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|
Music, 1913-1954
(continued) |
|
Lyric Sheets
(continued) |
|
BOX 61 |
Notes and Miscellany
|
|
BOX-FOLDER 61/1 |
Addenda |
|
BOX-FOLDER 61/2 |
Ask me my ambition |
|
BOX-FOLDER 61/3 |
Baby me; The songwriters Mother Goose;
There should be a fortune in |
|
BOX-FOLDER 61/4 |
Ballad - Movie actor hurt his
foot |
|
BOX-FOLDER 61/5 |
Cakewalk, et al. |
|
BOX-FOLDER 61/6 |
Calendar for 1926 |
|
BOX-FOLDER 61/7 |
Civil service examination for a popular
song lyrist |
|
BOX-FOLDER 61/8 |
Coq d'or |
|
BOX-FOLDER 61/9 |
Dance ideas |
|
BOX-FOLDER 61/10 |
Dufy |
|
BOX-FOLDER 61/11 |
East Indian diver |
|
BOX-FOLDER 61/12 |
The epigram of Martial, Jr. |
|
BOX-FOLDER 61/13 |
The erstwhile real estate |
|
BOX-FOLDER 61/14 |
Every song can't be a hit |
|
BOX-FOLDER 61/15 |
Everybody can sing |
|
BOX-FOLDER 61/16 |
Famous trios |
|
BOX-FOLDER 61/17 |
For it seems that suddenly |
|
BOX-FOLDER 61/18 |
From a romantic notebook 1924 |
|
BOX-FOLDER 61/19 |
From A to Z |
|
BOX-FOLDER 61/20 |
Glad I'm alive |
|
BOX-FOLDER 61/21 |
Grammar Gurton needles |
|
BOX-FOLDER 61/22 |
Grow young along with me |
|
BOX-FOLDER 61/23 |
He spilled the beans |
|
BOX-FOLDER 61/24 |
"Hitch one's wagon to a star,
To" |
|
BOX-FOLDER 61/25 |
How could I ever |
|
BOX-FOLDER 61/26 |
How long |
|
BOX-FOLDER 61/27 |
I have never seen, et al. |
|
BOX-FOLDER 61/28 |
I was naive |
|
BOX-FOLDER 61/29 |
I'm much too tired |
|
BOX-FOLDER 61/30 |
I'm so timid |
|
BOX-FOLDER 61/31 |
I'm the guy, et al. |
|
BOX-FOLDER 61/32 |
It's a must |
|
BOX-FOLDER 61/33 |
List of aphorisms (not a song
title) |
|
BOX-FOLDER 61/34 |
List of titles |
|
BOX-FOLDER 61/35 |
Love songs gracious |
|
BOX-FOLDER 61/36 |
Man of letters |
|
BOX-FOLDER 61/37 |
The not impossible wife |
|
BOX-FOLDER 61/38 |
Notes on song about or for
comedian |
|
BOX-FOLDER 61/39 |
Opening - These dizzy days |
|
BOX-FOLDER 61/40 |
Our little bag of tricks |
|
BOX-FOLDER 61/41 |
P.S. |
|
BOX-FOLDER 61/42 |
Parody of Porter’s “Let’s Do It”
(incomplete) |
|
BOX-FOLDER 61/43 |
Pay dirt for gold diggers |
|
BOX-FOLDER 61/44 |
Quatrains |
|
BOX-FOLDER 61/45 |
Quatre quatrains (No lyrics,
envelope) |
|
BOX-FOLDER 61/46 |
A reason for rhyme |
|
BOX-FOLDER 61/47 |
Reflection |
|
BOX-FOLDER 61/48 |
Reflections on investing in a play one
hasn't read |
|
BOX-FOLDER 61/49 |
Revue notions |
|
BOX-FOLDER 61/50 |
Rhymes |
|
BOX-FOLDER 61/51 |
Right you are, et al. |
|
BOX-FOLDER 61/52 |
Salt of the earth |
|
BOX-FOLDER 61/53 |
Service |
|
BOX-FOLDER 61/54 |
Show business |
|
BOX-FOLDER 61/55 |
Snake in the grass or Lyric about sins of
Babylon |
|
BOX-FOLDER 61/56 |
So called theme song |
|
BOX-FOLDER 61/57 |
Spots we have never visited |
|
BOX-FOLDER 61/58 |
There are lovelies |
|
BOX-FOLDER 61/59 |
This time I mean it you'd be hard to
replace |
|
BOX-FOLDER 61/60 |
To-- |
|
BOX-FOLDER 61/61 |
"To--" |
|
BOX-FOLDER 61/62 |
To all editors |
|
BOX-FOLDER 61/63 |
To all editors (Blame W.S.
Gilbert) |
|
BOX-FOLDER 61/64 |
To Sylvia (No longer of Greenwich
Village) |
|
BOX-FOLDER 61/65 |
Very short story |
|
BOX-FOLDER 61/66 |
The way we plan it |
|
BOX-FOLDER 61/67 |
The well-dressed man |
|
BOX-FOLDER 61/68 |
What a lucky guy I'm you're as much a
myth |
|
BOX-FOLDER 61/69 |
What can we lose |
|
BOX-FOLDER 61/70 |
When my uncle dies |
|
BOX-FOLDER 61/71 |
A word with you |
|
BOX 62 |
Music Owned by the Gershwins
|
|
The music owned by George and Ira is organized alphabetically; first by
composer, and then by composition title. |
|
Arlen, Harold |
|
BOX-FOLDER 62/1 |
Bloomer Girl |
|
Bound sheet music and Ozalids |
|
Note: Inscribed to Lee and IG by Anya and
Harold Arlen |
|
Laid in: IG typescript notes; [1]
p. |
|
Bach, J.S. |
|
BOX-FOLDER 62/2 |
Toccatas |
|
Leipzig: C.F. Peters, undated |
|
Note: Signed by GG |
|
Borchard, Adolphe |
|
BOX-FOLDER 62/3 |
L’elan: Esquisse Symphonique |
|
Paris: Evette et Schaeffer, 1924 |
|
Note: Inscribed to GG by A.
Borchard |
|
Bucharoff, Simon |
|
BOX-FOLDER 62/4 |
Sechs Lieder |
|
Leipzig: Steingräber-Verlag, 1924 |
|
Note: Inscribed to GG by S.
Bucharoff |
|
Casella, Alfred |
|
BOX-FOLDER 62/5 |
Serenata |
|
Vienna: Universal-Edition, 1928 |
|
Note: Inscribed to GG by A. Casella,
1929 |
|
Debussy, Claude |
|
BOX-FOLDER 62/6 |
Images. No. 3, Rondes de
Printemps |
|
Paris: Durand, 1910 |
|
Note: Signed by GG |
|
Grünberger, Alfred |
|
BOX-FOLDER 62/7 |
Kleiner Walzer |
|
Vienna: Gutmann, 1928 |
|
Note: Inscribed to GG by A. Grünberger,
1928 |
|
Poulenc, Francis |
|
BOX-FOLDER 62/8 |
Mouvements Perpétuels |
|
London: J. & W. Chester, 1919 |
|
Note: Inscribed to GG by F.
Poulenc |
|
BOX-FOLDER 62/9 |
Promenades |
|
London: J. & W. Chester, 1923 |
|
Note: Signed by GG |
|
Rimsky-Korsakov, N |
|
BOX-FOLDER 62/10 |
Scheherazade |
|
Arrangement for piano, four hands |
|
New York: G. Schirmer, 1918 |
|
Note: Inscribed by IG to Albert
Sirmay |
|
Schönberg, Arnold |
|
BOX-FOLDER 62/11 |
6 Kleine Klavierstücke |
|
Leipzig: Universal-Edition, 1913 |
|
Note: Inscribed to GG, 1927 |
|
BOX 63-66, 136-137, 139-141 |
Correspondence, 1915-1976
|
|
The correspondence consists of letters to and from George and Ira as well as a
small amount with other Gershwin family members and Alexander Smallens. All are
presented in a single alphabetical series, arranged by the name of the other
correspondent. Within each correspondent's chronological range, every letter by
George or Ira are given their own individual folder while those of the
correspondent may be grouped together. All condolence telegrams received upon
George’s death are placed together at the end, arranged alphabetically by the
senders’ names. |
|
Abramson, Max |
|
BOX-FOLDER 63/1 |
1918 September
11
|
|
BOX-FOLDER 63/2 |
1918 September
12
|
|
BOX-FOLDER 141/16 |
1918 September 20 |
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