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Music, 1913-1954
(continued) |
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Music Notebooks and Composition Exercises
(continued) |
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Girl Crazy [notebook], 1930 July (continued) |
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p. 1-6: Bronco Busters |
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p. 9-12: The Gambler of the West |
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p. 13: Of Thee |
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p. 14: Tune; unidentified |
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p. 15: unidentified fragment; Oh You Kid / Who’s
Charming? / I Want a Little More of What I Got Last Night; unidentified
fragment |
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p. 16: unidentified – [Sweet Packard?] |
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p. 17: How Beautiful [untitled] |
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p. 18: Finale Mat; unidentified fragment; Some
Girls Can Bake a Pie |
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p. 19: unidentified fragment; Because, Because;
Garcon, S’il Vous Plait |
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p. 20: There’s No Stopping Us Now |
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p. 21: Posterity Is Just around the Corner;
Finale Mat |
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p. 22: unidentified fragments |
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p. 23: Love is Sweeping the Country
[untitled] |
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p. 24-25: unidentified fragments |
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p. 26: The Dimple on My Knee; Because, Because
[untitled] |
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p. 27: Because, Because |
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p. 28: Jilted; Love Walked In
[untitled] |
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p. 29: unidentified fragments |
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p. 30: Entrance of Supreme Court Judges |
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p. 31: Trumpeter Blow Your Golden Horn [Titled:
Bless Our President]; unidentified fragment |
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p. 32: A Kiss for Cinderella [untitled] |
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p. 33: Who Is the Lucky Girl to Be?
[untitled] |
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p. 34-37: I Was the Most Beautiful Blossom
[Titled: Recitative Diana] |
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p. 38: Posterity Is Just around the
Corner |
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p. 39: Who Cares? |
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p. 40: Come, Come to Jesus / Dawn of a New Day
[untitled]; unidentified fragment |
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p. 41-42: unidentified fragments |
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p. 43: unidentified fragment; Union
Square |
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p. 44-50: unidentified fragments |
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BOX-FOLDER 58/7 |
Girl Crazy sketches |
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GG holograph manuscript; [4] p. |
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p. 1: But Not for Me; Spanish |
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p. 2: unidentified fragment; I Got
Rhythm |
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p. 3: Summer, Winter, Spring, and Fall;
Hot |
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p. 4: Tune; Tune |
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BOX-FOLDER 58/8 |
Harmony exercises |
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GG holograph manuscript; [2] p. |
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BOX-FOLDER 58/8 |
Harmony exercises |
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GG holograph manuscript; [2] p. |
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BOX-FOLDER 58/9 |
Kilenyi notebook, 1919 August |
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GG holograph manuscript; [27] p. |
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BOX-FOLDER 58/10 |
Notebook, 1924 March-April |
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GG holograph manuscript; [23] p. |
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Note: Chiefly unidentified sketches |
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Note: p. 16: first sketch for "The Man I
Love" |
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Laid in: IG typescript notes; [1] p. |
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BOX-FOLDER 58/11 |
Notebook A, Studies with Joseph Schillinger,
1932
|
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Manuscript in the hand of GG and Joseph
Schillinger; [58] p. |
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Note: Chiefly in the hand of GG |
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Note: Self-caricature on cover |
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BOX-FOLDER 59/1 |
Notebook B, Studies with Joseph Schillinger,
1932
|
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Manuscript in the hand of GG and Joseph
Schillinger; [77] p. |
|
Note: Chiefly in the hand of GG |
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Laid in: IG holograph notes; [1] p. |
|
BOX-FOLDER 59/2 |
Notebook C, Studies with Joseph Schillinger,
1936 |
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Manuscript in the hand of GG and Joseph
Schillinger; [41] p. |
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Note: Chiefly in the hand of GG |
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Laid in: IG holograph notes; [3] p. |
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BOX-FOLDER 59/3 |
Red tune book, 1922 September 26 |
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GG holograph manuscript; [31] p. |
|
Note: Some sketches have IG holograph lyric
fragments |
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Laid in: IG typescript notes; [2] p. |
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p. 1: unidentified fragments |
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p. 2: unidentified fragments; Blues |
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p. 3: One Step; Tune |
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p. 4: Let’s Be Lonesome Together
[untitled] |
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p. 5: Hang On to Me |
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p. 6: unidentified fragment; Naughty
Baby |
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p. 7: unidentified |
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p. 8: unidentified fragments |
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p. 9: unidentified fragment; Play Me a Lowdown
Tune |
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p. 10: Virginia; The Sunshine Trail |
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p. 11-16: unidentified fragments |
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p. 17: Slow foxtrot; unidentified
fragment |
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p. 18: unidentified fragment; Paris |
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p. 19: Where Is She?; The Matrimonial Handicap;
Aarons |
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p. 20: Weather Man; unidentified
fragments |
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p. 21: unidentified fragments; The Half of it,
Dearie, Blues |
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p. 22-23: unidentified fragments |
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p. 24: Toddle; unidentified fragment |
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p. 25: Love Is in the Air [Titled: Theme];
unidentified fragment; Flower Boat; unidentified fragment |
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p. 26: unidentified fragments; Ukulele Lorelei;
unidentified fragments |
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p. 27-28: unidentified fragments |
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p. 29: When Toby Is Out of Town; What Is it about
You Makes Me; unidentified fragment |
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p. 30: unidentified fragment; Leave it to
Love |
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p. 31: unidentified fragment; Opening
cho. |
| Bound |
T.B. Harms 62 W. 45th St., N.Y.C. [notebook],
1922 December 22 |
|
Manuscript chiefly in the hand of GG; 23
p. |
|
Note: Theory and composition
exercises |
|
Note: This item was formally housed in Box 59,
Folder 4; it was treated for conservation and subsequently rehoused in a
clamshell box. |
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BOX-FOLDER 59/5 |
Themes [notebook], 1924-1925 |
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GG holograph manuscript; [1, 17] p. |
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Laid in: IG typescript notes; [3] p. |
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p. 1: Southern Soil; [Rhapsody in Blue ?]; Rhapsody in
Blue [Titled: Piano theme against this] |
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p. 2: [Prelude III?]; unidentified fragments;
Rhapsody in Blue [untitled] |
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p. 3: unidentified fragments; Harlem Serenade;
[Prelude or Sleepless Nights?] |
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p. 4: [Prelude or Sleepless Nights?] |
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p. 5-9: Concerto in
F [untitled] |
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p. 10: [The Half of It, Dearie, Blues?] |
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p. 11: Concerto in F
[untitled] |
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p. 13: [An American in
Paris?]; Strike Up the Band (1927)
[untitled]; unidentified fragment |
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p. 15: unidentified fragment |
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p. 16: Rhapsody in
Blue [untitled] |
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p. 17: Piano pieces |
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BOX-FOLDER 59/6 |
Tune book, [1933-1937] |
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GG holograph manuscript; [96] p. |
|
Note: Title annotations in the hands of IG and
Kay Swift |
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Laid in: IG typescript notes; 10 p. |
|
p. 1: Stand Up and Fight; unidentified
fragments |
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p. 2: Chicadee; unidentified fragment |
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p. 3: Special Love; unidentified
fragments |
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p. 4: First Lady and First Gent; unidentified
fragments |
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p. 5: unidentified fragment; Comes the
Revolution; unidentified fragments |
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p. 6: Mine [Titled: Love is O.K.] |
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p. 7: Finale material; Verse to 3-note
waltz |
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p. 8-10: unidentified fragments |
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p. 11: Revolution in Blue |
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p. 12: Good Old Revolutions; March; unidentified
fragment |
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p. 13: Waltz; March for a Ballet; unidentified
fragment |
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p. 14: unidentified fragment; Love Walked In;
Mary |
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p. 15: unidentified fragments |
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p. 16: Blues; Crown; Melody for Crown |
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p. 17: Crown Development; Crown-Robbins
Fight |
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p. 18-19: unidentified compositional
studies |
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p. 20-21: unidentified fragments |
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