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BOX 18-24, 47 |
Writings,
1934-1994
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Writings by Roy Harris,
1934-1975
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BOX-FOLDER 18/1 |
20th century era for common man. Nashville Tennessean (July 1950)
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BOX-FOLDER 18/2 |
"Adagio peneroso" in This I believe, vol 2. Edited by Raymond Swing. New York: Simon and Schuster, 1954: 70-71
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BOX-FOLDER 18/3 |
And this is good, America-- Educational Music Magazine (November-December 1941)
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BOX-FOLDER 18/4 |
Bands of the armed forces. NBC broadcast. Denver. July 15, 1944
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BOX-FOLDER 18/5 |
"The basis of artistic creation in music" in The bases of artistic creation. New York: Octagon Books, 1969: 19-29
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BOX-FOLDER 18/6 |
The composer's dilemma,
undated
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BOX-FOLDER 18/7 |
Composing: an art and a living. Music Journal (January 1953): 31, 78
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BOX-FOLDER 18/8 |
The creative artist and the war. Music News (December 1942): 6-7
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BOX-FOLDER 18/9 |
The creative musician and the new era, 1944
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Later published in Studies in Musical Education, History, and Aesthetics. Pittsburgh: Music Teachers National Association, 1944: 38-44 |
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BOX-FOLDER 18/10 |
The creative process in music,
circa 1959
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BOX-FOLDER 47/1 |
The cultural climate of the U.S.A,
undated
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BOX-FOLDER 18/11 |
Culture called need of our era. Peabody Reflector, 22, no. 10 (October 1949): 315
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BOX-FOLDER 18/12 |
Discussion of the Pittsburgh Symphony situation to date, undated
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BOX-FOLDER 18/13 |
Down to earth,
1955
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Laid in: letter from Harris to editor of the New Yorker |
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BOX-FOLDER 18/14 |
Education and the American composer, undated
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BOX-FOLDER 18/15 |
Expediency and our national culture, undated
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BOX-FOLDER 18/16 |
Folk material in art music. New York Times, December 1942
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BOX-FOLDER 18/17 |
Folk songs. House and Garden, 106, no. 6 (December 1954): 112, 165, 170
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BOX-FOLDER 18/18 |
Folk songs and ways,
undated
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BOX-FOLDER 18/19 |
Folksong: American big business. Modern Music, 43 (1940): 8-11
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BOX-FOLDER 18/20 |
For stadium concerts review, undated
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BOX-FOLDER 18/21 |
For young composers only. Music Journal, 14, no. 1 (January 1956): 13, 42
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BOX-FOLDER 18/22 |
Friendly competition. National Music Council Bulletin, 6, no. 2 (January 1946)
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BOX-FOLDER 18/23 |
The growth of a composer. Musical Quarterly, 22, no. 2 (April 1934): 188-191
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BOX-FOLDER 18/24 |
Humanism in the great society,
undated
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BOX-FOLDER 18/25 |
The institution of education. The Peabody Reflector (June 1950): 163
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BOX-FOLDER 18/26 |
International Musician articles,
1958-1959
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6 articles and related draft materials about musical life and education in the U.S.S.R. |
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BOX-FOLDER 18/27 |
Interview transcripts,
undated
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BOX-FOLDER 18/28 |
Lecture at the Desert Sun School,
1973
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BOX-FOLDER 18/29, 47/2 |
Lyric sketches,
undated
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Chiefly unidentified sketches for dramatic works |
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BOX-FOLDER 18/30-31 |
Miscellany,
1938, 1966, undated
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Includes outlines for possible autobiography |
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BOX-FOLDER 18/32 |
Modern melody: its resources, 1937
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Later published in Studies in Musical Education, History, and Aesthetics. Oberlin: Music Teachers National Association, 32 (1938): 41-47 |
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BOX-FOLDER 18/33 |
Music: mirror of man,
undated
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BOX-FOLDER 18/34 |
Music of today in America,
undated
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BOX-FOLDER 18/35 |
Nashville Tennessean articles, 1949-1950
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BOX-FOLDER 18/36 |
Of proving grounds, cynics, and a road to musical wisdom. San Francisco Chronicle, December 1943
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BOX-FOLDER 18/37 |
Oral testimony by Roy Harris, composer and director of the International Institute of Music before the Select Sub-committee on Education, House of Representatives (February 1962)
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BOX-FOLDER 18/38 |
"Our musical scene in two tones" in Twice a year: a book of literature, the arts, and civil liberties, 5-6 (1940-1941): 327-339
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BOX-FOLDER 18/39 |
Outlook on music in America at mid-20th century,
undated |
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BOX-FOLDER 19/1-2 |
Patten lectures. The audience,
1957
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BOX-FOLDER 19/3 |
Patten lectures. The composer,
1957
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BOX-FOLDER 19/4 |
Patten lectures. The music critic,
1957
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BOX-FOLDER 19/5 |
Patten lectures. The nature of music,
1957
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BOX-FOLDER 19/6 |
Patten lectures. The performer,
1957
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BOX-FOLDER 19/7 |
Patten lectures. Society and music,
1957
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BOX-FOLDER 19/8 |
Paul Rosenfeld, the believer,
undated
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BOX-FOLDER 47/3 |
The people's choice: the influences of audiences on music,
undated
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BOX-FOLDER 19/9 |
Perspective at forty. Magazine of Art, 32, no. 11 (November 1939): 638-639, 667-671
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BOX-FOLDER 19/10 |
Pittsburgh! Why? Carnegie Magazine (November 1952): 294, 297
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BOX-FOLDER 19/11 |
Plight of composers in plenty, undated
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BOX-FOLDER 19/12 |
The pollution of music,
undated
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BOX-FOLDER 19/13 |
A practical musical dream for a frustrated humanity. San Francisco Chronicle, December 2, 1975
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BOX-FOLDER 19/14 |
"Problems of American composers" in American composers on American music. Edited by Henry Cowell. New York: Frederick Ungar Publishing Co., 1962: 149-166
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BOX-FOLDER 19/15 |
Problems of composing music for school groups, 1949
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BOX-FOLDER 19/16 |
Program notes,
1962-1963, undated
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BOX-FOLDER 19/17 |
Prospectus for an international fellowship to develop and promote talented, disciplined, young string players,
circa 1966
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BOX-FOLDER 19/18 |
Prospectus on Inter-Collegiate Music Center,
1958
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BOX-FOLDER 19/19 |
Report on the International String Congress. International Musician, 58, no. 3 (September 1959): 10, 38
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BOX-FOLDER 19/20 |
Sources of musical culture. New York Times, January 1, 1939
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BOX-FOLDER 19/21 |
South must succor its ailing culture. Peabody Reflector, 24, no. 4 (April 1951): 107
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BOX-FOLDER 19/22 |
Speech in Pittsburgh, undated
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BOX-FOLDER 19/23-25 |
Statement for meeting of the Advanced Center for Great Education Issues,
1962
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BOX-FOLDER 20/1 |
Taxation without representation. Music Journal, 4, no. 5 (1946): 8-9, 46-48
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BOX-FOLDER 20/2 |
Thinkpiece no. 1, undated
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BOX-FOLDER 20/3 |
Thinkpiece no. 2, undated
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BOX-FOLDER 20/4 |
Time is running out. Texas String News (Summer 1950): 6-7
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BOX-FOLDER 20/5 |
Totalitarian man, undated
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BOX-FOLDER 20/6-8 |
Untitled writings and lectures,
1950, 1967, undated
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BOX-FOLDER 20/9 |
U.S.S.R. musical travels articles,
1958-1959
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Draft materials for unpublished articles |
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BOX-FOLDER 47/4 |
We Americans,
undated
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BOX-FOLDER 20/10-12, 21/1-3 |
We wonder as we wander,
circa 1972
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Drafts and notebooks |
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On title page: a multi-media production of cinematic drama and ballet, supported by vocal and instrumental music |
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BOX-FOLDER 21/4 |
What are your intentions, sir?, undated
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BOX-FOLDER 21/5 |
What should the Academy accord the accordion? Musical Newsletter, 41, no. 10 (October 1949): 10
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BOX-FOLDER 21/6 |
What's American about American music?,
undated
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BOX-FOLDER 21/7 |
You belong to us: a cinematic dance-drama in three parts,
undated
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Typescript scenario |
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Commissioned by the Lincoln Center for the Performing Arts |
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BOX-FOLDER 21/8-10, 22/1-9, 47/5-8 |
Unidentified writings and lectures,
undated
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Chiefly sections and fragments of draft materials |
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see also
Patten lectures
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Writings about Roy Harris by others,
1930-1994
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BOX-FOLDER 23/1 |
Anderson, Paul R. Statement on Roy Harris,
1953
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Defends Harris' patriotism against charges of Russian sympathies |
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BOX-FOLDER 23/2 |
Ashley, Patricia. Roy Harris. Stereo Review, 21, no. 6 (1968): 63-73
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BOX-FOLDER 23/3 |
Bargmann, Theodore John. The third symphony of Roy Harris,
1979
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Paper for doctoral seminar at the American Conservatory of Music, Chicago |
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BOX-FOLDER 23/4 |
Bialosky, Marshall. Roy Harris: in memoriam (but keep your hats on). College Music Symposium, 22, no. 2 (February 1982): 7-19
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BOX-FOLDER 23/5-7 |
Bibliographies, discographies, and work lists, 1960-1961, 1973, 1982, undated
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BOX-FOLDER 23/8 |
Copland, Aaron. "Roy Harris" in The new music. Revised edition. New York: W. W. Norton, 1968: 118-126
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BOX-FOLDER 23/9 |
Cowell, Henry. "Roy Harris" in American composers on American music: a symposium. Edited by H. Cowell. New York: Frederick Ungar Publishing Co., 1962: 64-69
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BOX-FOLDER 23/10 |
Evett, Robert. The harmonic idiom of Roy Harris. Modern Music, 22, no. 2 (Spring 1946): 100-107
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BOX-FOLDER 23/11 |
Farwell, Arthur. Roy Harris. Musical Quarterly, 18, no. 1 (January 1932): 18-32
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BOX-FOLDER 23/12 |
Goss, Madeleine. "Roy Harris" in Modern music-makers: contemporary American composers. New York: E. P. Dutton, 1952: 283-301
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BOX-FOLDER 23/13 |
Harris, Johana. How a contemporary symphony becomes a classic. International Musician, 54, no. 9 (March 1961): 30, 33
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BOX-FOLDER 23/14 |
Interview transcripts, undated
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BOX-FOLDER 23/15-17 |
Miscellaneous articles,
1930-1986, 1994, undated
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BOX-FOLDER 23/18 |
O'Connell, Charles. "Roy Harris" in The Victor book of symphonies. Revised and enlarged edition. New York: Simon and Schuster, 1948: 230-241
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BOX-FOLDER 23/19 |
Piston, Walter. Roy Harris. Modern Music, 11, no. 2 (January-February 1934): 73-83
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BOX-FOLDER 23/20 |
Poetry written for Roy Harris,
1975-1978
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BOX-FOLDER 23/21 |
Program notes, 1947, 1962, undated
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BOX-FOLDER 24/1 |
Reviews,
1933-1950, 1977-1980
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BOX-FOLDER 24/2 |
Roy Harris: the early years (1926-1935) and the emergence of American music,
undated
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BOX-FOLDER 24/3 |
Salazar, Adolfo. Music in our time, undated
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BOX-FOLDER 24/4 |
Slonimsky, Nicolas. Roy Harris. Musical Quarterly, 33, no. 1 (January 1947): 17-37
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BOX-FOLDER 24/5-7 |
Slonimsky, Nicolas. Roy Harris: a biography, circa 1948?
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Unpublished draft |
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BOX-FOLDER 24/8 |
Slonimsky, Nicolas. The story of Roy Harris--American composer. Etude (1956-1957)
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BOX-FOLDER 24/9 |
Stehman, Dan. Prologue to an investigation of style: Roy Harris, 1964
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BOX-FOLDER 24/10 |
Stehman, Dan. Roy Harris and Los Angeles,
undated |
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BOX-FOLDER 24/11 |
Roy Harris at seventy-five: stylistic development during the past three decades, 1973
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BOX-FOLDER 24/12 |
Stehman, Dan and Chesley Gibbs. Roy Harris. Ovation, 5, no. 6 (July 1984): 14-19
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BOX-FOLDER 24/13 |
Strimple, Nick. An introduction to the choral music of Roy Harris. The Choral Journal (May 1982): 16-19
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BOX 25-26, 48, 50 |
Correspondence,
1926-1997
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BOX-FOLDER 25/1-9 |
1926-1969
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