| | | | | | | | | | | | | |
|
Music, 1913-1954
(continued) |
|
Music Notebooks and Composition Exercises
(continued) |
|
Tune book, [1933-1937] (continued) |
|
p. 22: unidentified fragment; Spiritual |
|
p. 23: Cuban G.T.; Chromatic melody;
Porgy |
|
p. 25: Serena |
|
p. 26: I Got Plenty o’ Nuthin’ [Titled:
Porgy] |
|
p. 27-28: unidentified fragments |
|
p. 29: Choral effect |
|
p. 30: Tune |
|
p. 31: unidentified fragment; I Used to but I
Don’t Anymore; Jingle |
|
p. 32: It’s Nice to Know [Titled: Tune for
Show] |
|
p. 33: [Cockeyed Strain for Ballet?];
unidentified fragment; Ballet |
|
p. 34: G.T. Waltz; unidentified
fragment |
|
p. 35: Southern style; Every Evenin’ |
|
p. 36: Operetta |
|
p. 37: Chromatic tune; What’s the Big
Idea |
|
p. 38: Atmospheric tune; unidentified
fragment |
|
p. 39: Wake up, Brother, and Dance; unidentified
fragment |
|
p. 40: unidentified fragment; Conversational
verse; unidentified fragment |
|
p. 41: Tune; King of Swing |
|
p. 42: Canon starts here; King of Swing |
|
p. 43: Nostalgic; unidentified fragment |
|
p. 44: unidentified fragment; Good verse; Cho.
Hot; unidentified fragment |
|
p. 45: Hold On!; unidentified fragments |
|
p. 46: Instru; Prelude type |
|
p. 47: unidentified fragment;
unidentified |
|
p. 48: The More I See You |
|
p. 49: I Sigh I Cry |
|
p. 50: I’m a Naughty Name; Bored; unidentified
fragment |
|
p. 51: What Can We Lose; unidentified
fragments |
|
p. 52: Who’d Ever Thought; unidentified fragment;
Violin piece |
|
p. 53: Slowly; Ballet; I’ve Got Beginner’s
Luck |
|
p. 54: Strong Afterbeats; One Word
Title |
|
p. 55: unidentified fragment; In the Nick of
Time; Verse |
|
p. 56: Prelude |
|
p. 57: Say the Word; unidentified fragment;
Western |
|
p. 58: By Strauss; unidentified
fragments |
|
p. 59: Pay Some Attention to Me; Smooth one
step |
|
p. 60: I’ll Get You Yet; Just Another Rhumba
[Titled: Cuban Rhythm and A Certain Spanish Lady]; Listen to
Reason |
|
p. 61: Melancholy; Mel; G.T. |
|
p. 62: They Can’t Take That Away from Me;
unidentified fragments |
|
p. 63: Siren; Waltz |
|
p. 64-65: unidentified fragments |
|
p. 66: unidentified fragment; They All
Laughed |
|
p. 67: unidentified fragment; My Honor Was at
Stake |
|
p. 68: unidentified fragment; Slap That Bass; I
Do the Right Thing but at the Wrong Time |
|
p. 69: unidentified fragments |
|
p. 70: They Can’t Take That Away from Me; I’ve
Got Beginner’s Luck |
|
p. 71: Try; unidentified fragment; I’m Myself
Again; Rhythm |
|
p. 72: unidentified fragments |
|
p. 73: unidentified fragment; Stiff Upper
Lip |
|
p. 74: Try; Verse |
|
p. 75: Nice Work if You Can Get It; unidentified
fragments |
|
p. 76: unidentified fragment; You’re So
Unforgettable |
|
p. 77: I Can’t Be Bothered Now |
|
p. 78: Romantic theme for song? |
|
p. 79: Try; unidentified fragment |
|
p. 80: unidentified fragment |
|
p. 81: Southern tune; Sleepless Night |
|
p. 95: List of titles for a projected
suite |
|
p. 96: Tune; unidentified fragment;
Ballet? |
|
BOX 60-61 |
Lyric Sheets
|
|
The lyric sheets are divided into three subseries. The first subseries is
organized alphabetically by title. The second and third subseries, "Untitled"
and "Notes and Miscellany," are arranged alphabetically by first line. |
|
BOX 60 |
Titled Lyric Sheets
|
|
BOX-FOLDER 60/1 |
All of Them Was Friends of
Mine |
|
BOX-FOLDER 60/2 |
Almost |
|
BOX-FOLDER 60/3 |
Anglo Saxon Baby |
|
BOX-FOLDER 60/4 |
Another You |
|
BOX-FOLDER 60/5 |
At 11 p.m. |
|
BOX-FOLDER 60/6 |
'Atta Girl |
|
BOX-FOLDER 60/7 |
Back Home |
|
BOX-FOLDER 60/8 |
Cheerio! |
|
BOX-FOLDER 60/9 |
Dear Old Correspondence School |
|
BOX-FOLDER 60/10 |
Don't Let's Be Beastly to the
Germans |
|
BOX-FOLDER 60/11 |
Don't You Remember |
|
BOX-FOLDER 60/12 |
Fancy Work |
|
BOX-FOLDER 60/13 |
Faults |
|
BOX-FOLDER 60/14 |
Flower Boat |
|
BOX-FOLDER 60/15 |
For No Reason at All |
|
BOX-FOLDER 60/16 |
Geography |
|
BOX-FOLDER 60/17 |
Hands Across the Table or Why I Was Born
or Reflection on Poker |
|
BOX-FOLDER 60/18 |
Hard to Replace |
|
BOX-FOLDER 60/19 |
The Hills of Hollywood or Home on the
Range |
|
BOX-FOLDER 60/20 |
Hubby |
|
BOX-FOLDER 60/21 |
I Know Somebody Who Loves You |
|
BOX-FOLDER 60/22 |
I Wanna Be Wanted by You; Nothing to Look
Forward to Blues; Words |
|
BOX-FOLDER 60/23 |
I'll Get You Yet |
|
BOX-FOLDER 60/24 |
I'll Supply the Title (You'll Supply the
Tune) |
|
BOX-FOLDER 60/25 |
I'm a Naughty Name |
|
BOX-FOLDER 60/26 |
I'm Crazy about Rhymes |
|
BOX-FOLDER 60/27 |
I'm No Fool |
|
BOX-FOLDER 60/28 |
Imagine (Me without My You) |
|
BOX-FOLDER 60/29 |
In the Wee Sma' Hours Sally and Elmer Were
Sweethearts |
|
BOX-FOLDER 60/30 |
I've Turned the Corner |
|
BOX-FOLDER 60/31 |
Jokes for a Song about Jokes |
|
BOX-FOLDER 60/32 |
Lament |
|
BOX-FOLDER 60/33 |
Let's Show 'Em How This Country Goes to
Town |
|
BOX-FOLDER 60/34 |
Little Rhythm-Go 'Way |
|
BOX-FOLDER 60/35 |
Mary-Louise |
|
BOX-FOLDER 60/36 |
Mortgage on My Castle in Spain |
|
BOX-FOLDER 60/37 |
The Nevada |
|
BOX-FOLDER 60/38 |
A New Step Every Day |
|
BOX-FOLDER 60/39 |
Nice to Know |
|
BOX-FOLDER 60/40 |
Not So Long Ago |
|
BOX-FOLDER 60/41 |
Oh You Kid! |
|
BOX-FOLDER 60/42 |
Paper House in Japan |
|
BOX-FOLDER 60/43 |
Precious Moments Wasted |
|
BOX-FOLDER 60/44 |
Say it With [written with Lou
Paley] |
|
BOX-FOLDER 60/45 |
Snookums |
|
BOX-FOLDER 60/46 |
So It's Going to Happen after
All |
|
BOX-FOLDER 60/47 |
Someone to Root Ror |
|
BOX-FOLDER 60/48 |
Song about a Dance |
|
BOX-FOLDER 60/49 |
Sporting, et. al. |
|
BOX-FOLDER 60/50 |
Sweet Sorrow |
|
BOX-FOLDER 60/51 |
Tell Me in the Gloaming |
|
BOX-FOLDER 60/52 |
Ten Little Boy Friends |
|
BOX-FOLDER 60/53 |
That Well-Known Smile |
|
BOX-FOLDER 60/54 |
The Time Has Come |
|
BOX-FOLDER 60/55 |
Tropical |
|
BOX-FOLDER 60/56 |
Turn to the Dreams Ahead |
|
BOX-FOLDER 60/57 |
What Can I Do? |
|
BOX-FOLDER 60/58 |
What's Mine is Yours |
|
BOX-FOLDER 60/59 |
What's the Big Idea? |
|
BOX-FOLDER 60/60 |
When There's a Chance to Dance |
|
BOX-FOLDER 60/61 |
The Whole World's Turning Blue |
|
BOX-FOLDER 60/62 |
Why Is It? |
|
BOX-FOLDER 60/63 |
You're Too True to Be Good or He's Too
True to Be Good |
| Next Page » |
