to Stay Here
- p. 20: I Speak English Now
- p. 38: My Sunday Fella
- p. 43: Oh You Kid
- p. 53: That Well-Known Smile
- p. 54: Pay Some Attention to Me
- p. 58: French Waltz
- p. 59: Barbary Coast
- p. 60: Embraceable You; But Not for Me
- p. 61: Barbary Coast; Embraceable You
- p. 62: Treat Me Rough
- p. 72: Love Is Sweeping the Country
- p. 76: Luckiest Man in the World
- p. 78: Delishious
|
|
BOX-FOLDER 58/5 |
Geo. M. Gershwin. tunes,
1916-1922 |
|
GG holograph manuscript sketches; [40]
p. |
|
Note: Some sketches have lyrics in the hand of
IG |
|
Contents:
- p. 1-2: Melodies
- p. 3-4: Beautiful Bird
- p. 5-6: Ain’t Love Grand
- p. 7-8: Year After Year [Titled: Moonlight]
- p. 8: He’s Gone
- p. 9-10: Nobody but You [untitled]
- p. 11: We’re Here Because
- p. 12: If I Only Had Somebody Like You
- p. 13: Isn’t it Wonderful
- p. 14: Who’s Winning; unidentified fragment
- p. 15: Melody
- p. 16: Helen of Troy
- p. 17: Yankee Doodle Blues [Titled: American Blues]
- p. 18: Foxtrot; unidentified fragment
- p. 19: Tune; unidentified fragment
- p. 20: Tune
- p. 21: When Do We Dance? [untitled]
- p. 22: unidentified
- p. 23: Somebody Loves Me [Titled: Tune]
- p. 24: How About a Boy? [Titled: One Step]; unidentified
fragment
- p. 25: unidentified; unidentified fragment; A Little Bit
- p. 26: My Baby; unidentified fragment; Waltz; Little Jazz Bird
- p. 27: unidentified fragments; Rag Tune (A Raggy Rhythm)
- p. 28: unidentified fragments
- p. 29: Anything for You
- p. 30: unidentified fragments
- p. 31: Molly on the Shore; unidentified fragment
- p. 32: Naughty Baby [untitled]; unidentified fragment
- p. 33: Walking Home with Angeline [untitled]
- p. 34-35: unidentified fragments
- p. 36: unidentified fragment; Maybe [untitled]; unidentified
fragment
- p. 37-38: unidentified fragments
- p. 39: Waltz Hayseed; unidentified fragment; Tune
- p. 40: Theme; One Step; unidentified fragment
|
|
BOX-FOLDER 58/6 |
Girl Crazy [notebook], 1930 July |
|
GG holograph manuscript sketches; [48]
p. |
|
Laid in: IG holograph/typescript notes; [6] p.
|
|
Contents:
- p. 1-6: Bronco Busters
- p. 9-12: The Gambler of the West
- p. 13: Of Thee
- p. 14: Tune; unidentified
- p. 15: unidentified fragment; Oh You Kid / Who’s Charming? / I Want a
Little More of What I Got Last Night; unidentified fragment
- p. 16: unidentified – [Sweet Packard?]
- p. 17: How Beautiful [untitled]
- p. 18: Finale Mat; unidentified fragment; Some Girls Can Bake a
Pie
- p. 19: unidentified fragment; Because, Because; Garcon, S’il Vous
Plait
- p. 20: There’s No Stopping Us Now
- p. 21: Posterity Is Just around the Corner; Finale Mat
- p. 22: unidentified fragments
- p. 23: Love Is Sweeping the Country [untitled]
- p. 24-25: unidentified fragments
- p. 26: The Dimple on My Knee; Because, Because [untitled]
- p. 27: Because, Because
- p. 28: Jilted; Love Walked In [untitled]
- p. 29: unidentified fragments
- p. 30: Entrance of Supreme Court Judges
- p. 31: Trumpeter Blow Your Golden Horn [Titled: Bless Our President];
unidentified fragment
- p. 32: A Kiss for Cinderella [untitled]
- p. 33: Who Is the Lucky Girl to Be? [untitled]
- p. 34-37: I Was the Most Beautiful Blossom [Titled: Recitative
Diana]
- p. 38: Posterity Is Just around the Corner
- p. 39: Who Cares?
- p. 40: Come, Come to Jesus / Dawn of a New Day [untitled];
unidentified fragment
- p. 41-42: unidentified fragments
- p. 43: unidentified fragment; Union Square
- p. 44-50: unidentified fragments
|
|
BOX-FOLDER 58/7 |
Girl Crazy sketches |
|
GG holograph manuscript; [4] p. |
|
Contents:
- p. 1: But Not for Me; Spanish
- p. 2: unidentified fragment; I Got Rhythm
- p. 3: Summer, Winter, Spring, and Fall; Hot
- p. 4: Tune; Tune
|
|
BOX-FOLDER 58/8 |
Harmony exercises |
|
GG holograph manuscript; [2] p. |
|
BOX-FOLDER 58/8 |
Harmony exercises |
|
GG holograph manuscript; [2] p. |
|
BOX-FOLDER 58/9 |
Kilenyi notebook, 1919 August |
|
GG holograph manuscript; [27] p. |
|
BOX-FOLDER 58/10 |
Notebook, 1924 March-April |
|
GG holograph manuscript; [23] p. |
|
Note: Chiefly unidentified sketches |
|
Note: p. 16: first sketch for "The Man I Love" |
|
Laid in: IG typescript notes; [1] p.
|
|
BOX-FOLDER 58/11 |
Notebook A, Studies with Joseph Schillinger,
1932
|
|
Manuscript in the hand of GG and Joseph
Schillinger; [58] p. |
|
Note: Chiefly in the hand of GG |
|
Note: Self-caricature on cover |
|
BOX-FOLDER 59/1 |
Notebook B, Studies with Joseph Schillinger,
1932
|
|
Manuscript in the hand of GG and Joseph
Schillinger; [77] p. |
|
Note: Chiefly in the hand of GG |
|
Laid in: IG holograph notes; [1] p. |
|
BOX-FOLDER 59/2 |
Notebook C, Studies with Joseph Schillinger,
1936 |
|
Manuscript in the hand of GG and Joseph
Schillinger; [41] p. |
|
Note: Chiefly in the hand of GG |
|
Laid in: IG holograph notes; [3] p. |
|
BOX-FOLDER 59/3 |
Red tune book, 1922 September 26 |
|
GG holograph manuscript; [31] p. |
|
Note: Some sketches have IG holograph lyric
fragments |
|
Laid in: IG typescript notes; [2] p.
|
|
Contents:
- p. 1: unidentified fragments
- p. 2: unidentified fragments; Blues
- p. 3: One Step; Tune
- p. 4: Let’s Be Lonesome Together [untitled]
- p. 5: Hang On to Me
- p. 6: unidentified fragment; Naughty Baby
- p. 7: unidentified
- p. 8: unidentified fragments
- p. 9: unidentified fragment; Play Me a Lowdown Tune
- p. 10: Virginia; The Sunshine Trail
- p. 11-16: unidentified fragments
- p. 17: Slow foxtrot; unidentified fragment
- p. 18: unidentified fragment; Paris
- p. 19: Where Is She?; The Matrimonial Handicap; Aarons
- p. 20: Weather Man; unidentified fragments
- p. 21: unidentified fragments; The Half of it, Dearie, Blues
- p. 22-23: unidentified fragments
- p. 24: Toddle; unidentified fragment
- p. 25: Love Is in the Air [Titled: Theme]; unidentified fragment;
Flower Boat; unidentified fragment
- p. 26: unidentified fragments; Ukulele Lorelei; unidentified
fragments
- p. 27-28: unidentified fragments
- p. 29: When Toby Is Out of Town; What Is it about You Makes Me;
unidentified fragment
- p. 30: unidentified fragment; Leave it to Love
- p. 31: unidentified fragment; Opening cho.
|
| Bound |
T.B. Harms 62 W. 45th St., N.Y.C. [notebook],
1922 December 22 |
|
Manuscript chiefly in the hand of GG; 23
p. |
|
Note: Theory and composition exercises |
|
Note: This item was formally housed in Box 59,
Folder 4; it was treated for conservation and subsequently rehoused in a
clamshell box. |
|
BOX-FOLDER 59/5 |
Themes [notebook], 1924-1925 |
|
GG holograph manuscript; [1, 17] p. |
|
Laid in: IG typescript notes; [3] p. |
|
p. 17: Piano pieces |
|
Contents:
- p. 1: Southern Soil; [Rhapsody in Blue?];
Rhapsody in Blue [Titled: Piano theme
against this]
- p. 2: [Prelude III?]; unidentified fragments; Rhapsody in Blue [untitled]
- p. 3: unidentified fragments; Harlem Serenade; [Prelude or Sleepless
Nights?]
- p. 4: [Prelude or Sleepless Nights?]
- p. 5-9: Concerto in F [untitled]
- p. 10: [The Half of It, Dearie, Blues?]
- p. 11: Concerto in F [untitled]
- p. 13: [An American in Paris?]; Strike Up the Band (1927) [untitled];
unidentified fragment
- p. 15: unidentified fragment
- p. 16: Rhapsody in Blue [untitled]
|
|
BOX-FOLDER 59/6 |
Tune book, [1933-1937] |
| Next Page » |
