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Music, 1916-1948 (continued) | |||||||||||||
On Wenlock Edge (voice, strings, piano) (continued) | |||||||||||||
Unfinished | |||||||||||||
BOX-FOLDER 4/5 | Our lady sings (double chorus) | ||||||||||||
Printed vocal score | |||||||||||||
Text: Jerusalem, my happy home | |||||||||||||
Annotations | |||||||||||||
BOX-FOLDER 4/6 | Pinky's Declaration of Independence (song for the 4th of July) | ||||||||||||
Manuscript lead sheet | |||||||||||||
BOX-FOLDER 4/7 | The riders: symphonic cantata in 4 movements | ||||||||||||
Manuscript full score | |||||||||||||
BOX-FOLDER 5/1 | The riders: symphonic cantata in 4 movements | ||||||||||||
Manuscript full score | |||||||||||||
BOX-FOLDER 5/2 | The riders: symphonic cantata in 4 movements | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 5/3 | Saltaire tunes | ||||||||||||
Manuscript lead sheets | |||||||||||||
Laid in: postcard and crayon drawing from 1937 September 4-8 visit to Saltaire, NY | |||||||||||||
BOX-FOLDER 5/4 | So shuts the marigold (voices) | ||||||||||||
3 manuscript vocal scores | |||||||||||||
Text: William Browne of Tavistock | |||||||||||||
BOX-FOLDER 10/1 | The submerged city: cantata for solo baritone, mixed choir, and orchestra | ||||||||||||
Manuscript full score | |||||||||||||
Text: Aleksey Stepanovich Khomyakov | |||||||||||||
Laid in: sketches and lyric sheet | |||||||||||||
BOX-FOLDER 10/2 | The submerged city: cantata for solo baritone, mixed choir, and orchestra | ||||||||||||
Manuscript full score | |||||||||||||
BOX-FOLDER 10/3 | The submerged city: cantata for solo baritone, mixed choir, and orchestra | ||||||||||||
Manuscript full score | |||||||||||||
BOX-FOLDER 10/4 | The submerged city: cantata for solo baritone, mixed choir, and orchestra | ||||||||||||
Manuscript full score | |||||||||||||
Incomplete | |||||||||||||
BOX-FOLDER 10/5 | The submerged city: cantata for solo baritone, mixed choir, and orchestra | ||||||||||||
Manuscript short score | |||||||||||||
On cover: Piano score | |||||||||||||
BOX-FOLDER 5/5 | Tollite portas (Lift up your heads) (voices) | ||||||||||||
Manuscript vocal score (English) | |||||||||||||
Text: William Byrd | |||||||||||||
BOX-FOLDER 5/5 | Tollite portas (Lift up your heads) (voices) | ||||||||||||
Manuscript vocal score (French) | |||||||||||||
BOX-FOLDER 5/6 | Unwelcome (voice, piano) | ||||||||||||
2 manuscript piano-vocal scores | |||||||||||||
Text: Mary Coleridge | |||||||||||||
BOX-FOLDER 5/7 | Victimae paschali laudes (voices, organ) | ||||||||||||
Manuscript score for voice and organ | |||||||||||||
BOX-FOLDER 5/8 | Wilfred's birthday song | ||||||||||||
Manuscript lead sheet | |||||||||||||
BOX-FOLDER 5/9 | Who is this? see also The golden net | ||||||||||||
Manuscript vocal score | |||||||||||||
Laid in: lyric sheet | |||||||||||||
BOX-FOLDER 5/10 | Unidentified | ||||||||||||
Sketches | |||||||||||||
BOX 6, 13-14 | Subject Files, 1937-1941 | ||||||||||||
BOX-FOLDER 6/1 | Chominski, Josef Michal, 1937-1941 | ||||||||||||
E.L. Voynich's notes from studies with Chominski | |||||||||||||
BOX-FOLDER 13/1 | Folk songs: Czeck | ||||||||||||
BOX-FOLDER 13/2 | Folk songs: Polish | ||||||||||||
BOX-FOLDER 13/3 | Folk songs: Russian | ||||||||||||
BOX-FOLDER 13/4 | Folk songs: Ukranian | ||||||||||||
BOX-FOLDER 13/5 | Folk songs: other than Slavonic | ||||||||||||
BOX-FOLDER 13/6 | Military music | ||||||||||||
BOX-FOLDER 6/2 | Musical diagrams: relationships to intervals | ||||||||||||
BOX-FOLDER 14/1-2 | Pius X School of Liturgical Music | ||||||||||||
BOX-FOLDER 14/3 | Polyphony: evolution of | ||||||||||||
BOX-FOLDER 14/4 | Polyphony: France, Netherlands, Germany, Spain | ||||||||||||
BOX-FOLDER 6/3 | Primitive, exotic, ancient music | ||||||||||||
BOX-FOLDER 14/5 | Theoretical studies, nature, primitive | ||||||||||||
BOX 6, 14 | Miscellany, 1835-1946 | ||||||||||||
BOX-FOLDER 14/6 | Gurney, Ivor | ||||||||||||
Clippings | |||||||||||||
Programs | |||||||||||||
BOX-FOLDER 14/7 | Miscellaneous programs, 1932-1946 | ||||||||||||
BOX-FOLDER 6/4 | Theatre Royal, Covent Garden, 1835 July 3 | ||||||||||||
Performers include Maria Taglioni, Guilietta Grisi, and others |