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Writings, 1945-2001 (continued) | |||||||||||||
Miscellaneous Writings, 1947-1999 (continued) | |||||||||||||
Articles (continued) | |||||||||||||
BOX-FOLDER 149/3 | Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles, 1996 | ||||||||||||
Photocopies of printed articles | |||||||||||||
Includes correspondence. | |||||||||||||
Cook, Will Marion: profile see Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles |
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BOX-FOLDER 149/2j | Davenport, John. "Memoirs of a professional traveler: Charles Kuralt." Houston Chronicle,Dec. 23, 1990 | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/2m | Davenport, John. "Sidney Bechet: the Jazz Great." Houston Chronicle, undated | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/2q | Davenport, John. "Two jazzmen: you don't have to like the musicians to like the music." Houston Chronicle,Feb. 11, 1990 | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/2o | Davenport, John. "Wit and whimsy of Charles Osgood." Houston Chronicle, undated | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/8 | Davis, Stuart. "Friends, it's here to stay." Esquire Jazz Yearbook, 1947 | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/7 | Edison, Harry "Sweets," July 27, 1999 | ||||||||||||
Computer printout | |||||||||||||
Edison obit. Source: Laura Barge. | |||||||||||||
Europe, James Reese: profile see Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles |
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Floyd, Samuel A., Jr.: profile see Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles |
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BOX-FOLDER 149/4 | Fox, Ted. "Bob Thiele: creative impulse." Audio Magazine, Feb. 1986 | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/17 | Goodman, George. "Jazz wizard: the dazzling talent of Michael Petrucciani." Connoisseur magazine,June 1984 | ||||||||||||
BOX-FOLDER 149/15 | Hadler, Mona. "Jazz and the visual arts," 1983 | ||||||||||||
Photocopy of printed article | |||||||||||||
Includes correspondence. | |||||||||||||
BOX-FOLDER 149/9 | Handful of keys, undated | ||||||||||||
Typescript | |||||||||||||
Subject: Fats Waller. | |||||||||||||
BOX-FOLDER 149/5 | Handy, D. Antoinette. "Conversation with Mary Lou Williams: first lady of the jazz keyboard." Black Perspective in Music, undated | ||||||||||||
BOX-FOLDER 149/20 | Hemming, Roy. "Taking Bach personally." Ovation,Feb. 1985 | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/2c | Hibler, Jude. "Compared to what?: Les McCann." Jazz Link,Sept. 1990 | ||||||||||||
BOX-FOLDER 149/21 | The Improvised Music Collective, profiles, undated | ||||||||||||
BOX-FOLDER 149/2e | Jones, James, IV. "Lee Ritenour." Downbeat,May 1990 | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/10 | Mehlinger, Kermit T. "Image of the Black man and the media." Journal of the National Medical Association,c1970 | ||||||||||||
Moore, Undine Smith: profile see Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles |
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BOX-FOLDER 149/23 | Murray, Albert. "The visual equivalent of the blues," undated | ||||||||||||
Photocopy of printed article | |||||||||||||
Includes correspondence. | |||||||||||||
BOX-FOLDER 149/14 | Nelson, Marshall J. "Jazz and copyright: a study in improvised protection." Copyright Protection of Improvised Music, undated | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/18 | "New York nights," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 149/12 | Parks, Gordon. "Jazz." Esquire, undated | ||||||||||||
BOX-FOLDER 149/2l | "Partners for Livable Places honors Nancy Hanks." Nation's Cities Weekly,undated | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/2r | Piazza, Tom. "Young, gifted and cool." New York Times magazine, May 20, 1990 | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/11 | Primack, Bret. "In walked Thelonious: a celebration of Thelonious." Jazztimes,Jan./Feb. 1994 | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/2h | Razek, Michael. "Jazz: stayin' alive." American Way,June 1981 | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/2d | Reifsnyder, James. "Hill community celebrates grand opening," undated | ||||||||||||
BOX-FOLDER 149/2i | Schwarz, Joel. "Key signature: Steinway." American Way,May 1982 | ||||||||||||
BOX-FOLDER 149/24 | Seldes, Gilbert. "Toujours jazz," undated | ||||||||||||
Photocopy of printed article | |||||||||||||
BOX-FOLDER 149/22 | Shaw, Arnold. "The sidewalks of 52nd St.," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 149/13 | Surowicz, Tom. "Jazz, never meant to be perfect music," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 149/1 | Traylor, Edward W. "A blues view of life," undated | ||||||||||||
Photocopy of printed article | |||||||||||||
Includes correspondence. | |||||||||||||
Walker, George: profile see Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles |
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BOX-FOLDER 149/19 | Wharton, Clifton R. "South Africa: time has run out," Nov. 15, 1984 | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 149/2a | Williams, Marlin. "And what might a jazz composer do?" 1975 | ||||||||||||
BOX 150-151 | Literary Works | ||||||||||||
BOX-FOLDER 149/25 | Bartee, Rich and Carma. "America on our mind (in Harlem): a collection of poems." Poet-tential Unlimited,1977 | ||||||||||||
Autographed to Billy Taylor by Carma. | |||||||||||||
BOX-FOLDER 150/7 | Berger, Morroe. Fats Waller: the outside insider, undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 151/1 | Berlin, Edward A. Scott Joplin: king of ragtime. 1994 | ||||||||||||
Galley proofs. | |||||||||||||
BOX-FOLDER 151/4-6 | Berliner, Paul F. Thinking in jazz. University of Chicago Press, 1994 | ||||||||||||
Galley proofs (photocopies) | |||||||||||||
BOX-FOLDER 149/26 | Brown, James. An ode to Martin Luther King (poem), Dec. 14, 1964 | ||||||||||||
Autographed to Billy Taylor by the author. | |||||||||||||
BOX-FOLDER 151/3 | Childs, Charles. The Eurojazz embrace: they done took our thing and gone.... | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 149/27 | Hasse, John Edward. Beyond category: the life and genius of Duke Ellington. Simon & Schuster, c1993 | ||||||||||||
Galley proof. | |||||||||||||
BOX-FOLDER 150/5-6 | Korall, Burt. Drummin' man. Schirmer Books, April 1990 | ||||||||||||
(2 copies) | |||||||||||||
Galley proof. | |||||||||||||
BOX-FOLDER 151/7 | Longstreet, Stephen. Up river: the jazz of Kansas City and Chicago, undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 151/2 | Major, Clarence. The Cotton Club. Broadside Press, c1972 | ||||||||||||
Poems. | |||||||||||||
BOX-FOLDER 150/2 | Mehlinger, Kermit T. Coal Black and the seven dudes. New York: Vantage Press, Inc., 1973 | ||||||||||||
Includes correspondence and other supporting documents. | |||||||||||||
BOX-FOLDER 150/8 | Mehlinger, Kermit T. Growing up in the ghetto, 1970 | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 151/9 | Miscellaneous lyrics | ||||||||||||
Typescripts of lyrics to songs or poems. | |||||||||||||
BOX-FOLDER 150/3 | Murray, Albert. Comping for Count Basie: the orchestration of good morning blues, undated | ||||||||||||
Manuscript, typescript | |||||||||||||
BOX-FOLDER 150/4 | Pleasants, Henry. Death of a music? Victor Gollancz Ltd., 1961 | ||||||||||||
BOX-FOLDER 150/11 | Poems written by students at Hurston J. High School, New York City, undated | ||||||||||||
Typescripts | |||||||||||||
Issued by Zlota Pacifica. | |||||||||||||
BOX-FOLDER 150/1 | Praeger, Frederick A. Black music of two worlds, undated | ||||||||||||
Publisher's proof. | |||||||||||||
BOX-FOLDER 150/9 | RLO. Jazz (poem), undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 150/10 | USSR Ministry of Culture. Moscow Conservatoire, 1986 | ||||||||||||
Photocopy of printed work | |||||||||||||
BOX-FOLDER 151/8 | Unidentified manuscript, undated | ||||||||||||
Typescript | |||||||||||||
BOX 152 | Projects, Programs, Proposals | ||||||||||||
BOX-FOLDER 152/20 | The Aspen Institute/Fund for Corporate Initiatives. Young Executives Program, Sept. 30, 1991 | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 152/4 | California Polytechnic State University. CSU summer arts, 1987 | ||||||||||||
Typescript | |||||||||||||
Includes background material and correspondence. | |||||||||||||
BOX-FOLDER 152/16 | The Collector of Dreams Writing Project, undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 152/7 | Commonwealth of Masschusetts Council on the Arts and Humanities. Heritage Program, undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 152/5 | The Community School, District 16. Cultural Arts Program, undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 152/1 | Congressional Black Caucus. A salute to women in jazz, Sept. 27, 1990 | ||||||||||||
Typescript | |||||||||||||
Includes background material and correspondence. | |||||||||||||
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