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| Container | Contents | ||||||||||||
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| Music, 1916-1948 (continued) | |||||||||||||
| BOX-FOLDER 1/10 |
Give Ear, O Ye Heavens (voices, 8
parts) see also I sing of a maiden |
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| Text from Deuteronomy 32:1,2 | |||||||||||||
| Manuscript vocal score | |||||||||||||
| Laid in: Sketches | |||||||||||||
| BOX-FOLDER 2/1 |
The Golden Net (voices) see also Who is this? |
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| Text by William Blake | |||||||||||||
| Four manuscript vocal scores | |||||||||||||
| BOX-FOLDER 2/2 | The Golden Net (voices) | ||||||||||||
| Three photocopies of manuscript vocal scores | |||||||||||||
| Laid in: lyric sheets | |||||||||||||
| BOX-FOLDER 8/4 |
I Sing of a Maiden (women's voices, 8
parts) see also Give ear, o ye heavens |
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| 15th century traditional | |||||||||||||
| Manuscript vocal score | |||||||||||||
| Laid in: Sketches | |||||||||||||
| BOX-FOLDER 8/3 | I Sing of a Maiden (women's voices, 16 parts)
see also Give ear, o ye heavens |
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| Manuscript vocal score | |||||||||||||
| Laid in: Lyric sheet | |||||||||||||
| BOX-FOLDER 2/3 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
| Traditional | |||||||||||||
| Manuscript full score | |||||||||||||
| BOX-FOLDER 9/1 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
| Manuscript full score | |||||||||||||
| Laid in: Lyric sheets and notes | |||||||||||||
| BOX-FOLDER 2/4 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
| Manuscript full score of first and second movements | |||||||||||||
| BOX-FOLDER 9/2 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
| Manuscript full score of fifth movement | |||||||||||||
| Note: "Re-written 1923" on cover | |||||||||||||
| BOX-FOLDER 9/3 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
| Photocopy of manuscript full score with annotations | |||||||||||||
| BOX-FOLDER 9/4 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
| Photocopy of manuscript full score with annotations | |||||||||||||
| BOX-FOLDER 9/5 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
| Photocopy of manuscript full score | |||||||||||||
| Note: Inscribed from Voynich to Tippen Davidson, 1946 | |||||||||||||
| BOX-FOLDER 2/5 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
| Manuscript short score | |||||||||||||
| BOX-FOLDER 2/6 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
| Manuscript piano-vocal scores of miscellaneous movements | |||||||||||||
| BOX-FOLDER 2/7, 3/1 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
| Sketches | |||||||||||||
| BOX-FOLDER 2/8 | Jerusalem (women's voices, orchestra) | ||||||||||||
| Manuscript short score | |||||||||||||
| Note: "Piano and vocal score" on title page | |||||||||||||
| BOX-FOLDER 3/2 | Lenten Is Come (women's voices, piano) | ||||||||||||
| Traditional | |||||||||||||
| Printed proof of piano-vocal score | |||||||||||||
| BOX-FOLDER 9/6 | Little Lamb (voice, piano) | ||||||||||||
| Music by Mary Wilkes; text by William Blake | |||||||||||||
| Photocopy of manuscript piano-vocal score | |||||||||||||
| Laid in: Notes | |||||||||||||
| BOX-FOLDER 3/3 | Little Suite (woodwinds, harp) | ||||||||||||
| Manuscript score and parts | |||||||||||||
| Laid in: Sketches | |||||||||||||
| BOX-FOLDER 9/7 | Little Suite (woodwinds, harp) | ||||||||||||
| Manuscript score | |||||||||||||
| Laid in: Notes | |||||||||||||
| BOX-FOLDER 9/8 | Little Suite (woodwinds, harp) | ||||||||||||
| Photocopy of manuscript score | |||||||||||||
| Note: Inscribed from Voynich to Tippen Davidson | |||||||||||||
| BOX-FOLDER 3/4 | Man Octapartite (voices, double chorus, strings) | ||||||||||||
| Irish traditional | |||||||||||||
| Sketches and lyric sheets | |||||||||||||
| BOX-FOLDER 4/1 | Mass in B minor | ||||||||||||
| By J.S. Bach | |||||||||||||
| Printed score with annotations | |||||||||||||
| Note: Bound, personalized copy | |||||||||||||
| BOX-FOLDER 4/2 | O Mortal Folk (chorus) | ||||||||||||
| Text by Stephen Hawkes | |||||||||||||
| Manuscript vocal score | |||||||||||||
| BOX-FOLDER 4/3 | O Mortal Folk (chorus) | ||||||||||||
| Manuscript vocal score | |||||||||||||
| Laid in: Lyric sheets | |||||||||||||
| BOX-FOLDER 4/4 | On Wenlock Edge (voice, strings, piano) | ||||||||||||
| Music by Ralph Vaughan Williams; text by Alfred Edward Houseman; transcribed by Ivor Gurney | |||||||||||||
| Manuscript vocal score in the hand of I. Gurney (unfinished) | |||||||||||||
| BOX-FOLDER 4/5 | Our Lady Sings (double chorus) | ||||||||||||
| Printed vocal score | |||||||||||||
| Text: Jerusalem, my happy home | |||||||||||||
| Annotations | |||||||||||||
| BOX-FOLDER 4/6 | Pinky's Declaration of Independence (song for the 4th of July) | ||||||||||||
| Manuscript lead sheet | |||||||||||||
| BOX-FOLDER 4/7, 5/1 | The Riders: Symphonic Cantata in 4 Movements | ||||||||||||
| Manuscript full scores | |||||||||||||
| BOX-FOLDER 5/2 | The Riders: Symphonic Cantata in 4 Movements | ||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 5/3 | Saltaire Tunes | ||||||||||||
| Manuscript lead sheets | |||||||||||||
| Laid in: Postcard and crayon drawing from 1937 September 4-8 visit to Saltaire, New York | |||||||||||||
| BOX-FOLDER 5/4 | So Shuts the Marigold (voices) | ||||||||||||
| Text by William Browne of Tavistock | |||||||||||||
| Three manuscript vocal scores | |||||||||||||
| BOX-FOLDER 10/1 | The Submerged City: Cantata for Solo Baritone, Mixed Choir, and Orchestra | ||||||||||||
| Text by Aleksey Stepanovich Khomyakov | |||||||||||||
| Manuscript full score and photocopy | |||||||||||||
| Laid in: Sketches and lyric sheet | |||||||||||||
| BOX-FOLDER 10/2 | The Submerged City: Cantata for Solo Baritone, Mixed Choir, and Orchestra | ||||||||||||
| Manuscript full score | |||||||||||||
| BOX-FOLDER 10/3 | The Submerged City: Cantata for Solo Baritone, Mixed Choir, and Orchestra | ||||||||||||
| Manuscript full score | |||||||||||||
| BOX-FOLDER 10/4 | The Submerged City: Cantata for Solo Baritone, Mixed Choir, and Orchestra | ||||||||||||
| Manuscript full score (incomplete) | |||||||||||||
| BOX-FOLDER 10/5 | The Submerged City: Cantata for Solo Baritone, Mixed Choir, and Orchestra | ||||||||||||
| Photocopy of manuscript full score | |||||||||||||
| Note: Inscribed from Voynich to Tippen Davidson, 1950 | |||||||||||||
| BOX-FOLDER 10/5 | The Submerged City: Cantata for Solo Baritone, Mixed Choir, and Orchestra | ||||||||||||
| Manuscript short score | |||||||||||||
| BOX-FOLDER 5/5 | Tollite portas (Lift up your heads) (voices) | ||||||||||||
| Text by William Byrd | |||||||||||||
| Manuscript vocal score in English | |||||||||||||
| BOX-FOLDER 5/5 | Tollite portas (Lift up your heads) (voices) | ||||||||||||
| Manuscript vocal score in French | |||||||||||||
| BOX-FOLDER 5/6 | Unwelcome (voice, piano) | ||||||||||||
| Text by Mary Coleridge | |||||||||||||
| Two manuscript piano-vocal scores | |||||||||||||
| BOX-FOLDER 5/7 | Victimae paschali laudes (voices, organ) | ||||||||||||
| Manuscript score for voice and organ | |||||||||||||
| BOX-FOLDER 5/8 | Wilfred's Birthday Song | ||||||||||||
| Manuscript lead sheet | |||||||||||||
| BOX-FOLDER 5/9 |
Who Is This? see also The golden net |
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| Manuscript vocal score | |||||||||||||
| Laid in: Lyric sheet | |||||||||||||
| BOX-FOLDER 5/10 | Unidentified | ||||||||||||
| Sketches | |||||||||||||
| BOX 6, 13-14 | Subject Files, 1937-1941 | ||||||||||||
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