| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1915-1971 (continued) | |||||||||||||
| Works by Otto Klemperer (continued) | |||||||||||||
| BOX-FOLDER 30/5-8 | Das Ziel [1970] 4 [IV]. Teil | ||||||||||||
| Copyist's manuscript full score | |||||||||||||
| BOX-FOLDER 31/1-2 | Das Ziel [1970] 4 [IV]. Teil | ||||||||||||
| Photocopy of copyist's manuscript full score | |||||||||||||
| BOX-FOLDER 31/3 | Das Ziel [1970] 4 [IV]. Teil | ||||||||||||
| Libretto (3 copies) | |||||||||||||
| BOX-FOLDER 31/4 | Das Ziel [1970] 4 [IV]. Teil | ||||||||||||
| Copyist's manuscript piano-vocal score | |||||||||||||
| BOX-FOLDER 105/1 | Das Ziel [1970] 4 [IV]. Teil | ||||||||||||
| Photocopy of copyist's manuscript piano-vocal score with emendations | |||||||||||||
| BOX-FOLDER 105/2-6 | Das Ziel [1970] 4 [IV]. Teil | ||||||||||||
| Photocopy of copyist's manuscript piano-vocal score | |||||||||||||
| BOX-FOLDER 31/5 | Das Ziel [1970] 4 [IV]. Teil | ||||||||||||
| Photocopy of copyist's manuscript piano-vocal score (transparencies) | |||||||||||||
| Laid in: letter from Clem to Lotte Klemperer. | |||||||||||||
| BOX-FOLDER 31/6 | Das Ziel [1970] 4 [IV]. Teil | ||||||||||||
| Part, chorus (transparencies) | |||||||||||||
| BOX-FOLDER 32/1-2 | Das Ziel [1970] 4 [IV]. Teil | ||||||||||||
| Parts (transparencies) | |||||||||||||
| Laid in: orchestra part distribution in German. | |||||||||||||
| BOX-FOLDER 32-36 | Das Ziel [1970] 4 [IV]. Teil | ||||||||||||
| Photocopy parts | |||||||||||||
| BOX 38-40 | Arrangements by Otto Klemperer | ||||||||||||
| Includes holograph and copyists' manuscripts; full scores and parts, some with emendations and annotations; photocopies; transparencies; and printed music. | |||||||||||||
| Arranged alphabetically by composer, and by title therein. | |||||||||||||
| Bach, Johann Sebastian. [Bist du bei mir, geh' ich mit Freuden] | |||||||||||||
| BOX-FOLDER 38/1 | Bist du bei mir? | ||||||||||||
| Copyist's manuscript full score (transparencies) | |||||||||||||
| BOX-FOLDER 38/2 | Bist du bei mir, geh' ich mit Freuden | ||||||||||||
| Photocopy of copyist's manuscript full score (2 copies) | |||||||||||||
| BOX-FOLDER 38/3 | Bist du bei mir? | ||||||||||||
| Parts with markings | |||||||||||||
| Bach, Johann Sebastian. Ein' feste Burg ist unser Gott | |||||||||||||
| BOX-FOLDER 38/4 | Ein' feste Burg ist unser Gott | ||||||||||||
| Holograph manuscript full score | |||||||||||||
| At end: July 2, 1937. | |||||||||||||
| BOX-FOLDER 38/4 | Ein' feste Burg ist unser Gott | ||||||||||||
| Photocopy copyist's manuscript full score (2 copies) | |||||||||||||
| BOX-FOLDER 38/5 | Ein' feste Burg ist unser Gott | ||||||||||||
| Copyist's manuscript full score (transparencies) | |||||||||||||
| BOX-FOLDER 38/6 | Ein' feste Burg ist unser Gott | ||||||||||||
| Parts | |||||||||||||
| Bach, Johann Sebastian. Nun komm der Heiden Heiland | |||||||||||||
| BOX-FOLDER 38/7 | Nun komm der Heiden Heiland | ||||||||||||
| Holograph manuscript full score | |||||||||||||
| At end: 1935. | |||||||||||||
| BOX-FOLDER 38/8 | Nun komm der Heiden Heiland | ||||||||||||
| Copyist's manuscript full score (transparencies) | |||||||||||||
| BOX-FOLDER 38/9 | Nun komm der Heiden Heiland | ||||||||||||
| Photocopy of copyist's manuscript full score (2 copies) | |||||||||||||
| BOX-FOLDER 38/10 | Nun komm der Heiden Heiland | ||||||||||||
| Parts | |||||||||||||
| Bach, Johann Sebastian. Sonata in E-flat major | |||||||||||||
| BOX-FOLDER 38/11 | Sonata in E-flat major | ||||||||||||
| Photocopy of copyist's manuscript full score with emendations | |||||||||||||
| At end: (written app. 1937). | |||||||||||||
| BOX-FOLDER 39/1-2 | Sonata in E-flat major | ||||||||||||
| Parts | |||||||||||||
| Beethoven, Ludwig van. [Concerto, piano, no. 4, op. 58, G major] | |||||||||||||
| BOX-FOLDER 39/3 | Cadenz zu Satz I von Beethovens g-dur Konzert | ||||||||||||
| Photocopy of holograph manuscript for piano | |||||||||||||
| On t.p.: Original in Lonny Epstein Archive of the Juilliard School of Music. | |||||||||||||
| BOX-FOLDER 39/3 | Cadenz zu Satz I von Beethovens g-dur Konzert | ||||||||||||
| Copyist's manuscript for piano | |||||||||||||
| BOX-FOLDER 39/3 | Cadenz zu Satz I von Beethovens g-dur Konzert | ||||||||||||
| Photocopy of copyist's manuscript for piano | |||||||||||||
| Laid in: possible corrections (suggested by Otto Freudenthal; letter dated 3.6.76). | |||||||||||||
| Gluck, Christoph Willibald. Arranged by Johannes Brahms. Gavotte | |||||||||||||
| BOX-FOLDER 39/4 | Gavotte | ||||||||||||
| Holograph manuscript full score | |||||||||||||
| At end: 1968. | |||||||||||||
| BOX-FOLDER 39/4 | Gavotte | ||||||||||||
| Copyist's manuscript full score | |||||||||||||
| BOX-FOLDER 39/4 | Gavotte | ||||||||||||
| Printed score for piano | |||||||||||||
| BOX-FOLDER 39/5 | Gavotte | ||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 39/6 | Gavotte | ||||||||||||
| Parts, strings (transparencies) | |||||||||||||
| Mendelssohn, Felix. [Symphony, no. 3, op. 56, A minor] | |||||||||||||
| BOX-FOLDER 39/7 | 3. Sinfonie, Neuer Schluss | ||||||||||||
| Holograph manuscript full score | |||||||||||||
| At end: 15.9.68 London. Laid in: Zum Programm des Konzerts [with illegible notations]. | |||||||||||||
| BOX-FOLDER 39/7 | Neuer Schluss zum Finale der Symphonie Nr. 3 in a-Moll, Op. 36 | ||||||||||||
| Copyist's manuscript full score | |||||||||||||
| Reproduction of copyist’s manuscript. | |||||||||||||
| BOX-FOLDER 39/7 | Symphonie Nr. 3 | ||||||||||||
| Printed full score | |||||||||||||
| BOX-FOLDER 39/8 | Symphonie Nr. 3 | ||||||||||||
| Parts | |||||||||||||
| Mozart, Wolfgang Amadeus. [Don Giovanni] | |||||||||||||
| BOX-FOLDER 40/1 | Don Giovanni overture (concert ending) | ||||||||||||
| Photocopy of copyist's manuscript full score with markings | |||||||||||||
| Reproduction of original printed Mozart ending and of copyist’s manuscript of Klemperer’s concert ending. | |||||||||||||
| BOX-FOLDER 40/1 | Don Juan ouverture | ||||||||||||
| Printed full score of original Mozart work | |||||||||||||
| BOX-FOLDER 40/1 | Don Giovanni: Konzertschluss der Ouverture | ||||||||||||
| Photocopy of printed full score | |||||||||||||
| BOX-FOLDER 40/2 | Don Giovanni (concert ending) | ||||||||||||
| Parts with markings | |||||||||||||
| Rameau, Jean-Philippe. [Gavotte with six variations] | |||||||||||||
| BOX-FOLDER 40/3 | Gavotte mit sechs Variationen | ||||||||||||
| Photocopy of copyist's manuscript full score (2 copies) | |||||||||||||
| At end: Copyright 1968 by Otto Klemperer. | |||||||||||||
| BOX-FOLDER 40/4 | Gavotte mit sechs Variationen | ||||||||||||
| Photocopy of copyist's manuscript (2 copies) | |||||||||||||
| At end: Copyright Otto Klemperer 1968. | |||||||||||||
| BOX-FOLDER 40/5 | Gavotte mit sechs Variationen | ||||||||||||
| Copyist's manuscript full score (transparencies) | |||||||||||||
| BOX-FOLDER 40/6-7 | Gavotte mit 6 Variationen | ||||||||||||
| Parts | |||||||||||||
| BOX 41-43 | Works by Others | ||||||||||||
| Includes holograph and copyists' manuscripts; full scores and parts, some with markings and annotations; photocopies; and printed music. | |||||||||||||
| Arranged alphabetically by composer, and by title therein. | |||||||||||||
| Abt, Franz | |||||||||||||
| Anna Lise see Works by Others: Mendelssohn, Volkslied | |||||||||||||
| Es hat nicht sollen sein see Works by Others: Mendelssohn, Volkslied | |||||||||||||
| [Anonymous] | |||||||||||||
| Des Sommers letzte Rose see Works by Others: Mendelssohn, Volkslied | |||||||||||||
| BOX-FOLDER 41/1 | Bach, Johann Sebastian. Die hohe Messe in H Moll |
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| Printed full score with holograph markings | |||||||||||||
| BOX-FOLDER 41/2 | Beethoven, Ludwig van. Fidelio see also Works by Others: Beyer, Ferdinand |
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| Printed piano-vocal score with holograph notes | |||||||||||||
| BOX-FOLDER 41/3 | Beethoven, Ludwig van. Missa solemnis |
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| Printed full score with holograph markings | |||||||||||||
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